Walking down to where the air cars lay, she reflected upon the irony of her situation. Without apparent subtlety Miss Ming had first denied her the freedom she was now granting. Dafnish was impressed by the woman's power. But she lacked the inclination to brood on the matter at this time; instead, she relished her freedom.

She climbed into a boat shaped like a swooping, sand-coloured sphinx. Miss Ming and Snuffles had gone south. She spoke to the boat, a single word: "North."

And northward it took her, over the sentient, senile cities, the dusty plains, the ground-down mountains, the decaying forests, the ruins and the crumbling follies, to settle in a green valley through which a silver river ran and whose flanks were spotted with hawthorn and rowan and where a few beasts (what if they were mechanical?) grazed on grass which crunched as they pulled it from the soft earth, the sound all but drowned by the splashing of small waterfalls, sighing as the river made its winding way to a miniature and secluded lake at the far end of the valley.

Here she lay with her back against the turf, spread-eagled and displayed to the grey sky through which the sun's rays weakly filtered. And she sang one of the simple hymns of the Armatuce she had learned as a child and which she thought forgotten by her. And then, unobserved, she allowed herself to weep.

7. In Which a Man is made

Lord Jagged remained away from Canaria for many days, but Dafnish Armatuce was patient. Every morning Miss Ming, punctual in arriving, would take Snuffles on some new jaunt, and she was careful to return at the agreed hour, when a joyful boy would be reunited with a mother who was perhaps not so unrelaxed as she had once been; then Miss Ming, with the air of one who has performed a pleasant duty, would retire, leaving them to spend the remainder of the afternoon together. If Dafnish Armatuce thought she detected an unwelcome change in her son's attitude to certain values she held dear, she told herself that this was unreasonable fear, that she would be harming the boy's development if she interfered too much with his ideas. She hardly listened to his words as he described his latest escapades with his friend, but the animation in his voice was music and the sparkle in his eye was sweet to see, and experience, she told herself, would teach him reverence.

She returned to her private valley time after time, glad that whoever had created it had forgotten it or had, for some reason, omitted to dissimilate it. Here, and only here, could she show the whole Dafnish Armatuce to the world, for here there were none to judge her, to quiz her as to why she spoke or sang, laughed or wept. Her favourite maxims she told to trees; her secret fears were confided to flocks of sheep; and stones were audience to her hopes or dreams. Long for Armatuce she might, but she did not despair.

Her confidence repaired, she was also able to visit those she chose, and most frequently she visited Sweet Orb Mace, who welcomed her, observing to his friends that she was much improved, that she had learned to accept what life at the End of Time could offer. A few fellow time travellers, also noticing this improvement, guessed that she had found a lover and that her lover was none other than haughty Lord Jagged. As a consequence she was often questioned as to her host's whereabouts (for there was always such speculation where Lord Jagged was concerned), but, while she was not aware of the rumours, she kept her own counsel and added no flax to Dame Gossip's wheel. She courted Sweet Orb Mace (another, but less heavily backed contender for the title of Lover) for the simple reason that he possessed her time machine. He allowed her to inspect it, to linger in its cabin when she wished. She reassured him: She could not attempt to use it, her concern for Snuffles' well-being overriding any desire she might have to return to Armatuce. But, privately, she hoped; and should it be foolish to hope against all evidence, then Dafnish Armatuce was foolish.

If she had not found happiness, she had found a certain contentment, during the month which passed, and this gave her greater tolerance for herself, as well as for their society. Two more time travellers arrived in that month, and, perhaps unluckier than she, were snapped up, one for Doctor Volospion's menagerie, which he was patiently restocking, one for My Lady Charlotina's great collection. Dafnish spoke to both, and both agreed that they had little difficulty reaching the Future but that the Past (meaning their own period) had been denied them. She refused to be depressed by the information, consoling herself with the prospect of Jagged's help.

This equilibrium might have been maintained for many more such months had not Miss Ming betrayed (in Dafnish's terms) her trust.

It happened that Dafnish Armatuce, returning from visiting Brannart Morphail, the scientist (a visit cut short by the old misanthrope himself), passed in her air car over an area of parkland still occupied by the remnants of small Gothic palaces and towns which had been constructed, during a recent fad for miniatures, by the Duke of Queens. And there she observed two figures, which she recognized as those of Snuffles and Miss Ming, doubtless playing one of their fanciful games. Noting that it was almost time for Miss Ming to bring Snuffles home, Dafnish decided that she would save Miss Ming the trouble and collect him there and then. So the sphinx car sank to Earth at her command and she crossed a flower-strewn lawn to bend and enter the dim interior of the little chateau into which she had seen them go as she landed.

Having no wish to take them by surprise, she called out, but came upon them almost immediately, to discover Miss Ming dabbing hastily at Snuffles' face. In the poor light it was difficult to see why she dabbed, but Dafnish assumed that the lad had, as usual, been eating some confection of which she might have disapproved.

She chuckled. "Oh, dear. What have you two been up to while my back was turned?" (This whimsicality more for Miss Ming's sake than her son's). She reached out her hand to the boy, whose guilty glance at Miss Ming seemed more imploring than was necessary, and led him into the sunlight.

She quelled the distaste she felt for the long red robes of velvet and lace in which Miss Ming had clothed him (Miss Ming herself wore tights and doublet) but could not resist a light: "What would they make of you in Armatuce?" and wondered why he kept his face from her.

Turning to Miss Ming, who had a peculiar expression upon her own features, she began, "I'll take him —" And then her voice died as she saw the smeared rouge, the mascara, the eye shadow, the paint with which Miss Ming had turned the child's face into a parody of a female adult's.

Shocked, she trembled, unable to speak, staring at Miss Ming in accusation and horror.

Miss Ming tried to laugh. "We were playing Princes and Princesses. There was no harm meant…"

The boy began to protest. "Mama, it was only a game."

All she could do was gasp, "Too far. Too far," as she dragged him to the air car. She pushed him roughly in, climbed in herself and stood confronting the ridiculous woman. She tensed herself to reduce the shaking in her body and she drew a deep breath. "Miss Ming," she said carefully, "you need not call tomorrow."

"I hardly think," said Miss Ming. "I mean, I feel you're over-reacting, aren't you? What's wrong with a little fantasy?"

"This," indicating the cosmetics on the frightened face, "is not what children do!"

"Of course they do. They love to dress up and play at being big people."

"I thought, Miss Ming, you played at children. You are a corrupt, foolish woman. I concede that you are unaware of your folly, but I cannot have my child influenced any longer by it. I admit my own stupidity, also. I have been lazy. I allowed myself to believe that your nonsense could do Snuffles no harm."


Перейти на страницу:
Изменить размер шрифта: