“When I was nineteen they gave me a studio, nothing like this, of course, but a decent enough shed with a good north light—and set me up as a Society portrait painter. Well I painted and flattered the ugly old women, that came to me, for a time; but after a little I found I could stand it no longer. I was painting badly, insipidly, insincerely, and I knew I could do better. I saw that the whole Academic conception was false—yes, that sounds funny from me nowadays, doesn’t it? But we all see things more clearly when we’re young.

“That autumn the Italian futurists came to London and Marinetti delivered his epoch making series of broken-English lectures at the Dorée galleries. It was there, and particularly in Severini’s ball-room scenes, that I found what I and half Chelsea had been looking for.

“I always acted on impulses then, and when I came back and found in my room the luggage I had been packing for a tour through Italy with the Jews—they still ran me, though by that time I was making a fairly decent living—I was filled with revulsion. I wrote a brief, I am afraid rude, note to them, and slamming the door of my studio rushed out into the night.

“I have no clear idea of what happened that night. I went to the Café Royal and drank absinthe. And soon I joined a group at the next table and together, as the sham English Bohemians do, we drank a lot, & laughed a lot, and finally all reeled out into the cool air of Regent Street. There were girls with us too, who had their hair cut short though it was not fashionable then. The leader of the set was a beautiful youth with red-gold hair whom we all called Ronald. I never learned his sirname though I met him continually for the next year and shared his studio with him. He painted fierce warm-colored ‘abstractions’ in tremendous bouts of energy which left him lethargic and apathetic. He was a great friend of mine in the year I spent in our sham Quartier Latin. For after that night I left the Jews and spent my time with the young art students and futurists. We were a happy enough lot and I should always have looked back to that year as the best of my life if —

“Well, during that year I painted as I have never painted before or since. I painted as I knew I ought to without convention or restraint. I exhibited at the Mansard Gallery and in the Adelphi and reviews of my work appeared in ‘Blast’ and ‘The Gypsy.’ I was gloriously happy in my work & then it was all spoilt, and by a woman.

“I won’t say much about that, if you don’t mind. I was desperately in love and Ronald kept telling me not to be a fool. I wouldn’t listen to him and began to break with my friends. She was a model and her vision remains to me now as the most beautiful thing I need ever fear to see….. Well, the crash came, as Ronald said it would, and I tore up all my drawings and stuffed the stove in the studio full of them. And I scraped the paint off my canvases with my palette knife; and I had one tremendous night with the whole set ‘flung roses, roses, riotously with the throng, seeking to put thy pale lost lilies out of my mind.’ We were all very noisy and drunk and we told Rabellaisian jokes till far into the morning, and then in the grey of dawn I slunk back to the respectability and the Jews.”

He was speaking, up till now, very seriously and bitterly. Now he shook his great shoulders like a dog, tossed his head, & motioning me to resume my pose took up his palette.

“Oh yes, they received me with open arms. And Mayfair accepted me as its season’s attraction. The old life went on. They made me an R.A. and—Happy? why yes. Why not? I’ve made a good thing out of life. Ask any of your club friends, they’ll tell you so. But there are times when I see reviews of Ronald’s work and hear my academic colleagues’ sneers of him that I—Oh well; we must get on with the damned picture while the light lasts.”

Never, in its varied and not always unqualifiedly successful career, had the school been in a state of such utter disorganization and prostration, as in the Easter term, 1917. In France & Flanders, our thinly guarded, inadequately munitioned lines, were quite incapable of successfully resisting the menaced German “push,” every paper brought news of further mis-management and ill-success, every post news of some friend or relation who had been killed. At school, the houses had mostly been taken over, in the absence of their younger housemasters, by well meaning but incompetent elderly assistant masters; the prefects were young, and knowing that in a few weeks, at the most a few months, they would be “called up” to go to possible death, almost certain mutilation, cared little for school or house affairs. All over the country nerves were strained to the breaking point. This must be borne in mind when reading a story which at any other period would have been utterly impossible.

Every house, of course, claims to be the best, and in all probability has hypnotized itself into believing so, but there is one House that is more exclusive, more arrogantly self-confident, more self-contained, than any other. The House has many exclusive points of etiquette that the out-houses look on with contempt or resentment. They have largely their own slang, a great many of their own customs, and above all an unshakable contempt for the corps and all its machinations. Every flight of Inspection-day oratory leaves them the same, and even when all over the country militarism was all powerful, when soldiers drilled on the Christ Church quads at Oxford, they kept up their contempt with unmitigated bitterness. And then came Ross. A prefect, an excellent all round athlete, with a high place in the Classical sixth, he had remained quite a nonentity until he returned at the beginning of the Easter term to find himself head of the House, now demoralized and bereft of all its earlier dignity.

He had to take the entire management of the House into his own hands, and very soon he made himself felt. He stopped people getting “orders” for confectionery from their temporary housemaster, he stopped people getting leaves off Clubs & Parades without consulting the matron at all, he generally raised the house to something like its former standard and on the whole people liked it, for fundamentally men rather like being kept in order if it is done in the right way.

For the first three weeks all went well—too well really. Then came the Monday afternoon parade in which the corps started organizing for the House Platoons Shield. Ross delivered a violent little speech and, as in most of his speeches, he said rather more than he meant to. “Stand easy and pay attention. The display that you have given so far has been perfectly monstrous. I’ve never seen such marching in my life before—might be a whole lot of boy scouts. I can tell you, that if you think that because this House has been disgustingly slack in the past, you are going to be disgustingly slack now, you are quite wrong for once in your lives. You’re going to sweat for this—sweat your guts out—and I’m going to make you! Got that?” and he called the platoon up.

The House looked on him with undisguised amazement and disgust and slowly meandered through the platoon drill with their customary negligence.

Next Tuesday’s uniform parade saw the House with tarnished buttons, mud caked boots, and fouled rifles as usual. Next day saw the whole platoon doing “defaulters.”

And so it went on, and gradually the House began to give way to his personality and even attained a certain sullen efficiency when suddenly a few days after the House Trials, an occurrence happened which altered the whole complexion of affairs.

One afternoon Ross was sitting in the house captain’s room reading, when Stewart burst in, in running change, rather dirty, obviously just returned from a run.

Stewart was captain of Running and certain, people said, to be, at any rate, in the first three in the Five Mile—very possibly a winner.