“Okay, I will,” I answered, moving in that direction. “But one question first, completely off the subject.”

“Yes?”

“Has my father been back recently?”

“Not to my knowledge,” he said, shaking his head slowly. “We're all pretty good at hiding our comings and goings if we wish, of course. But I think he'd have let me know if he were around.”

“Guess so,” I said, and I turned and exited through the wall, skirting the abyss.

No.

I hung from the beam, swung, and let go. I landed almost gracefully in the middle of the hallway in an area that would have been located approximately midway between my two doors, save that the first door was missing, also the section of wall through which it had provided entrance (or exit, depending on which side you happened to be), not to mention my favorite chair and a display case which had held seashells I'd picked up from beaches around the world. Pity.

I rubbed my eyes and turned away, for even the prospect of my ruined apartment took second place just now. Hell, I'd had apartments ruined in the past. Usually around April 30...

As in “Niagara Falls,” slowly I turned...

No.

Yes. Across the hall from my rooms, where I had previously faced a blank wall, there was now a hallway running to the north. I'd gotten a glimpse up its sparkling length as I'd dropped from my rafter. Amazing. The gods had just uptempoed my background music yet again. I'd been in that hallway before, in one of its commoner locations up on the fourth floor, running east-west between a couple of storerooms. One of Castle Amber's intriguing anomalies, the Corridor of Mirrors, in addition to seeming longer in one direction than the other, contained countless mirrors. Literally countless. Try counting them, and you never come up with the same total twice. Tapers flicker in high, standing holders, casting infinities of shadows. There are big mirrors, little mirrors, narrow mirrors, squat mirrors, tinted mirrors, distorting mirrors, mirrors with elaborate frames-cast or carved-plain, simply framed mirrors, and mirrors with no frames at all; there are mirrors in multitudes of sharp-angled geometric shapes, amorphous shapes, curved mirrors.

I had walked the Corridor of Mirrors on several occasions, sniffing the perfumes of scented candles, sometimes feeling subliminal presences among the images, things which faded at an instant's sharp regard. I had felt the mixed enchantments of the place but had somehow never roused its sleeping genii. Just as well perhaps. One never knew what to expect in that place; at least that's what Bleys once told me. He was not certain whether the mirrors propelled one into obscure realms of Shadow, hypnotized one and induced bizarre dream states, cast one into purely symbolic realms decorated with the furniture of the psyche, played malicious or harmless head games with the viewer, none of the above, all of the above, or some of the above. Whatever, it was something less than harmless, though, as thieves, servants, and visitors had occasionally been found dead or stunned and mumbling along that sparkling route, ofttimes wearing highly unusual expressions. And generally around the solstices and equinoxes-though it could occur at any season-the corridor moved itself to a new location, sometimes simply departing altogether for a time. Usually it was treated with suspicion, shunned, though it could as often reward as injure one or offer a useful omen or insight as readily as an unnerving experience. It was the uncertainty of it that roused trepidations.

And sometimes, I was told, it was almost as if it came looking for a particular person, bearing its ambiguous gifts. On such occasions it was said to be more dangerous to turn it down than to accept its invitation.

“Aw, come on,” I said. “Now?”

The shadows danced along its length, and I caught a I whiff of those intoxicating tapers. I moved forward. I extended my left hand past its corner and patted the wall. Frakir didn't stir.

“This is Merlin,” I said, “and I'm kind of busy just now. You sure you wouldn't rather reflect someone else?”

The nearest flame seemed, for an instant, a fiery hand, beckoning.

“Shit,” I whispered, and I strode forward.

There was no sense of transition as I entered. A long red-patterned runner coveted the floor. Dust motes spun in the lights I passed. I was beside myself in many aspects, flickering flamelight harlequinading my garments, transforming my face within a dance of shadows.

Flicker.

For an instant it seemed that the stern visage of Oberon regarded me from a small high metal-framed oval-as easily a trick of the light as the shade of his late highness, of course.

Flicker.

I'd swear an animalistic travesty of my own face had leered at me for a moment, tongue lolling, from a midlevel rectangle of quicksilver to my left, framed is ceramic flowers, face humanizing as I turned, quickly, to mock me.

Walking. Footsteps muffled. Breathing slightly tight. I woadered whether I should summon my Logrus sight or even try that of the Pattern. I was loath to attempt either, though, memories of the nastier aspects of both Powers still too fresh within me for comfort. Something was about to happen to me, I was certain.

I halted and examined the one I thought must have my number-framed in black metal, with various signs from the magical arts inlaid in silver about it. The glass was murky, as if spirits swam just out of sight within its depths. My face looked leaner, its lines more heavily inscribed, the faintest of purple halos, perhaps, flickering about my head within it. There was something cold and vaguely sinister about that image, but though I studied it for a long while, nothing happened. There were no messages, enlighteaments, changes. In fact, the longer I stared, the more all of the dramatic little touches seemed but tricks of the lighting.

I walked on, fist glimpses of unearthly landscapes, exotic creatures, hints of memory, neat subliminals of dead friends and relatives. Something within a pool even waved a rake at me. I waved back. Having so recently survived the traumas of my trek through the land between shadows, I was not as intimidated by these manifestations of strangeness and possible menace as I would likely have been at almost any other time. I thought I had sight of a gibbeted man, swinging as in a strong wind, hands tied behind his back, El Greco sky above him.

“I've had a rough couple of days,” I said aloud, “and there's no sign of any letup. I'm sort of in a hurry, if you know what I mean.”

Something punched me in the right kidney, and I spun around, but there was no one there. Then I felt a hand upon my shoulder, turning me. I cooperated quickly. No one there either.

“I apologize,” I said, “if the truth requires it here.”

Invisible hands continued to push and tug at me, moving me past a number of attractive mirrors. I was steered to a cheap-looking mirror in a dark-stained wooden frame. It looked as if it might have come from some discount house. There was a slight imperfection in the glass, in the vicinity of my left eye. Whatever forces had propelled me to this point released me here. It occurred to me that the powers that be here might actually have been attempting to expedite things per my request, rather than simply hustling me in a peevish spirit.

So, “Thanks,” I said, just to be safe, and I continued to stare. I moved my head back and forth and from side to side, producing ripple effects across my image. I repeated the movements while waiting for whatever might occur.

My image remained unchanged, but on the third or fourth ripple my background was altered. It was no longer a wall of dimly lit mirrors that stood behind me. It flowed away and did not return with my next movement. In its place was a stand of dark shrubbery beneath an evening sky. I continued to move my head slightly several times more, but the ripple effect had vanished. The bushes seemed very real, though my peripheral vision showed me that the hallway was intact in both directions and still seemed to possess its right-hand wall at both ends.