Instead, he began to dream about an old woman. In these dreams he would find himself belly-down in a cornfield, almost paralyzed with hate and fear. It was bright morning. He could hear flocks of crows cawing. In front of him was a screen of broad, sword-like corn-leaves. Not wanting to, but powerless to stop himself, he would spread the leaves with a shaking hand and peer between them. He saw an old house in the middle of a clearing. The house was up on blocks or jacks or something. There was an apple tree with a tire swing hanging from one of the branches. And sitting on the porch was an old black woman playing a guitar and singing some old-time spiritual song. The song varied from dream to dream and Trashcan knew most of them because he had once known a woman, the mother of a boy named Donald Merwin Elbert, who had sung many of the same songs as she did her housework.

This dream was a nightmare, but not just because something exceedingly horrible happened at the end of it. At first you would have said there wasn’t a frightening element in the whole dream. Corn? Blue sky? Old woman? Tire swing? What could be frightening about those things? Old women didn’t throw rocks and jeer, especially not old women that sang old-home Jesus-jumping songs like “In That Great Getting-Up Morning” and “Bye-and-Bye, Sweet Lord, Bye-and-Bye.” It was the Carley Yateses of the world who threw rocks.

But long before the dream ended he was paralyzed with fear, as if it wasn’t an old woman at all he was peeking at but at some secret, some barely concealed light that seemed ready to break out all around her, to play over her with a fiery brilliance that would make the flaming oiltanks of Gary seem like so many candles in the wind—a light so bright it would chalk his eyes to cinders. And during this part of the dream all he thought was: Oh please get me away from her, I don’t want no part of that old biddy, please oh please get me out of Nebraska!

Then whatever song she had been playing would come to a discordant, jangling stop. She would look right at the place where he was peeping through a tiny loophole in the broad lattice of leaves. Her face was old and seamed with wrinkles, her hair was thin enough to show her brown skull, but her eyes were bright as diamonds, full of the light he feared.

In an old, cracked, but strong voice she would cry out: Weasels in the corn! and he would feel the change in himself and would look down to see he had become a weasel, a terry, brownish-black slinking thing, his nose grown long and sharp, his eyes melted down to beady black points, his fingers turned into claws. He was a weasel, a cowardly nocturnal thing preying on the weak and the small.

He would begin to scream then, and eventually he would scream himself awake, streaming with sweat and buggy-eyed. His hands would fly over his body, reassuring himself that all his human parts were still there. At the end of this panicky check he would grip his head, making sure it was still a human head and not something long and sleek and streamlined, furry and bullet-shaped.

He crossed four hundred miles of Nebraska in three days, running mostly on high octane terror. He crossed into Colorado near Julesburg, and the dream began to fade and grow sepia-toned.

(For Mother Abagail’s part, she woke on the night of July 15—shortly after Trashcan Man had passed north of Hemingford Home—with a terrible chill and a feeling that was both fear and pity; pity for whom or for what she did not know. She thought she might have been dreaming of her grandson Anders, who had been killed senselessly in a hunting accident when he was but six.)

On July 18, then southwest of Sterling, Colorado, and still some miles from Brush, he had met The Kid.

Trash woke up just as twilight was falling. In spite of the clothes he had hung over the windows, the Mercedes had gotten hot. His throat was a dry well which had been faced with sandpaper. His temples thumped and jumped. He ran his tongue out, and when he stroked it with his finger, it felt like a dead treebranch. Sitting up, he put his hand on the Mercedes’ steering wheel and then drew it back with a scalded hiss of pain. He had to wrap his shirttail around the doorhandle to let himself out. He thought he would just step out, but he had overestimated his strength and underestimated how far the dehydration had advanced on this August evening: his legs collapsed and he fell onto the road, which was also hot. Moaning, he scrabbled his way into the shadow of the Mercedes like a crippled crawdad. He sat there, arms and head dangling between his cocked knees, panting. He stared morbidly at the two bodies he had pulled out of the car, she with her bangles on her shriveled arms and he with his shock of theatrical white hair above his mummified monkey-face.

He must get to Cibola before the sun came up tomorrow morning. If he didn’t, he would die… and in sight of his goal! Surely the dark man could not be as cruel as that—surely not!

“My life for you,” Trashcan Man whispered, and when the sun had dropped below the line of the mountains, he gained his feet and began to walk toward the towers, minarets, and avenues of Cibola, where the sparks of the lights were coming on again.

As the heat of the day segued into the cool of the desert night, he found himself more able to walk. His sprung and rope-tied sneakers flapped and thudded against the surface of I-15. He was plodding along, his head hanging like the bloom of a dying sunflower, and did not see the green, reflectorized sign which read LAS VEGAS 30 when he passed it.

He was thinking about The Kid. By rights The Kid should have been with him now. They should be driving into Cibola together, with the straightpipes of The Kid’s deuce coupe blatting back echoes from the desert. But The Kid had proved unworthy, and Trash had been sent on alone into the wilderness.

His feet rose and fell on the pavement. “Ci-a-bola!” he croaked. “Bumpty-bumpty-bump!

Around midnight he collapsed by the side of the road and fell into an uneasy doze. The city was closer now.

He would make it.

He was quite sure he would make it.

He heard The Kid a long time before he saw him. It was the heavy, crackling roar of unmuffled straightpipes thundering toward him from the east, branding the day. The sound was coming up Highway 34 from the direction of Yuma, Colorado. His first impulse was to hide, the way he’d hidden from the few other survivors he’d seen since Gary. But this time something made him stay where he was, astride his bike on the shoulder of the road, looking back apprehensively over his shoulder.

The thunder grew louder and louder, and then the sun was reflecting off chrome and

(??FIRE??)

something bright and orange.

The driver saw him. Downshifted in a machine-gun burst of backfires. Goodyear rubber peeled off on the highway in hot swatches. And then the car was beside him, not idling but panting like a deadly animal which may or may not be tamed, and the driver was getting out. But at first Trashcan only had eyes for the car. He knew about cars, he liked cars, even though he had never gotten so much as a learner’s permit. This one was a beauty, a car someone had worked on for years, put thousands of dollars into, the kind of thing you usually only saw at funnycar shows, a labor of love.

It was a 1932 Ford deuce coupe, but the owner had not stinted nor stopped with the usual deuce coupe customizing innovations. He had gone on and on, turning it into a parody of all American cars, a glittering science fiction vehicle with hand-painted flames billowing out of the manifold pipes. The paint job was flake gold. The chrome headpipes, which stretched almost the whole length of the car, reflected the sun fiercely. The windshield was a convex bubble. The back tires were gigantic Goodyear Wide Ovals, the wheel-wells cut to an exaggerated height and depth to accommodate them. Growing out of the hood like a weird heating duct was a supercharger. Growing out of the roof, solid black but shot with red flecks like embers, was a steel sharkfin. Written on both sides were two words, raked backward to indicate speed. THE KID, they said.


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