Montalvo smiled. "Almost everyone. It's unfortunate that Eve Duncan is in the minority." He rose from the carved chair at the head of the dining table. "Oh, well. One must make adjustments."

Soldono tensed. "Don't do it, Montalvo."

"She's giving me little choice. You're giving me little choice. You didn't talk to her, did you?" He shook his head. "I told you what you had to do but you were looking for an out. I can see you scrambling frantically to avoid bringing her into the picture until time got away from you. Well, that time has come."

"Why her?" Soldono asked. "There's a fine forensic sculptor in Rio de Janeiro. Use him."

"Sanchez?" Montalvo shook his head. "Technically brilliant but he's not what I want."

"Eve Duncan is an American citizen and she's known and respected by every police department on the planet. She turned down your money and you'll be stirring up a hornet's nest if you try to force her."

"And you wouldn't like that. The CIA tries to be very low-key these days."

"Let me try to get Sanchez for you."

"You don't understand."

"Then tell me."

He gazed musingly down at the depths of the wine in his glass. "It's a matter of passion."

"What?"

"I told Eve Duncan that I was a man of passion. It's true."

Soldono hadn't noticed any emotion in Montalvo, much less a passion. The man was brilliant, innovative, and he kept any feelings or thoughts hidden behind that faintly mocking smile. "Why Eve Duncan?" he repeated.

"She has passion too. I've studied her file and nothing could be clearer. It's like a whirlwind spinning around her. She grew up on the streets with a drug addict for a mother and gave birth to an illegitimate child as a teenager. She turned her life around and went back to school and became a model mother. Then her daughter was kidnapped and presumably killed, but the body was never found. Instead of being crushed, the lady became a forensic sculptor and tried to bring closure to other parents by identifying the remains of their missing children."

"I know all that," Soldono said impatiently.

"You know the facts but you've never studied Eve Duncan the way I have. I believe I may know her better than she knows herself. I know what drives her. I know what makes her tick."

"Yeah, sure." He couldn't keep the sarcasm from his tone. "Passion?"

"Don't underestimate it. Da Vinci had it. Michelangelo had it. It's the difference between art and creation. Eve Duncan has it." His tone was smooth but hard. "And that's why I have to have her. Don't try to pawn anyone else off on me."

"Find another way. You promised me that you'd-"

"And I'd keep my promise if you'd kept yours." His tone was threaded with mockery as he continued, "But since the lady is not being accommodating, I must have cooperation from someone. You can see that, can't you?"

"No."

Montalvo's smile faded. "Then your vision had better improve quickly. I told you yesterday that if I didn't get the answer I wanted, then I'd move. You obviously chose to think I wasn't serious. I'll give you another four hours to persuade her, Soldono. No more, no less." He looked at his watch. "Ten tonight."

"I can't strike a bargain like that."

"Of course you can. Don't bullshit me. You do it all the time. A life for a life." He turned away. "Finish your dinner. The tiramisu is magnificent. The chef will be upset if you don't try it."

Soldono was seething with frustration as he watched him walk away. Sleek, graceful, and as dangerous as a stick of dynamite too near the flames. Bastard.

Would he do it?

Why was he even questioning it? Montalvo didn't bluff and he would carry out any threat he made in exactly the method he'd outlined.

He had four hours.

He'd hoped to find a way to stop Montalvo without involving Eve Duncan but time had run out. But was it to his advantage to make a trade for the woman? Why not let it go? He had to be sure it was worth it.

Four hours.

He reached for his phone and quickly dialed.

"Montalvo's given me four hours. Dammit, he'll do it. How the hell am I supposed to stop him?"

Venable was silent for a moment. "It's time you offered Eve Duncan a choice."

"Some choice. Okay, I'm on it. I'll call you back when I get through." He hung up and looked in his book for Eve Duncan's phone number.

"Jane called me," Joe said as he came into the cottage two hours later. "She tried to reach you but she couldn't do it. She said she'd made reservations for us at the Doubletree in Phoenix and that I was to remind you that the show was this Saturday." He smiled. "I told her that there was a fairly good chance that you'd remember."

"What?" She tried to shift her attention away from the skull. It was like fighting her way through a thick fog. "Of course I remembered." Eve managed to tear her gaze away from Marty. "It's a very important show for Jane. I wouldn't miss it. She should know that."

"Yeah." He went over to the phone and turned it back on. "She also knows that you've been working day and night to finish that reconstruction."

"Marty is difficult." She looked back at the reconstruction of the eight-year-old boy. At least, the forensic team's estimate was eight years. "I had to practically put his splintered facial bones back together before I could begin work."

"Do we have a clue who he is yet?"

She shrugged. "You know I never look at police files before I finish the reconstruction. The Macon police have photos of children who disappeared around the time that they estimate the boy was killed. We'll see if we have a resemblance."

"DNA?"

She grimaced. "Come on. The DNA labs are so backed up with current murders that they're not going to be in any hurry to process a five-year-old cold case." She pushed the hair back from her forehead. "But if I do a good enough job I have a chance to bring him home."

"You'll do a good job," Joe said. "But not if you get so tired you lose judgment." He headed for the kitchen. "Did you eat dinner?"

"I think so… I don't remember."

"Then we'll assume that you didn't. I'll warm up the beef stew in the refrigerator and put some garlic bread in the oven. That means you have fifteen minutes to clean up your studio and wash up."

"I can catch something later."

"Now." He opened the refrigerator. "Scoot."

She hesitated. Montalvo. She'd meant to tell him about the call from Montalvo as soon as he came in but it didn't seem important now. As she'd worked on the skull, everything had faded but the reality of the work itself. Marty was important. The other lost children were important. She'd tell Joe about Montalvo later. "I should finish tonight. I want to do the computer three-D image before we leave for Phoenix."

"According to forensics, the boy's been dead for five years. He can wait a little while longer." He glanced at her over his shoulder. "No arguments, Eve. I let you wear yourself into the ground because you give me no choice, but not this time. You'll have a fight on your hands. I'd bet you've lost five pounds this week."

"I don't think-" She wearily shook her head. Maybe he was right. She was exhausted and she probably had lost weight. This case had been particularly painful. She should be used to dealing with the cruelty of the monsters who killed innocent children after all these years of forensic sculpting. Yet the mindless brutality of the violence visited on this small boy had ripped aside the scar tissue. "I want to bring him home, Joe."

Her lips tightened. "And I want to kill the son of a bitch who did that to him."

"I know," he said. "Give me a chance and I'll do the job for you. For that poor kid and for what his killer is doing to you." He slammed the refrigerator door. "I was hoping this damn obsession was lessening but along comes a nasty case and you're right back where you were."