Hock Seng pauses in his labors, listening.

Rustling comes from the next room but nothing indicates that anyone eavesdrops on his mouselike burrowing. He returns to the process of loosening a disguised bamboo panel at its joint, carefully saving the sawdust for later.

Nothing is certain-that is the first lesson. The yang guizi foreign devils learned this in the Contraction when their loss of oil sent them scuttling back to their home shores. He himself finally learned it in Malacca. Nothing is certain, nothing is secure. A rich man becomes a poor man. A noisy Chinese clan, fat and happy during Spring Festival, fed well on pork strips, nasi goreng and Hainan-style chicken becomes a single emaciated yellow card. Nothing is eternal. The Buddhists understand this much, at least.

Hock Seng grins mirthlessly and continues his quiet burrowing, following a line across the top of the panel, digging out more packed sawdust. He now lives in the height of luxury, with his patched mosquito net and his little burner that can ignite green methane twice a day, if he's willing to pay the local pi lien elder brother for an illegal tap into the city lamppost delivery pipes. He has his own set of clay rain urns sitting in the tiny courtyard, an astounding luxury in itself, protected by the honor and uprightness of his neighbors, the desperately poor, who know that there must be limits to anything, that every squalor and debauch has limits, and so he has rain barrels full of green slime mosquito eggs that he can assure himself will never be stolen from, even if he may be murdered outside his door, or the neighbor wife may be raped by any nak leng who takes a fancy to her.

Hock Seng pries at the tiny panel in the bamboo strut, holding his breath, trying to make no scraping sound. He chose this place for its exposed joists and the tiles overhead in the low dark ceiling. For the nooks and crannies and opportunities. All around him the slum inhabitants wake and groan and complain and light their cigarettes as he sweats with the tension of opening this hiding place. It's foolish to keep so much money here. What if the slum burns? What if the WeatherAll catches fire from some fool's candle overturned? What if the mobs come and attempt to trap him inside?

Hock Seng pauses, wipes the sweat off his brow. I am crazy. No one is coming for me. The Green Headbands are across the border in Malaya and the Kingdom's armies will keep them well away.

And even if they do come, I have an archipelago's worth of distance to prepare for their arrival. Days of travel on a kink-spring train, even if the rails aren't blown by the Queen's Army generals. Twenty-four hours at least, even if they use coal for their attack. And otherwise? Weeks of marching. Plenty of time. I am safe.

The panel comes open completely in his shaking hand, revealing the bamboo's hollow interior. The tube is watertight, perfected by nature. He sends his skinny arm questing into the hole, feeling blind.

For a moment, he thinks someone has taken it, robbed him while he was gone but then his fingers touch paper, and he fishes up rolls of cash one by one.

In the next room, Sunan and Mali are discussing her uncle, who wants them to smuggle cibi.11.s.8 pineapples, sneaking them in on a skiff from the farang quarantine island of Koh Angrit. Quick money, if they're willing to take the risk of bringing in banned foodstock from the calorie monopolies.

Hock Seng listens to them mutter as he stuffs his own cash into an envelope, then tucks it inside his shirt. Diamonds, baht, and jade pit his walls all around, but still, it hurts to take this money now. It goes against his hoarding instinct.

He presses the bamboo panel closed again. Takes spit and mixes it with the meager sawdust that remains, and presses the compound into the visible cracks. He rocks back on his heels and examines the bamboo pole. It is nearly invisible. If he didn't know to count upwards four joints, he wouldn't know where to look, or what to look for.

The problem with banks is that they cannot be trusted. The problem with secret caches is that they are hard to protect. The problem with a room in a slum is that anyone can take the money when he is gone. He needs other caches, safe places to hide the opium and jewels and cash he procures. He needs a safe place for everything. For himself as well, and for that, any amount of money is worth spending.

All things are transient. Buddha says it is so, and Hock Seng, who didn't believe in or care about karma or the truths of the dharma when he was young, has come in his old age to understand his grandmother's religion and its painful truths. Suffering is his lot. Attachment is the source of his suffering. And yet he cannot stop himself from saving and preparing and striving to preserve himself in this life which has turned out so poorly.

How is it that I sinned to earn this bitter fate? Saw my clan whittled by red machetes? Saw my businesses burned and my clipper ships sunk? He closes his eyes, forcing memories away. Regret is suffering.

He takes a deep breath and climbs stiffly to his feet, surveys the room to ascertain that nothing is out of place, then turns and shoves his door open, wood scraping on dirt, and slips out in the squeezeway that is the slum's thoroughfare. He secures the door with a bit of leather twine. A knot, and nothing else. The room has been broken into before. It will be broken into again. He plans on it. A big lock would attract the wrong attention, a poor man's bit of leather entices no one.

The way out of the Yaowarat slum is full of shadows and squatting bodies. The heat of the dry season presses down on him, so intense that it seems no one can breathe, even with the looming presence of the Chao Phraya dikes. There is no escape from the heat. If the seawall gave way, the entire slum would drown in nearly cool water, but until then, Hock Seng sweats and stumbles through the maze of squeezeways, rubbing up against scavenged tin walls.

He jumps across open gutters of shit. Balances on planks and slips past women sweating over steaming pots of U-Tex glass noodles and reeking sun-dried fish. A few kitchen carts, ones who have bribed either the white shirts or the slum's pi lien, burn small dung fires in public, choking the alleys with thick smoke and frying chile oil.

He squeezes around triple-locked bicycles, stepping carefully. Clothes and cook pots and garbage spill out from under tarp walls, encroaching on the public space. The walls rustle with the movement of people within: a man coughing through the last stages of lung water; a woman complaining about her son's lao-lao rice wine habit; a little girl threatening to hit her baby brother. Privacy is not something for a tarp slum, but the walls provide polite illusion. And certainly it is better than the Expansion tower internments of the yellow cards. A tarp slum is luxury for him. And with native Thais all around, he has cover. Better protection than he ever enjoyed in Malaya. Here, if he doesn't open his mouth and betray his foreigner's accent, he can be mistaken for a local.

Still, he misses that place where he and his family were alien and yet had forged a life. He misses the marble-floored halls and red lacquer pillars of his ancestral home, ringing with the calls of his children and grandchildren and servants. He misses Hainan chicken and laksa asam and good sweet kopi and roti canai.

He misses his clipper fleet and the crews (And isn't it true that he hired even the brown people for his crews? Even had them as captains?) who sailed his Mishimoto clippers to the far side of the world, sailing even as far as Europe, carrying tea strains resistant to genehack weevil and returning with expensive cognacs that had not been seen since the days of the Expansion. And in the evenings, he returned to his wives and ate well and worried only that a son was not diligent or that a daughter would find a good husband.