Sir Alfred came striding along the passage to the library when he suddenly stopped in utter astonishment. “Tom!” he gasped as he saw the boy’s pale face.
When Tom came to consciousness he found himself in a soft feather bed with a nurse at his bedside. “Ah! that’s good, he is conscious now” she whispered. “Why did Smith attack me? asked Tom feebly. “He’s delirious” said the nurse turning to the doctor, “I thought he would be after that fall, poor boy”; for the library being at the foot of a flight of steps, Sir Alfred and the nurse naturally thought he had fallen down them.
A long time had past and Tom had not been allowed to see anyone as he had concussion of the brain. At last he was allowed to see someone and nurse asked him who he would choose for his first visitor. “Smith” was the reply. In came Smith very shyly. Why did you fling me down on that stone” demanded Tom.
Now Smith was not usually a butler. He was really a professional thief and so he soon thought of what to say, so turning to the nurse he said “I think I had better go for the excitement of seeing anybody after such a long time of quiet has made him a bit mad,” with that he left the room.
Tom was quite well and able to run about the house, so he thought he would see Smith. Smith was not in his room, so Tom thought that he would go into the secret cave. He went to the old carving, pressed the letter “U,” immediately the same door opened. He went along the passage. Suddenly he stopped abruptly, for footsteps could be heard coming towards him. He crouched down waiting ready to spring. The footsteps came nearer and nearer. Tom could feel his heart thumping against his ribs. Suddenly appeared round the corner of the passage, Tom was on his in a minute and taken by surprise Smith was flung senseless to the ground. Tom was just getting up when he saw a piece of old parchment, he opened it and this is what he read—“I, Wilfred James have stolen these articles of great price from Queen Elizabeth. I could not keep the secret so I put my confidence in Sir Walter Raleigh who gave a hint about it to the great statesman Bacon, who told Queen Elizabeth. The troops of soldiers will be here in one hour and if they find the jewels I shall be locked in the Tower.” There the paper ended, so Tom began to look for the jewels, and found them in Smith’s pocket. Then putting Smith back on his bed he went to his father’s study and told Sir Alfred all the paper had said, and showed him the jewels.
The next day Sir Alfred gave Smith the “sack” and the day after he was found to be the worst thief that ever puzzled Scotland Yard and was arrested and sent to Dartmoor convict prison.
THE END
FRAGMENT OF A NOVEL
To myself,
Evelyn Arthur St. John Waugh
to whose sympathy and
appreciation alone it owes its being,
this book is dedicated.
Dedicatory letter,
My dear Evelyn,
Much has been written and spoken about the lot of the boy with literary aspirations in a philistine family; little can adequately convey his difficulties, when the surroundings, which he has known from childhood, have been entirely literary. It is a sign of victory over these difficulties that this book is chiefly, if at all, worthy of attention.
Many of your relatives and most of your father’s friends are more or less directly interested in paper and print. Ever since you first left the nursery for meals with your parents downstairs, the conversation, to which you were an insatiable listener, has been of books, their writers and producers; ever since, as a sleepy but triumphantly emancipate school-boy, you were allowed to sit up with our elders in the “bookroom” after dinner, you have heard little but discussion about books. Your home has always been full of them; all new books of any merit, and most of none, seem by one way or another to find their place in the files which have long overflowed the shelves. Among books your whole life has been layed and you are now rising up in your turn to add one more to the everlasting bonfire of the ephemeral.
And all this will be brought up against you. “Another of these precocious Waughs,” they will say, “one more nursery novel.” So be it. There is always a certain romance, to the author at least, about a first novel which no reviewer can quite shatter. Good luck! You have still high hopes and big ambitions and have not yet been crushed in the mill of professionalism. Soon perhaps you will join the “wordsmiths” jostling one another for royalties and contracts, meanwhile you are still very young.
Yourself,
Evelyn
I
Peter Audley awoke with “second bell” ringing dismally down the cloisters and rolling over in bed looked at his watch. Reassured that he had another five minutes before he need begin getting up, he pulled his rug up over his shoulders and lay back gazing contentedly down the dormitory, which was already stirring with the profoundly comforting sounds made by other people dressing. The splashing of the showers next door, the chipping of the thick crockery and the muttered oaths at backstuds accentuated the pleasure of the last minutes.
Early school was kept up practically all the year round at Selchurch, which took a certain pride in the gloom of these early mornings. Peter, however, had got his “privileges” which took away the bitterest sting of frantic punctuality and allowed him, after reporting to his form master, to sit out and work in his study.
With a heave he got out of bed and went to wash. The showers looked singularly uninviting but the water for the basins was stone cold—the furnaces were not lit until midday in March 1918—and with rising gloom he returned shivering and half dry to the dormitory. Some fanatic had opened one of the high Gothic windows and a cold gust of wind swept down the room. There was a chorus of protestastion and the window was closed. He dressed dully and leaving the dormitory at a few minutes past seven crossed the quad to “report.” Several fags, laden with books, dashed past him, trying desperately to avoid recognition by the prefect “taking lates.” His form master nodded to him and he turned on his heel and made for his study. The gravel was dark with fallen rain, the sky menacing with monstrous rough hewn clouds; over everything spread a fine, wet mist.
The handle of his study door was cold; he went in, kicked the door to and fell into an easy chair gazing round the tiny room. It was pleasant enough and he had spent considerable pains on it, but this morning it afforded him no pleasure.
The carpet was black—a burst of aestheticism which he had long regretted as it took a great deal of brushing and earned his study the name of the “coal cellar”—and the walls distempered a bluish grey. On them were hung four large Medici prints, the gift of his grandmother but his own choice; Botticelli’s Mars & Venus—he had had some difficulty over this with his house master, to whom a nude was indecent whether it came from the National Gallery or La Vie Parisienne—Beatrice d’Este, Rembrandt’s “Philosopher” and Holbein’s Duchess of Milan. These he liked either because they were very beautiful or because they gave an air of distinction which his friends’ Harrison Fishers and Rilette pictures lacked. The curtains, cushions on the window seat and table cloth were blue; the whole room was pleasantly redolent of the coffee of the evening before.
Peter, however, lay back staring gloomily at the grey block of class rooms opposite. It was Saturday morning and Saturday afternoon was the time chosen, as being the longest uninterrupted time in the week, for the uniform parade. He could just remember when, his first term, summer 1914, it had been the great social time of the week when tea was brewed and quantities of eclaires eaten, and now that he had grown to an age to have a study and enjoy these things, they were all blotted out and from two to six he would have to manoeuvre a section of sullen fags over the wet downs in some futile “attack scheme.”