“I don’t believe you’ve met my fellow ministers,” Ariel said softly, gesturing with a feminine turn of hand toward the mob of shapes in the shadows. “Instruments to this lower world, they were belched up before your kind was born. They have different names—his Prosperousness doth fain to call them this and that, as takes his pleasure—but they are more like me than not, descended from chlorophyll and the motes set there in the forest to measure it in time before post-humans. They are the zeks—helpers and workers and prisoners all, and who of us is not all these things?”

Harman stared at the greenish shapes. They stared unblinking back.

“Seize him,” lisped Ariel.

Four of the zeks came forward—they moved with a smooth grace that Harman wouldn’t have expected from such gingerbread shapes—and before he could run or fight, two of them seized him with three-fingered grips of iron. The third zek leaned in close, unbreathing, until its featureless chest touched the tunic above Harman’s chest, and the fourth seized Harman’s hand—just as Ariel had seized Hannah’s only a short while before—and thrust it through the yielding green-skin membrane of the third zek’s chest. Harman felt the soft heart-organ in his hand, almost coming to him like a pet, and then the unspoken words echoed in his brain—do not irritate ariel he will kill you on a whim. come with us and make no effort to resist. it is to your benefit and to your lady’s ada’s to come with us now.

“How do you know about Ada?” Harman shouted aloud.

come

That was the last word transmitted through Harman’s pulsing hand into his aching skull before his hand was wrenched free, the zek’s soft heart still in it, shriveling, dying, and then the zek itself pitched over backward, falling silently to the jungle floor, there to shrivel and desiccate and die. Ariel and the other zeks ignored the corpse of the communicator as Ariel turned and led the way down the slightest of trails along the dark jungle floor.

The zeks on either side of Harman still clung to his arm, but lightly now, and Harman made no effort to resist, only to keep up as the line of forms moved through the dark wood.

* * *

Harman’s mind was racing faster than his feet as he stumbled to keep up through the dark jungle. At times, when the foliage overhead was too thick, he couldn’t see anything—not even his legs or feet beneath him in the near absolute darkness—so he let the zeks guide him as if he were blind and concentrated on thinking. He knew that if he was ever going to see Ada and Ardis Hall again, he’d have to be a lot smarter in the coming hours than he’d been in the last many months.

First question—where was he? It had been a stormy morning when he’d been at the Golden Gate at Machu Picchu, but it felt very late here in this jungle. He tried to remember his self-taught geography, but the maps and spheres blurred in his mind now—words like Asia and Europe meaning almost nothing. But the darkness here suggested that Ariel hadn’t just whisked him to some jungle on the same southern continent that held the Bridge. He couldn’t walk back to Machu Picchu and Hannah and Petyr and the sonie.

Which led to the second question—how had Ariel brought him here? There had been no visible faxnode pavilion in the Golden Gate green globules. If there had been—if Savi had ever suggested a fax connection to the Bridge—he certainly wouldn’t have flown the sonie there to get the weapons and ammunition and try to get Odysseus to the healing crèche. No … Ariel had used some other means to transport him through space to this dark, rot-smelling, muggy, insect-filled place.

Since he was being dragged through the darkness not ten paces behind the biosphere avatar—or so Prospero had once identified Ariel—Harman realized he could just ask these questions. The worst the pale sprite—his/her body visibly glowing in starlight as they crossed the occasional small opening in the jungle—could do was not answer.

Ariel answered both questions, the second one first.

“I shall have thy company for only a few hours more,” said the small form. “Then I must deliver thee to my master, not long after we hear the strain of the strutting chanticleer—if strutting chanticleer there were in this wretched place.”

“Your master Prospero?” asked Harman.

Ariel did not answer.

“So what is the name of this wretched place?” Harman asked.

The sprite laughed, a sound like the tinkling of small bells, but not altogether a pleasant noise. “They should call this wood Ariel’s Nursery, for here ten times two hundred years ago, I came to be—rising into consciousness from a billion little sensor-transponders the old-old-style hu-mans—your very ilk, guest—called motes. Trees were talking to their human masters and to each other, chatting in the mossy old net that had become the nascent noosphere, gabbling on about temperatures and birds’ nests and hatchlings and pounds per square inch of osmotic pressure and trying to quantify photosynthesis the way a rheumy clerk counts his beads and bangles and thinks them treasure. The zeks—my beloved instruments of action, too many stolen from me for wasteful duty on the red world by that monster-magus master—rose likewise, yea, but not here, honored guest, not here, no.”

Harman understood almost none of that, but Ariel was talking—babbling—and he knew that if he could keep the creature engaged in conversation, he’d learn something important sooner or later.

“Prospero, your master, called you the avatar of the biosphere when I spoke to him, your master, nine months ago on his orbital isle,” said Harman.

“Aye,” said Ariel, laughing again, “and I call Prospero, whom you call my master, Tom Shit.” Ariel looked back at him, the small, greenish-white face glowing like some phosphorescent tropical plant as they plunged into a section of trail in total darkness under the encroaching leaves. “Harman, husband of Ada, friend of Noman, thou art, to mine eyes, a man of sin, a man whose destiny has import, in this lower world at least, less for what is in’t than for its pallid shape. Thou, ‘mongst all men, being most unfit to live—much less to live your full Five Twenty so like one of brother Caliban’s long-baked meals—since time and tides of time hath made you mad. And even with such valour, you know, men hang and drown their proper selves.”

Harman understood none of this and despite his asking many more questions, Ariel did not reply or speak again until dawn some three hours and many miles later.

An hour after Harman was sure that he had no energy left, they allowed him to stop and lean against a huge boulder to catch his breath. As the light came up, he realized that it was no boulder.

The boulder was actually a wall, the wall was part of a large building with levels set back as it rose, and the building was something that he guessed from his sigling was called a temple. Then Harman realized what his hands were touching and what his eyes were seeing.

Every inch of the large temple was carved. Some of the carvings were large—as wide as the length of Harman’s arm—but most were small enough that he could cover them with the palm of his hand.

In the carvings—each one becoming more clear as the tropical sunrise bled light through the jungle overhead—men and women were making love—having sex—as were men and more than one woman, men and men, women and women, women and men and what looked to be horses, men and elephants, women and bulls, women and women and monkeys and men and men and men….

Harman could only stare. He’d never seen anything like this in his ninety-nine years. On one level of carvings just at eye height, he could see a man with his head between a woman’s legs while another man, straddling the first, offered his erect penis to the straining woman’s open mouth, while behind her, a second woman wearing some sort of artificial penis was entering the first woman from behind while the first woman, servicing the two men and the woman behind her, was reaching her arm out to an animal Harman recognized from the turin drama as a horse, masturbating the excited stallion. Her other free hand was massaging the genitals of a human male figure standing next to the horse.


Перейти на страницу:
Изменить размер шрифта: