"The idea," said Anapol. "A radio show." He pressed a hand to his belly as if he was not feeling well. "It makes me a little nervous. With all due respect, and I don't say I'm not interested, but…"

"Well, think it over, Mr. Anapol. I suppose there must be other characters available, but I have a feeling this is the one for me. Let's say I'll telephone Jack Burns and make arrangements to have you sit down and talk about it this week," Love said. "That is, if you gentlemen are free."

"I'm free," Anapol said, recovering himself. "My partner, Jack Ashkenazy, will also, I am sure, be free. And this is our editor in chief, Mr. George Deasey."

Love shook Deasey's hand, recoiling at the smell of cloves covering the whiskey on his breath.

"But these young fellows over here," Anapol continued, "well, they do good work, as you've seen, and they're very good boys, if maybe a little bit excitable. But they're, how should I put it, they're the hired hands on this farm."

Sam Clay and Joe Kavalier exchanged a look in which Love saw the smoldering coals of a grudge.

"Moo," Sam Clay said, with a shrug of his enormous false shoulders.

"I'm going to need a statement from you, Mr. Anapol," Captain Harley said. "And from you, Governor, and your guest. It won't take long."

"What do you say we do it down at the club," Al Smith said. "I could use a drink."

At that moment a messenger in blue livery walked in, carrying a special-delivery letter.

"Sheldon Anapol?" he said.

"Here," Anapol said, signing for it. "George, stay here and see that things get settled down."

Deasey nodded. Anapol tipped the messenger and exited behind Al Smith. Love signaled to Smith that he would follow, then turned back to the two young men. Sam Clay stood, his shoulder against his partner's, looking a little woozy, as if he had been sandbagged. Then he went over to a low shelf in a corner of the room. He quickly gathered a stack of magazines and brought them to Love, looking the older man right in the eye.

"Maybe you'd like to get to know the character a little better," he said. "Our character."

" 'Ours' as in…?"

" 'Ours' as in Joe and myself. The Escapist. Also the Monitor, the Four Freedoms, Mr. Machine Gun. All of Empire's leading sellers. Here. Joe, do you have- Yeah." He scrabbled around in the clutter under Joe Kavalier's table to find a sheet of stationery on whose elaborate letterhead a group of handsome, muscular men and boys lounged, relaxing on and about the letters, one wild-haired, hook-nosed boy perched atop the ampersand of the words "Kavalier & Clay." "I've always thought the Escapist would be perfect for radio."

"Well, I'm really not qualified to judge, Mr. Clay," Love said, not unkindly, taking the magazines and the sheet of paper. "To be perfectly honest, my only concern is whether or not he'll sell socks. But I will say"-and here his face took on an odd expression that Joe almost would have called a leer-"I do like what I've seen here today. Take care, boys."

He exited the workroom, troubled, but not unduly, by a pang of sympathy for Kavalier & Clay. Love saw how it was. These boys had come up with this Escapist character and then, in exchange for some token payment and the opportunity of seeing their names in print, signed away all the rights to Anapol and company. Now Anapol and company were prospering-enough to let a quarter of a floor in the Empire State Building, enough to exert an impressive mass-cultural influence over the vast American marketplace of children and know-nothings. And while, to judge from their attire, Messrs. Kavalier & Clay were sharing to some degree in the general prosperity, Sheldon Anapol had just made it apparent to both of them that the course of the river of money beside which they had pitched their camp had been diverted, and would henceforth flow no more around them. In bis life as a businessman, Love had seen plenty of boy geniuses left deserted amid the bleached bones and cacti of their dreams. These two would, no doubt, have other brilliant ideas, and furthermore, no one was ever born smart in business. Love's feeling of pity, while sincere-and inspired in part by Joe's dark good looks and the quickness of spirit of the two young men-lasted no longer than it took for the elevator to deposit him in the richly paneled lobby of the Empire State Club. He did not imagine for a moment that he had just set in motion the wheels not of another minor midtown ruination but, very nearly, his own.

Back in the workroom-once again alive with chitchat and gum-snap and some shivery Hampton on the radio-George Deasey stood in the doorway to his office. He knit his ginger eyebrows and pursed his lips, looking uncharacteristically moved.

"Gentlemen," he said to Joe and Sammy. "A word."

He went into his office and, as was his wont, lay down in the middle of the floor and began to pick his teeth. He had been trampled by a fly-maddened cavalry horse while covering one of the U.S. Marine Corps' numerous attempts to capture A. C. Sandino, and on chill afternoons like this one, his back tended to stiffen up on him. His toothpick was solid gold, a legacy from his father, a former associate justice of the New York State Court of Appeals. "Close the door," he told Sam Clay after the boys came in. "I don't want anyone to hear what I'm going to say."

"Why not?" Sammy said, obediently shutting the door as he followed Joe in.

"Because it would cause me considerable pain if anyone should form the mistaken impression that I actually give a tinker's damn about you, Mr. Clay."

"Fat chance of that," said Sammy. He flopped into one of the two straight-backed chairs that flanked Deasey's enormous desk. If he was stung by the insult, he gave no sign of it. He had toughened under the constant administration of tiny mallet blows from Deasey. During their first months working for him, on days when Deasey had ridden Sammy particularly hard, Joe had often listened in the dark, pretending to be asleep, as Sammy lay clenched tight in the bed beside him, barking into his pillow. Deasey mocked his grammar. In restaurants, he made fun of Sammy's poor table manners, unsophisticated palate, and amazement with such simple things as sculpted butter pats and cold potato soup. He offered Sammy a chance to write a Gray Goblin novel for Racy Police Stories, sixty thousand words at half a cent a word; Sammy, sleeping two hours a night for a month, wrote three books, which Joe had read and enjoyed, only to have Deasey dissect one after another, each time with terse, bitter criticism that was infallibly accurate. In the end, however, he had bought all three.

"First of all," Deasey said, "Mr. Clay, where is Strange Frigate?"

"Halfway done," Sammy said. This was a fourth Goblin novel that Racy Publications, now operating very much in the shadow of its younger sibling but still turning a profit for Jack Ashkenazy, had commissioned from Sam Clay. Like all seventy-two of its predecessors in the series, it would be published, of course, under the house name of Harvey Slayton. Actually, as far as Joe knew, Sammy had not even started it yet. The title was one of two hundred and forty-five that George Deasey had dreamed up during a two-day bender in Key West in 1936 and had been working his way through ever since. Strange Frigate was number seventy-three on the list. "I'll have it for you by Monday."

"You must."

"I shall."

"Mr. Kavalier." Deasey had a sneaky way of lolling his head around toward you, one hand half-covering his face as if he were about to drop off for a catnap-an impression made all the stronger if he was, as now, stretched out on the floor. Then, suddenly, his drooping eyelids would snap open, and you would find yourself on the point of a sharp inquisitorial gaze. "Please reassure me that my suspicions of your involvement in this afternoon's charade are unfounded."