In my fifth decade I had begun to imagine what old age was like when I noticed the first lapses of memory. I would turn the house upside down looking for my glasses until I discovered that I had them on, or I’d wear them into shower, or I’d put on my reading glasses over the ones I used for distance. One day I had breakfast twice because I forgot about the first time, and I learned to recognize the alarm in my friends when they didn’t have the courage to tell me I was recounting the same story I had told them a week earlier. By then I had a mental list of faces I knew and another list of names that went with each one, but at the moment of greeting I didn’t always succeed in matching the faces to the names.

My sexual age never worried me because my powers did not depend so much on me as on women, and they know the how and the why when they want to. Today I laugh at the eighty-year-old youngster who consult the doctor, alarmed by these sudden shocks, not knowing that in your nineties they’re worse but don’t matter anymore they are the risks of being alive. On the other hand, it is a triumph of life that old people lose their memories of inessential things, though memory does not often fail with regard to things that are of real interest to us. Cicero illustrated this with the stroke of a pen. No old man forgets where he has hidden his treasure.

With these reflections, and several others, I had finished a first draft of my column when the August sun exploded among the almond trees in the park, and the riverboat that carried the mail, a week late because of the drought, came bellowing in the port canal. I thought: My ninetieth birthday is arriving. I’ll never know why, and don’t pretend to, but it was under the magical effect of that devastating evocation that I decided to call Rosa Cabarcas for help in celebrating my birthday with a libertine night. I’d spent years at holy peace with my body, devoting my time to the erratic rereading of my classics and to my private programs of concert musice, but my desire that day was so urgent it seemed like a message from God. After the call I couldn’t go on writing. I hung the hammock in a corner of the library where the sun doesn’t shine in the morning, and I lay down on it, my chest heavy with the anxiety of waiting.

I had been a pampered child, with a mother of many talents who died of consumption at the age of fifty and a formalistic father who never acknowledged an error and died in his widower’s bed on the day the Treaty of Neerlandia was signed, putting an end to the War of the Thousand Days and the countless civil wars of the previous century. Peace changed the city in a way that had not been foreseen or desired. A crowd of free women enriched to the point of delirium the old taverns along Calle Anche, which later was known as Camellon Abello, and now is called Paseo Colon, in this city of my soul loved so much by both natives and outsiders for the good character of its people and the purity of light.

I have never gone to bed with a woman I didn’t pay, and the few who weren’t in the profession I persuaded, by argument or by force, to take money even if they threw it in the trash. When I was twenty I began to keep a record listing name, age, place, and a brief notation on the circumstances and style of lovemaking. By the time I was fifty there were 514 women with whom I had been at least once. I stopped making the list when my body no longer allowed me to have so many and I could keep track of them without paper. I had my own ethics. I never took part in orgies or in public encounters, and I did not share secrets or recount an adventure of the body or the soul, because from the time I was young I realized that none goes unpunished.

The only unusual relationship was the one I maintain for years with the faithful Damiana. She was almost a girl, Indianlike, strong, rustic, her words few and brusque, who went barefoot so as not to disturb me while I was writing. I remember I was reading La lozana andaluza- The Haughty AndalusianGirl- in the hammock in the hallway, when I happened to see her bending over in the laundry room wearing a skirt so short it bared her succulent curves. Overcome by irresistible excitement, I pulled her skirt up in the back, pulled her underwear down to her knees, and charged her from behind. Oh, Senor, she said, with a mournful lament, that wasn’t made for coming in but for going out. A profound tremor shook her body but she stood firm. Humiliated at having humiliated her, I wanted to pay her twice what the most expensive women cost at the time, but she would not take a cent, and I had to raise her salary calculated on the basis of one mounting a month, always while she was doing the laundry, and always from the back.

At one time I thought these bed-inspired accounts would serve as a good foundation for a narration of the miseries of my misguided life, and the title came to me out of the blue: Memories of My Melancholy Whores. My public life, on the other hand, was lacking in interest: both parents dead, a bachelor without a future, a mediocre journalist who had been a finalist four times in the Poetic Competition, the Juegos Florales, of Cartegena de Indias, and a favorite of caricaturists because of my exemplary ugliness. In short, a wasted life off to a bad start beginning on the afternoon my mother led me by the hand when I was nineteen years old to see if El Diario de La Paz would publish a chronicle of school life that I had written in my Spanish and rhetoric class. It was published on Sunday with an encouraging introduction by the editor. Years later, when I learned that my mother had paid for its publication and for the seven that followed, it was too late for me to be embarrassed, because my weekly column was flying on its own wings and I was a cable editor and music critics as well.

After I obtained my bachillerato with a diploma ranked excellent. I began teaching classes in Spanish and Latin at three different public secondary schools at the same time. I was a pooe teacher, with no training, no vocation, and no pity at all for those poor children who attended school as the easiest way to escape the tyranny of their parents. The only thing I could do for them was to keep them subject to the terror of my wooden ruler do that at least they would take away with them my favorite poem: O Fabio, O sorrow, what you see now, these fields of desolation, gloomy hills, were once the famous fair Italica. Only as an old man did I happen to learn the nasty name the students called me behind my back: Professor Gloomy Hills.

This was all that life gave me, and I have never done anything to obtain more. I ate lunch alone between classes, and at six in the evening I would go to the editorial offices of the paper to hunt for signals from sidereal space. At eleven, when the edition closed, my real life began. I slept in the red-light district, the Barrio Chino, two or three times a week, and with such variety of companions that I was twice crowned client of the year. After supper at the nearby Café Roma I would choose a brothel at random slip in through at the back door. I did this because it amused me to, but in the end it became part of my work thanks to the careless speech of political bigwigs who would tell state secrets to their lovers for the night, never thinking they were overheard by public opinion through the cardboard partitions. By this means, of course, I also learned that they attributed my inconsolable bachelorhood to a nocturnal pederasty satisfied by orphan boys on the Calle del Crimen. I had the good fortune to forget this, among other sound reasons because I also heard the positive things said about me, which I appreciated for their true value.

I never had intimate friends, and the few who came close are in New York. By which I mean they’re dead, because that’s where I suppose condemned souls go in order not to endure the truth of their past lives. Since my retirement I have had little to do except take my pieces to the paper on Friday afternoons or fulfill other obligations that have a certain significance: concerts at Bellas Artes, painting exhibitions at the Centro Artistico, of which I am a founding member, an occasional civic conference at the Society for Public Improvement, or an important event like Fabrega’s engagement at the Teatro Apolo. As a young man I would go to the open-air movie theaters, where we could be surprised by a lunar eclipse or by a case of double pneumonia from a downpour gone astray. But what interested me more than films were the little birds of the night who would go to bed with you for the price of a ticket, or at no cost, or on credit. Movies are not my genre. The obscene cult of Shirley Temple was the final straw.