That had always been one of the nice things about working with houses. The guys you worked with were pretty serious about the job. Men in suits, they were usually shmoozers, talking sports, networking, couldn't leave you alone until they figured you out. But the contractors and workmen, they looked to see how you did your job and if you did it right, they respected you, and if you paid them on time and stuck to your schedule, they even liked working for you. The ones who worked in groups, they could go to Cook-Out together for lunch and they knew each other's wives or at least knew about them. But as the general contractor, Don wasn't really part of that. His free time was for his family, for his handful of friends, for his own thoughts.

Like the Duke Power guy when he showed up. No shmoozing, just a little weather talk and then he's looking at the line in. Underground, that's good. Not a very heavy line, that's not good. Then down into the cellar to the fuse box, saying no more than was needed. Don led the way down with his big flashlight, but of course the Duke Power guy had his own light and pinpointed exactly the things that Don had noticed. The ancient knob-and-tube wiring was clearly visible among the floor joists overhead, and the thirty-amp fuse box was a joke.

"Good thing this house wasn't occupied," said the Duke Power guy. "Somebody runs a hair dryer, the place goes up in flames."

"I won't be running any power through the old lines."

"Good. You want a hundred amps?"

"Already got the panel box I need. I'll put it up when you tell me where."

For the first time, the Duke Power guy showed some pleasure. Almost a smile. Probably wasn't used to people doing part of the work. Or maybe he expected Don to do it wrong and it amused him. But Don wouldn't do it wrong, and it would save him work, so it didn't matter what he thought, and the best thing was, he didn't say what he thought, just kept it to himself and that was right. He went right on and asked the next question. "Might as well run the line in through the same hole, as long as you got no need for the old cable."

And Don answered him. "Good enough for me."

By the time the cable was ready to hook in, Don had the panel box up and the old fuse box out of the way. When the guy started to attach the cable Don stepped back out of the way.

"Ain't hot yet," said the guy.

"And my gun ain't loaded," said Don.

That earned him a grin. "I guess that means you don't need the lecture about having a qualified electrician do all your wiring and shut off all the power before you touch this box."

"You can read me my rights, officer, but I've been through it all before."

The Duke Power guy shook his head and chuckled.

Before he turned on the juice, he watched Don attach a single white electric cable to one of the breakers. Didn't say a word while Don did it, which was high praise among workmen. Afterward he nodded down toward the other end of the coiled cable, which Don had attached to a junction box with a quadruple outlet.

"Hundred feet?" asked the Duke Power guy.

"Hundred and fifty," said Don. "I won't tell you how many extension cords I'll be running off this thing."

"Good thing, cause I don't want to know."

"It'll be code before the inspection." In other words, I won't let you get in trouble for hooking me up with the wiring in this condition.

"I seen one of these jobs once," said the Duke Power guy. "Lath and plaster walls. Hope you ain't planning on saving the original plaster."

"I believe in drywall," said Don. "I'm renovating, not restoring."

"Have fun." And that was it. The Duke Power guy got him to sign off on the job and he was gone. Guys in suits would have done lunch and exchanged business cards and promised each other a golf game.

The cable trailing behind him, Don carried the junction box up the stairs to the ground floor. The basement access was in the apartment on the north side, by far the nicest of the units the house had been cut up into. The stairs led into the biggest kitchen, with a massive table that might have been the finest piece of furniture left in the house, if not for all the initials carved in it. Then there were two bedrooms off the narrow hall that led to the parlor in front—again, the largest of the parlors in the house. Don set down the junction box in that room, plugged a six-outlet power strip into it, and then plugged a worklight into that. He flipped it on and the room was filled with a harsh white light. The words from Genesis passed through his mind as they always did at such a time. Only it was Duke Power, not God, who said Let there be light. God didn't bother much with light and dark anymore, Don figured. It had been a seven-day contract with no warranty. He finished a day early, collected his bonus, and walked away clean to let somebody else live with what he'd made. That's how Don looked at God, at least for these last few years.

Now that he had light, it was time to divide the firmament. Actually that was his dad's old joke, to call furniture "firmament". "Word doesn't have any other meaning that anybody knows of," he used to say, "so I can assign it to any meaning I want." So it was furniture that Don moved, pulling it all up against the outside walls of the north parlor so it was out of the way. The cheap and filthy wall-to-wall carpet wasn't worth saving, so Don had no qualms about taking his utility knife to it and baring all of the floor that didn't have furniture piled on it. The floor underneath was what he expected—a badly beaten-up hard-wood floor so solid and well made that it couldn't be replaced today at any cost. This place had been built right.

He rolled up the huge piece of old carpet and carried it outside and laid it on the grass next to the curb. Then he backed the truck up onto the lawn so he wouldn't have to carry his tools so far. It took him about a dozen trips to get all the sacks and boxes of hardware in. He plugged in the cordless tools to freshen the charge.

Three things were left in the back of the truck—the garbage can, the workbench, and his cot. The cot had to be last and the workbench was the heaviest thing, so he pulled out the huge Rubbermaid garbage can he had bought that morning and carried it around the outside of the house.

He picked a spot near the back door. The really massive pile of trash would be established at the front curb where he had left the carpet, of course, but he had to have a place to throw leftover food and any dead animals he might find in the house; whatever would rot needed to be in a can with a lid.

It was a hot afternoon, and all the carrying and walking had given him a light sweat. It felt good. So did the shade of the house and the tall looming hedge that cooled and scented the air and made the carriagehouse next door invisible. And at the end of the tall part of the hedge, there stood an old woman leaning on a rake, her white hair done up in a ragged bun that left strands wisping around her head like a halo, her face creased and cracked from a hundred suntans. A neighbor. And from the bright eagerness of her eyes, a talker. It was starting. But Don was raised right. He smiled and said hey.

"Hey yourself, young man," said the old woman. "Y'all fixin' up the old Bellamy house or tearin' it down?" Her accent was pure hillbilly, all Rs and twang.

"House ain't ready to die yet," said Don.

At once the old woman called out to somebody invisible behind the high hedge. "You was right, Miz Judy, the landlord's gonna make this poor feller fix up the Bellamy house!" She turned back to Don. "I hope you don't think a couple of locks on the doors are going to make you safe. Strange people go in and out of that house. It's a nasty place!"

What was she doing, trying to scare him into going away? That made no sense. The neighbors should be glad somebody was trying to fix it up.