“So how did you end up here in Las Piernas?”

“I married a woman from southern California. We settled in Newport Beach. My attraction to the ocean and the warm weather lasted longer than her attraction to me, I’m afraid.”

“I’m sorry.”

“No need to be. That was years ago. I moved here to get away from old memories and was pleasantly surprised. Las Piernas made me feel more at home. I’ve been quite happy here.”

By then we were on the long road that led out to the cliffs. There were no other houses now, just trees towering above the two-lane blacktop. About three hundred yards from the house, we came to a guardhouse and a gate. A yawning guard took a look at Guy’s invitation and lifted the gate arm. Pete pulled over to one side, as if undecided about following us further. We drove in and pulled into a graveled parking area. I didn’t see Pete’s car come down the drive and assumed he had felt I would be safe for the time being.

We got out of the car and walked toward the house. The Sheffield Estate was huge. A three-story Victorian painted in bright colors, it had been the Sheffield home in the earliest years of their reign over Las Piernas. Elinor Sheffield spent vast sums to ensure that it was kept in top condition. The plumbing, heating, and utilities had been modernized, but in most other respects the original portion of the house was much as her great-great-grandfather had left it.

A butler directed us around a corner to the back of the house, which faced the ocean. Here the effects of modernization were more clearly seen. A large open room had been added, as well as a sweeping veranda. The second story of the addition held a sun deck, shielded from cold winds by tall Plexiglas panels. The portion of the original house which stood sentry over these additions was a high tower that stood at one corner. The tower’s curving windows faced both the sea and the woods.

It was a warm night. Dozens of people chattered and glasses clinked; the cocktail hour was well under way. Guy managed to nab a couple of glasses of wine and we walked out to the far railing of the veranda, which came out nearly to the cliff’s edge, commanding an almost 180-degree view of the beach and surrounding cliffsides. The lights of downtown Las Piernas and the marina glimmered to our right; to our left, the slowly sloping coastline was outlined by the lights of other cities. Below us waves fell in white rolling succession, booming at beach level but from this far above more like distant thunder.

From all around us came the sound of inconsequential conversation, small talk from bigwigs. Several times Guy was approached by someone who knew him from the bank. He would introduce me, a certain amount of chitchat would ensue, and then he would break off with a polite, “Excuse me a moment.” I turned to watch the ocean.

“Don’t get too near the edge, my dear, it’s not as solid as it looks.”

I turned and found myself facing a lioness. Elinor Sheffield Hollingsworth was no less than five-eleven, and with her high heels on she must have climbed to the neighborhood of six-one. At five-eight I’m no shrimp myself, but there was something more than height at work here. The woman had presence.

She smiled and extended a hand, giving me one of the firmest handshakes I’ve ever had from a woman. She had to be in her mid-fifties, but looked a dozen years younger. She moved with slinky grace, her long shapely legs carrying her without any of the awkwardness one might have expected with her height. She was tanned and athletic-looking without being leathery; she obviously spent time working out. She had short platinum-blond hair and eyes that were such a pale blue they were almost colorless. Until now I had thought her nickname referred to the family fortunes. But I could see why someone had long ago named her “the Ice Queen.” From her proud bearing to her firm handshake, everything about her breathed power. Her eyes riveted one’s attention. Here was a woman who wasn’t afraid of anyone or anything. And yet, both her smile and the handshake were warm, welcoming.

“Irene Kelly,” I said. “I’m with the Express.”

“Yes, I know,” she said. She arched one perfect brow. “Well, looking at you, my dear, I see we’ll have to keep you at arm’s length from your editor, Mr. Wrigley. He’s right over there, so watch your stern if you go sailing past him. An unnecessary bit of advice to give any woman who has worked for him, I know. Of course, you have our dear Mr. St. Germain, who has always been an excellent defenseman-am I right, Guy?”

“If you say so,” Guy said with a smile. “You look lovely tonight, Elinor.”

“Oh, Guy-you are such an obvious flatterer. But I’ll forgive you, bankers can’t help it when it comes to dealing with the filthy rich. Come along, Miss Kelly. I’ll introduce you to the people you’ve come here to meet.”

I looked helplessly at Guy, who merely smiled and said, “No one refuses Elinor, I’m afraid. Perhaps later she will take pity on me and return my date to me.”

“You’ll do fine, Guy,” she said. “Run along and hobnob with the hoi polloi.” She led me off toward a small group. I caught Wrigley looking at me with mouth agape. I only hoped I wouldn’t stumble as I tried to keep up with her in my heels. As we walked, she said, “If you want the truth, Miss Kelly, I’m bored silly by these affairs. I decided you might liven up my evening considerably. You’re the most exciting person in Las Piernas right now.”

“Me?”

“Why, of course. I’m rich, not illiterate. I read the papers. You’ve had quite a week.” She stopped and turned to me with a worried look. “Oh, dear, I don’t mean to sound so unsympathetic. To you it’s not excitement. Mr. O’Connor was a close friend of yours, wasn’t he?”

“Yes. He meant a great deal to me.”

“Nothing can replace such a loss,” she said. “I’m sorry. I see I’ve upset you. What can I do to change that? Let’s get these introductions over with and I’ll think of something.”

She broke off our conversation to say loudly to the people in the circle, “Watch your tongues, ladies and gentlemen, I bring a member of the fourth estate within earshot of you.” They looked up all at once, like grazing deer that have heard a twig snap. I had met some of the political figures that were in the group-the mayor, Richard Longren, and several council members. Most of them, experts at remembering names, greeted me at once.

Elinor introduced her husband, Andrew Hollingsworth. He was a good-looking man with a tan equal to his wife’s and a hundred-watt smile. As powerful as I knew he was, standing next to Elinor he couldn’t help but be eclipsed. And yet I could see he used this as an asset, letting her charm the crowd while he rode on her coattails.

Some general small talk and coos of sympathy were made about the events of the last week, and I saw Elinor pulling her husband aside and directing him over to another cluster of people. He excused himself and walked over to the other group, leaving our own circle quite distracted, until she stepped in to call their attention back to herself. After a few moments she said, “I promised Irene a quick tour of the house before dinner. Please excuse us.”

Of course there had been no such promise, but I was as much under her spell as they were, and I followed her into the house. As soon as we were a little distance from them, she said, “I must keep an eye on Andrew or he’ll spend all of his time with his friends from the city. But they see each other every day and he needs to keep our other guests happy too.” I knew, though, that what I had seen was not a man playing the congenial host. I had seen a man directed to someone who could be of political help. Elinor was his spotter, apparently, picking important people out of the crowd for Andrew to schmooze with.

We entered the house. I’m not the kind of person who has a background that would make me a good appraiser for a place like Sotheby’s, so I can’t do justice to the Sheffield Estate’s art collection. I can say that the effect of the decorating style was one that was pleasing and spare. A painting here, a small sculpture there; walls painted in muted colors; furniture with simple but elegant lines. The art objects were placed carefully and in such a way as to attract attention gently without being obtrusive.