Tried not to think about it: just packed. She packed a sock bunny that her mother had made her, when her mother was still functioning as a human being, before her step-dad had beaten the liveliness out of her.

She'd gotten the bunny for Christmas when she was six; it was the single oldest thing she possessed. She packed the photographs taken with other dancers at two or three bars around St. Louis, with people at the booze warehouse, where she'd worked after the dancing ended. She packed the first two-dollar bill that the bar had taken in – they'd saved the first two-dollar bill because they'd forgotten to save the first dollar.

She packed: she'd lived in the place for six years, and it had been as much a home to her as anything she'd ever had, and it took a while. She hummed while she packed. Hummed like an angry bumble bee. 'That fuckin' Davenport,' she said.

'That fuckin' Davenport.'

When she'd packed everything important to her, including her school books and papers, she realized that she couldn't pack everything that was important to her. She couldn't pack the place. She sat on the bed and smoothed the sheet, and went once more through the chest of drawers, where even the tired cotton underwear suddenly seemed important…

"That fuckin' Davenport…' And this time, she cried. Let it go, couldn't stop it.

Ten minutes later, eyes red, she was wiping the place with Lysol.

By three-thirty in the morning, she was finished. If the cops really took the place apart, they might find a print or two, but it'd take weeks. She took the last of the boxes down to the van, moved the van down the street, then went back to the apartment. Her apartment was at the end of a hall, and when she'd first moved in, she'd made a small change: she'd placed a wireless movement alarm, which she bought at Wards, just above the window at the end of the hall. The alarm, when tripped, set off a buzzer or a strobe on a small console next to her bed. She chose strobe, put the console next to her face, placed her guns on the floor next to her bed, and let herself slip into a fitful sleep.

She hadn't thought that the man in St. Louis would ever harm her; she had almost that much faith in him. But not quite that much. She'd told him she hoped to be in Wichita by the time the banks opened. If he were going to make a move against her, probably using one or the other muscle heads that always seemed to be around, the guy most likely would be waiting at her apartment, waiting for her to open the bank and then come back.

Coming from St. Louis, even by air, would put him in Wichita at least a few hours later than her. He'd have to be found, and an airplane would have to be rounded up, or he'd have to get in his car and drive… If he was coming, she really wouldn't expect him before six o'clock or so.

He was better than that. He arrived at five.

She thought she actually woke a minute before the alarm went. Whatever, she sat up with the strobe flashing in her face. She hit the o^button, and looked at the clock. Five minutes after five. She got to her feet, picked up both guns, cocked them, and headed for the kitchen, moving slowly, careful not to bump anything, to set off a vibration, absolutely silent in her bare feet. She was still wearing the thin rubber gloves, hot and tacky on her hands. The gloves were ivory-colored, and she could see them better than she could see her arms, like two disembodied fists floating though the dark.

Whoever was in the hall had hesitated at the door. She moved past it and stepped into a closet with sliding doors. The left door was half open, and she moved behind it, where she could still see through the open panel. Then the man outside knocked, and called her voice, quietly. 'Clara? Clara?' Another soft knock, then a key.

He had a key, which meant the man in St. Louis must have copied hers. Stupid.

She just left her keys laying around, the keys to everything. She worried that there were more security lapses that she'd never known about. Then she pushed the worry out of her head, and focused on the weight of her guns.

The door opened, a darkening shadow, then the man stepped inside; she was less than two feet away, and he stepped inside far enough that she could see that he was carrying something in his right hand. From the way he was carrying it, it had to be a gun. She lifted her own gun, ready to fire, when the man whispered – the softest breath – 'Easy…'

She thought he was talking to her and almost blurted something out, when she heard more soft movement – and the man she could see wasn't moving. There were two of them.

The first moved down the hall toward her bedroom, while the second moved quietly across the living room to the second bedroom, which Rinker used as a TV room and home office. After a long minute of silence, the man down the hall came back, stepped toward the second bedroom. And the second man stepped out of the second bedroom.

'Not here, yet,' he said quietly.

'Then we wait until Wooden Head calls,' said the first man.

'In the dark?'

'Yeah, in case she comes.'

'I'm dead on my ass,' the further man said. 'I get the couch, if that's a couch.'

The second man lay down on the couch, the first sat in an easy chair, lit a cigarette. Rinker never allowed cigarettes in her house. The second man said from the couch, 'What if she smells that smoke?'

The smoker said, 'Shit,' and dropped the cigarette butt on the hardwood floor and ground it out with his foot. She'd sanded the floors herself, and sealed them. The man's action almost moved Rinker, but not quite.

'You seen this chick?' one man asked.

'Once, I think. Gotta nice rack.'

'The Guy seemed kind of scared of her. You know, like he was all that, Get her quick, don't give her a shot'

'Never seen a chick who could take me,' said the second man. 'In fact, if this is the same chick I'm thinking about, I wouldn't mind fuckin' her first.'

'Don't think that way. If the Guy's nervous, we don't want to be fuckin' around.'

'Yeah, yeah.'

'Now shut up; I'm gonna get some sleep.'

'Listen for the shots,' the second man said. 'Then you'll know she got here.'

Five minutes later, Rinker heard the first tentative snore from the man on the couch; the man on the chair sat unmoving, as far as she could tell. They were like that for another five minutes, the man on the couch breathing deeper, snoring more regularly; then the man on the couch stood up, lit a cigarette and started toward her. She withdrew just an inch into the deeper darkness of the closet. When he brushed by, a shoulder width away, she stepped sideways, then out of the closet in a dance-step, her left pistol arm coming up. He never heard her, saw her or suspected her. She fired a double-tap into the back of his head and took three quick steps to the couch. The man on the couch snorted when the first man hit the floor, and may have been about to wake up. Rinker fired two more shots into his forehead.

Lights.

She got the lights on. The man on the floor was bleeding, but the blood was running out on vinyl. She could get that. The other one wasn't bleeding much, just two small bubbles of blood over his brow ridges: slugs never exited.

She'd have to hurry, she thought. The sky outside seemed brighter: the summer dawn was not far away. She ran to the kitchen, got a roll of duct tape, and taped the wounds on the mens' heads. Stop the bleeding: leave no more traces than she had to. The back window, overlooking the communal dumpster, would open wide enough, she thought, and the screen would swing free. She dragged the man on the couch to the window, opened it, laboriously shoved him into the window hole, took a last look around, and pushed him out. He hit the tarmac below with a dull sloppy whock.

The second guy, the one on the vinyl, was smaller, and she moved him more easily, over the sill, out the window; the impact, broken by the man already on the ground, was softer.