"Have you called M'Naughton?" Smith said. His gravelly voice was soft and his demeanor calm, but there was a strangled quality, as of anger suppressed, in his tone, and his brown eyes, which tended to have the slightly sorrowful cast common among convivial men, bulged from his jowly old-baby's face. Captain M'Naughton was the chief of the building's private fire battalion. Brown nodded. "Harley?" This was the captain of the building's private police force. Brown nodded again.

"They're evacuating the floor," he said. "M'Naughton's boys are in there now, looking for the goddamned thing."

"Call Harley and say I'm coming down," Smith said. He was already on his feet and headed around his desk for the door. Smith was a native of the Lower East Side, a tough boy from the old Fourth Ward, and his feelings for the building of which he was, in the eyes of New York and the nation, the human symbol were intensely proprietary. He took one last backward glance at his office when they went out, as if just in case, Love thought, he would never see it again. It was crammed like an old attic with trophies and mementos of his career, which had taken him nearly to Washington but in the end had led him to reign over this (normally) far more harmonious kingdom in the sky. Smith sighed. Today marked the start of the final weekend in the grand two-year adventure of the New York World's Fair, whose official headquarters were in the Empire State Building, and a lavish banquet was on the schedule for tonight in the dining room of the Empire State Club, down on the twenty-first floor. Smith hated to see a lavish banquet spoiled for any reason. He shook his head regretfully. Then, settling his trademark brown derby on his head, he took his visitor's arm and led the way out to the elevator bank. Ten elevators served this floor, all locals running between twenty-five and forty-one.

"Twenty-five," Smith snapped to the operator as they got in. Bill Roy, Smith's bodyguard, came along to guard Smith's old Irish body. "Twenty-five," Smith repeated. He squinted at Mr. Brown. "The funny-book people?"

"Empire," said Mr. Brown. Then he added sourly, "Very funny."

At twenty-nine, the elevator slowed as if to stop, but the operator pressed a button, and the local, having received a kind of battlefield promotion to express, continued on its way down.

"What Empire?" Love wanted to know. "What funny books?"

"They call them comic books," said Mr. Brown. "The outfit's called Empire Comics. New tenants."

"Comic books." Love was a widower with no children of his own, but he had observed his nephews reading comic books a couple of summers back, up at Miskegunquit. At the time, he had taken note only of the charming scene: the two boys lying shirtless and barefoot, in a swinging hammock stretched between a pair of unblighted elms, in a dappled bend dexter of sunlight, their downy legs tangled together, the restless attention of each wholly absorbed in a crudely stapled smear of violent color labeled Superman. Love had followed the subsequent conquest by the strapping, tights-wearing hero of the newspapers, of cereal boxes, and lately of the Mutual Broadcasting System, and was not unknown to cast an eye toward Superman's funny-page adventures. "And what could Bundists possibly have against them?"

"Ever seen one of these funny books, Jim?" Smith said. "If I was a ten-year-old boy, I'd be amazed there was still any Nazis left over there in Germany, the way our friends here at Empire have been poundin' away at 'em."

The elevator doors opened onto the unnerving dreamlike spectacle of a hundred people moving in complete silence toward the stairs. Except for the occasional urgent, not especially polite, reminder from one of the dozens of building policemen swarming the elevator lobby that pushing and shoving was only going to get somebody a busted leg, the only sounds to be heard were the drumskin rumble of rubber boots and raincoats, the squeak and clatter of soles and heels, and the impatient tapping of umbrella tips on tile. As his party got off the elevator, James Love noticed that a big policeman, with a nod to Chapin Brown, stepped in behind them to block the doors. All of the elevators had been cordoned by blue-coated guards who stood rocking back on their heels, hands clasped behind their backs, a grim-faced, impenetrable line.

"Captain Harley thought we'd better get 'em out as a group and keep 'em all together," said Brown. "I tended to concur."

Al Smith nodded once. "No need to spook the whole building," he said. He glanced at his watch. "Not yet, at any rate."

Captain Harley now came hurrying over. He was a tall, broad Irishman with a scarred left eye socket, clenched like a fist around the white and blue bauble of the eye.

"You shouldn't be here, Governor," he said. He turned his angry eye on Love. "I gave orders to clear the floor. With all due respect, that means you, too, and your guest."

"Have you found the bomb, Harley, or haven't you?" said Smith.

Harley shook his head. "They're still in there poking around."

"And what are you going to do with all these people?" said Smith, watching as the last few stragglers, among them a stooped, sullen-looking, bespectacled young man who appeared to be swathed in four or five layers of clothing, were herded into the stairwell.

"We're taking them down to the station room-"

"Send all those good people on over to Nedick's. Buy them an orange drink on me. I don't want them milling around on the sidewalk blabber-mouthing." Smith lowered his voice to a conspiratorial whisper not entirely devoid, even under the circumstances, of congeniality. "In fact," he said. "No. I'll tell you what. Have one of your boys walk them all over to Keen's, all right, and tell Johnny, or whoever it is, to give everyone a drink and put it on Al Smith's tab."

Harley signaled to one of his men, and sent him after the evacuees.

"If you haven't found the thing in"- Smith checked his watch again-"ten minutes, I want you to clear out twenty-three, twenty-four, twenty-six, and twenty-seven, too. Send them to… I don't know, Stouffer's or someplace like that. You got it?"

"Yes, Governor. Tell you the truth, I was only going to give it five minutes before I evacuated the other floors."

"I have faith in M'Naughton," Smith said. "Take ten."

"All right, now there's only one more problem, Your Honor," Captain Harley went on, working a meaty hand first over his lips, then across the whole lower half of his face, leaving a mottled flush. It was the frustrated gesture of a big man fighting a natural inclination to snap something in half. "I was working on it when I heard you come down."

"What is it?"

"There's one of 'em won't come out."

"Won't come out?"

"A Mr. Joe Kavalier. Foreign kid. Can't be more than twenty."

"Why won't this fellow come out?" said Al Smith. "What's the matter with him?"

"He says he has too much work to do."

Love snorted, then averted his face so as not to offend the policeman or his host with his amusement.

"Well, of all the- Carry him out, then," Smith said. "Whether he likes it or not."

"I'd love to, Your Honor. Unfortunately…" Harley hesitated, and mauled his jowls a little more with his big hand. "Mr. Kavalier has seen fit to handcuff his self to his drawing table. At the ankle, to be exact."

This time Mr. Love contrived to cover his laughter with a spasm of coughing.

"What?" Smith closed his eyes for a moment, then opened them. "How the hell did he manage that? Where did he get the handcuffs?"

Here Harley flushed deeply, and muttered a barely audible reply.

"What's that?" Smith said.

"They're mine, Your Honor," said Harley. "And to tell you the truth, I'm not really sure how he got ahold of them."

Love's coughing fit had by now become quite genuine. He was a three-pack-a-day man, and his lungs were in terrible shape. To prevent public embarrassment, he generally laughed as little as possible.