“The cliff walls hold a thousand hiding places. The Crystal Monolith hides its entrance to us… but to a Templar? And besides, you saw the stairway to the labyrinth in the deepest room of the Jade Tomb.”

Hoyt looks up, squinting against the pinpricks of blowing sand. “You think he’s there? In the labyrinth?”

Silenus laughs and raises his arms. The silk of his loose blouse ripples and billows. “How the fuck should I know, Padre? All I know is that Het Masteen could be out there now, watching us, waiting to come back to claim his luggage.” The poet gestures toward the Möbius cube in the center of their small pile of gear. “Or he could be dead already. Or worse.”

“Worse?” says Hoyt. The priest’s face has aged in the past few hours.

His eyes are sunken mirrors of pain, his smile a rictus.

Martin Silenus strides back to the dying fire. “Worse,” he says. “He could be twisting on the Shrike’s steel tree. Where we’ll be in a few—”

Brawne Lamia rises suddenly and grasps the poet by his shirtfront.

She lifts him off the ground, shakes him, lowers him until his face is on a level with hers. “Once more,” she says softly, “and I’ll do very painful things to you. I won’t kill you, but you will wish I had.”

The poet shows his satyr’s smile. Lamia drops him and turns her back. Kassad says, “We’re tired. Everyone turn in. I’ll stand watch.”

My dreams of Lamia are mixed with Lamia’s dreams. It is not unpleasant to share a woman’s dreams, a woman’s thoughts, even those of a woman separated from me by a gulf of time and culture far greater than any imagined gap of gender. In a strange and oddly mirrorlike way, she dreamed of her dead lover, Johnny, of his too-small nose and his too-stubborn jaw, his too-long hair curling over his collar, and his eyes—those too-expressive, too-revealing, eyes that too-freely animated a face which might, except for those eyes, belong to any one of a thousand peasants born within a day’s ride of London.

The face she dreamed was mine. The voice she heard in that dream was mine. But the lovemaking she dreamed of—remembering now–was nothing that I had shared. I sought to escape her dream, if only to find my own. If I were to be a voyeur, it might as well be in the tumble of manufactured memories which passed for my own dreams.

But I was not allowed to dream my own dreams. Not yet. I suspect that I was born—and born again from my deathbed—simply to dream those dreams of my dead and distant twin.

I resigned myself, ceased my struggles to awaken, and dreamed.

Brawne Lamia comes awake swiftly, jarringly, shaken from a pleasant dream by some sound or movement. For a long second she is disoriented; it is dark, there is a noise—not mechanical—which is louder than most sounds in the Lusus Hive where she lives; she is drunk with fatigue but knows that she has awakened after very little sleep; she is alone in a small, confined space, in something resembling an oversized body bag.

Raised on a world where enclosed places mean security from vicious air, winds, and animals, where many people suffer from agoraphobia when confronting the rare open space but few know the meaning of claustrophobia, Brawne Lamia nonetheless reacts as a claustrophobe: clawing for air, pushing aside bedroll and tent flaps in a panicked rush to escape the small cocoon of fiberplastic, crawling, pulling herself along by her hands and forearms and elbows until there is sand under her palms and sky above.

Not really sky, she realizes, suddenly seeing and remembering where she is. Sand. A blowing, raging, whirling sandstorm of particles, stinging her face like pinpricks. The campfire is out and covered with sand. Sand has banked on the windward side of all three of the tents, their sides flapping, cracking like rifle shots in the wind, and dunes of new-blown sand have grown up around the camp, leaving streaks and furrows and ridges in the lee of tents and gear. No one stirs from the other tents. The tent she was sharing with Father Hoyt is half-collapsed, all but buried by the rising dunes.

Hoyt.

It had been his absence which awakened her. Even in her dreams, some part of her consciousness had been aware of the soft breathing and almost indistinguishable moans from the sleeping priest as he wrestled with his pain. Sometime in the past half hour, he had left. Probably not more than a few minutes before; Brawne Lamia knew that even as she had dreamed of Johnny she had been half aware of a rustling, sliding sound above the rasp of sand and roar of the wind.

Lamia gets to her feet and shields her eyes from the sandstorm. It is very dark, the stars are occluded by high cloud and the surface storm, but a faint, almost electrical radiance fills the air and reflects from rock and dune surface. Lamia realizes that it is electrical, that the air is filled with a static which makes the curls of her hair leap and writhe in Medusalike gyrations. Static charges creep along her tunic sleeves and float over the tent surfaces like St. Elmo’s fire. As her eyes adapt, Lamia realizes that the shifting dunes are aglow with pale fire. Forty meters to the east, the tomb called the Sphinx is a crackling, pulsing outline in the night. Waves of current move along the outflung appendages often called the wings.

Brawne Lamia looks around, sees no sign of Father Hoyt, and considers calling for help. She realizes that her voice will not be heard above the wind roar. She wonders for a second whether the priest has merely gone to one of the other tents or to the crude latrine twenty meters west, but something tells her that this is not the case. She looks at the Sphinx and—for the briefest second—seems to see the shape of a man, black cloak flapping like a falling pennant, shoulders hunched against the wind, outlined against the static glow of the tomb.

A hand falls on her shoulder.

Brawne Lamia twists away, falls into a fighting crouch, left fist extended, right hand rigid. She recognizes Kassad standing there. The Colonel is half again as tall as Lamia—and half as broad—and miniature lightning plays across his thin form as he leans closer to shout in her ear. “He went that way!” The long, black, scarecrow arm extends toward the Sphinx.

Lamia nods and shouts back, her voice almost inaudible to herself above the roar. “Shall we wake the others?” She had forgotten that Kassad was standing watch. Did the man never sleep?

Fedmahn Kassad shakes his head. His visors are up and the helmet destructured to form a hood on the back of his combat-armored coverall.

Kassad’s face looks very pale in the glow from his suit. He gestures toward the Sphinx. His multipurpose FORCE rifle is nestled in the crook of his left arm. Grenades, binocular case, and more-mysterious items are draped from hooks and web belts on his impact armor. He points again toward the Sphinx.

Lamia leans forward and shouts. “Did the Shrike take him?”

Kassad shakes his head.

“Can you see him?” She gestures toward his night visor and binoculars.

“No,” says Kassad. “The storm. Fouls up heat signatures.”

Brawne Lamia turns her back to the wind, feeling the particles striking her neck like needles from a flechette gun. She queries her comlog but it tells her only that Hoyt is alive and moving; nothing else is being transmitted on the common band. She moves until she is next to Kassad, their backs forming a wall against the gale. “Are we going to follow him?” she shouts.

Kassad shakes his head. “We can’t leave the perimeter unguarded. I left telltales, but…” He gestures toward the storm.

Brawne Lamia ducks back in the tent, tugs on her boots, and emerges with her all-weather cape and her father’s automatic pistol. A more conventional weapon, a Gier stunner, is in the breast pocket of the cape. “I’ll go then,” she says.