The first people onto the roof were a burly man in khaki tech overalls, a slim man in the latest Tau Ceti fashion-approved matte black suit, a terribly obese woman waving what looked to be a long wrench, and a short man in Renaissance V Self-Defense Force green.

I held the door open with my left hand and slipped Gladstone’s override microcard into the ignition diskey. The battery whined, the transition starter ground away, and I closed my eyes and made a wish that the circuits were solar charged and self-repairing.

Fists pounded on the roof, palms slapped against the warped Perspex near my face, and someone tugged open the door despite my best efforts to keep it closed. The shouting of the distant crowd was like the background noise an ocean makes; the screaming of the group on the rooftop more like the cry of oversized gulls.

The lift circuits caught, repellors flared dust and pigeon crap over the rooftop mob, and I slipped my hand into the omni controller, shifted back and to the right, and felt the old Scenic lift, wobble, dip, and lift again.

I banked right out over the square, only half aware that dashboard alarms were chiming and that someone was still dangling from the open door. I swooped low, smiling inadvertently as I saw Shrike Cult orator Reynolds duck and the crowd scatter, and then pulled up over the fountain while banking steeply to the left.

My screaming passenger did not let go of the door, but the door came off, so the effect was the same. I noticed that it had been the obese woman in the instant before she and the door hit the water eight meters below, splashing Reynolds and the crowd. I twitched the EMV higher and listened to the black market lift units groan about the decision.

Angry calls from local traffic control joined the chorus of dashboard alarm voices, the car staggered as it shifted to police override, but I touched the diskey with my microcard again and nodded as control returned to the omni stick. I flew over the oldest, poorest section of the city, keeping close to the rooftops and banking around spires and clock towers to stay below police radar. On a normal day, the traffic control cops riding personal lift packs and stick skimmers would have swooped down and tangle-netted me long before this, but from the look of the crowds in the streets below and the riots I glimpsed near public farcaster terminexes, it didn’t look much like a normal day.

The Scenic began to warn me that its time in the air was numbered in seconds now, I felt the starboard repellor give with a sickening lurch, and I worked hard with the omni and floor throttle to wobble the junker down to a landing in a small parking lot between a canal and a large, soot-stained building. This place was at least ten klicks from the square where Reynolds had incited the mob, so I felt safer taking my chances on the ground… not that there was much choice at this moment.

Sparks flew, metal tore, parts of the rear quarter panel, flare skirt, and front access panel disassociated themselves from the rest of the vehicle, and I was down and stopped two meters from the wall over looking the canal. I walked away from the Vikken with as much nonchalance as I could muster.

The streets were still in the control of the crowds—not yet coalesced into a mob here—and the canals were a tangle of small boats, so I strolled into the closest public building to get out of sight. The place was part museum, part library, and part archive; I loved it at first sight… and smell, for here there were thousands of printed books, many very old indeed, and nothing smells quite as wonderful as old books.

I was wandering through the anteroom, checking titles and wondering idly whether the works of Salmud Brevy could be found here, when a small, wizened man in an outdated wool and fiberplastic suit approached me. “Sir,” he said, “it has been too long since we’ve had the pleasure of your company!”

I nodded, sure that I had never met this man, never visited this place.

“Three years, no? At least three years! My, how time flies.” The little man’s voice was little more than a whisper—the hushed tones of someone who has spent most of his life in libraries—but there was no denying the undertone of excitement there. “I’m sure you would like to go straight to the collection,” he said, standing aside as if to let me pass.

“Yes,” I said, bowing slightly. “But after you.”

The little man—I was almost sure that he was an archivist—seemed pleased to be leading the way. He chatted aimlessly about new acquisitions, recent appraisals, and visits of Web scholars as we walked through chamber after chamber of books: high, multitiered vaults of books, intimate, mahogany-lined corridors of books, vast chambers where our footfalls echoed off distant walls of books. I saw no one else during the walk.

We crossed a tiled walkway with wrought-iron railings above a sunken pool of books where deep blue containment fields protected scrolls, parchments, crumbling maps, illuminated manuscripts, and ancient comic books from the ravages of atmosphere. The archivist opened a low door, thicker than most airlock entrances, and we were in a small, windowless room wherein thick drapes half-concealed alcoves lined with ancient volumes. A single leather chair sat on a pre-Hegira Persian carpet, and a glass case held a few scraps of vacuum-pressed parchment.

“Do you plan to publish soon, sir?” asked the little man.

“What?” I turned away from the case. “Oh… no,” I said.

The archivist touched his chin with a small fist. “You’ll pardon me for saying so, sir, but it is a terrible waste if you do not. Even in our few discussions over the years, it has become apparent that you are one of the finest… if not the finest… Keats scholars in the Web.” He sighed and took a step back. “Excuse me for saying so; sir.”

I stared at him. “That’s all right,” I said, suddenly knowing very well who he thought I was and why that person had come here.

“You’ll wish to be left alone, sir.”

“If you don’t mind.”

The archivist bowed slightly and backed out of the room, closing the thick door all but a crack. The only light came from three subtle lamps recessed in the ceiling: perfect for reading, but not so bright as to compromise the cathedral quality of the little room. The only sound came from the archivist’s receding footsteps far away. I walked to the case and set my hands on the edges, careful not to smudge the glass.

The first Keats retrieval cybrid, “Johnny,” obviously had come here frequently during his few years of life in the Web. Now I remembered mention of a library somewhere on Renaissance V in something Brawne Lamia had said. She had followed her client and lover here early in the investigation of his “death.” Later, after he had truly been killed except for the recorded persona in her Schrön loop, she had visited this place. She had told the others of two poems the first cybrid had visited daily in his ongoing effort to understand his own reason for existence… and for dying.

These two original manuscripts were in the case. The first was—I thought—a rather saccharine love poem beginning “The day is gone, and all its sweets are gone!” The second was better, although contaminated with the romantic morbidity of an overly romantic and morbid age: