The dinosaur came flickering back. “What if we did?”
“Well” Rydell said, “do you like it?”
“Why do you ask?”
“Because it’s all going to change. They’re going to do it like they’re doing Tokyo.”
“Tokyo?” The television-storm, coming back now as this big ball, like that hologram in Cognitive Dissidents. “Who told you that?”
Now the mountain was back, too. “There’s not a lot of slack, for us, in Tokyo, now…”
“Tell us” the dinosaur said.
So Rydell did.
She had the hat back on, when he took the helmet off, but she was holding those sunglasses in her hand. Just looking at him.
“I don’t think I made sense of much of that” she said. She’d only been able to hear his side of it, but it had been mostly him talking, there at the end. “But I think you’re flat fucking crazy.”
“I probably am” he said.
Then he got the time and charges on the call. It came to just about all the money he had left.
“I don’t see why they had to put the damn thing through Paris” he said.
She just put those glasses back on and slowly shook her head.
36. Notebook (z)
The city in sunlight, from the roof of this box atop the tower. The hatch open. Sound of Skinner sorting and resorting his belongings. A cardboard box, slowly filling with objects I will take below, to the sellers of things, their goods spread on blankets, on greasy squares of ancient canvas. Osaka far away. The wind brings sounds of hammering, song. Skinner, this morning, asking if I had seen the pike in the Steiner Aquarium.
–No.
–He doesn’t move, Scooter.
Sure that’s all Fontaine said? But he’d found her bike? That’s no good. Wouldn’t go this long without that. Cost an arm and a fucking leg, that thing. Made of paper, inside. Japanese construction-paper, what’s it called? Useless, Scooter. Shit, it’s your language. Forgetting it faster than we are… Tube of that paper, then they wrap it with aramyd or something. No, she wouldn’t leave that. Day she brought it home, three hours down there spraying this fake rust on it, believe that? Fake rust, Scooter. And wrapping it with old rags, innertubes, anything. So it wouldn’t look new. Well, it makes more sense than just locking it, it really does. Know how you break a Kryptonite lock, Scooter? With a Volvo jack. Volvo jack fits right in there, like it was made for it. Give it a shove or two, zingo. But they never use ’em anymore, those locks. Some people still carry ’em, though. One of those up ’side the head, you’ll notice it… I just found her one day. They wanted to cart her down to the end, let the city have her. Said she’d be dead before they got her off anyway. Told ’em they could fuck off into the air. Got her up here. I could still do that. Why? Hell. Because. See people dying, you just walk by like it was television?
37. Century city
Chevette didn’t know what to think about Los Angeles.
She thought those palm trees were weird, though. On the way in, Sublett’s electric car had pulled up behind this big white trailer-rig with A-LIFE INSTALLATIONS, NANOTRONIC VEGETATION across the back of it, and the heads of these fake palm trees sticking out, all wrapped in plastic.
She’d seen it all on tv once, with Skinner, how they were putting in these trees to replace the ones the virus had killed, some Mexican virus. They were kind of like the Bay maglev, or like what Rydell and Sublett said that that Sunflower company was going to do in San Francisco; these things that kind of grew, but only because they were made up of all these little tiny machines. One show she’d seen with Skinner, they’d talked about how these new trees were designed so that all kinds of birds and rats and things could nest in them, just like the ones that had died. Skinner told her that he’d run a Jeep into a real palm tree, in L.A., once, and about ten rats had fallen out, landed on the hood and just sort of stood there, until they got scared and ran away.
It sure didn’t feel like San Francisco. She felt kind of two ways about it. Like it was just this bunch of stuff, all spread out pretty much at random, and then like it was this really big place, with mountains somewhere back there, and all this energy flowing around in it, lighting things up. Maybe that was because they’d got there at night.
Sublett had this little white Eurocar called a Montxo. She knew that because she’d had to look at the logo on the dash all the way from Paradise. Sublett said it rhymed with poncho. It was built in Barcelona and you just plugged it into the house-current and left it until it was charged. It wouldn’t do much more than forty on a highway, but Sublett didn’t like to drive anything else because of his allergies. She said he was lucky they had electric cars; he’d told her all about how he was worried about the electromagnetic fields and cancer and stuff.
They’d left his mother with this Mrs. Baker, watching Spacehunter on the tv. They were both real excited about that because they said it was Molly Ringwald’s first film. They’d get excited about just about anything, like that, and Chevette never had any idea who they were talking about.
Rydell was just spending more and more time on the phone, and they’d had to stop and buy fresh batteries twice, Sublett paying.
It kind of bothered her that he didn’t give her any more attention. And they’d slept on the same bed again, in the room at the motel, but nothing had happened, even though Sublett had slept out in the Montxo, with the seats tilted back.
All Rydell ever did now was talk to those Republic of Desire people Lowell knew, but on the regular phone, and try to leave messages on somebody’s voicemail. Mr. Mom or something. Ma. But he didn’t think anybody was getting them, so he’d called up the Desire people and gone on and on about the whole story, everything that happened to them, and they’d recorded it and they were supposed to put it in this Mr. Ma’s voicemail. Rydell said they were going to stuff it there, so there wasn’t any other mail. Said that ought to get his attention.
When they’d got to L.A. and got a room in a motel, Chevette had been kind of excited, because she’d always wanted to do that. Because her mother had always seemed to have real good times when she went to motels. Well, it had turned out to be sort of like a trailer camp without the trailers, with these little concrete buildings divided up into smaller rooms, and there were foreign people cooking barbecues down in what had been the swimming pool. Sublett had gotten really upset about that, how he couldn’t handle the hydrocarbons and everything, but Rydell had said it was just for the one night. Then Rydell had gone over to the foreign people and talked to them a little, and came back and said they were Tibetans. They made a good barbecue, too, but Sublett just ate this drugstore food he’d brought with him, bottled water and these yellow bars looked like soap, and went out to sleep in his Montxo.
Now here she was, walking into this place called Century City II, and trying to look like she was there to pull a tag. It was this kind of green, tit-shaped thing up on these three legs that ran up through it. You could see where they went because the walls were some kind of glass, mostly, and you could see through. It was about the biggest thing around; you could see it forever. Rydell called it the Blob.
It was real upscale, too, kind of like China Basin, with those same kind of people, like you mostly saw in the financial district, or in malls, or when you were pulling tags.
Well, she had her badges on, and she’d had a good shower at the motel, but the place was starting to creep her out anyway. All these trees in there, up all through this sort of giant, hollow leg, and everything under this weird filtered light came in through the sides. And here she was standing on this escalator, about a mile long, just going up and up, and around her all these people who must’ve belonged there. There were elevators, Rydell said, up the other two legs, and they ran at an angle, like the lift up to Skinner’s. But Sublett’s friend had said there were more IntenSecure people watching those, usually.