"Come in."

Light squeezed through with him into the narrow confines of her room, to the statue of the shrouded, dark-skinned Virgin and her shimmering peacock feather. Scents of cigar and sandalwood tickled his nose. Abuelita sat before the Virgin and solemnly laid cards. Tarot? Arkady looked over the old woman's shoulder. Solitaire. Today she sported a pullover that said "New York Stock Exchange." Arkady noticed that the statue also wore something new, a yellow necklace like Osorio's.

"May I?"

"Go ahead." When he touched the necklace beads Abuelita said, "In Santeria this Virgin is also the spirit Oshun and her color is yellow, honey, gold. Oshun is a very sexy spirit."

That hardly described Osorio, Arkady thought, but he didn't have time to delve into religious matters.

"I saw you leave this morning in that big white car, that chariot with wings," Abuelita said.» The whole Malecon was looking at that."

"Did you happen to notice any tall, black sergeant from Minint go in the building after I left?"

"No."

"No one fitting that description carrying a machete or a baseball bat?" He added five dollars to the crown at the Virgin's feet.

Abuelita sighed and took the money out.» I know the man you mean. The one who arranged the Abakua. I was at my window like I always am, but the truth is, I fell asleep right there standing up. Sometimes my body gets old."

Arkady put the money back.» Then I have another question. I still need a picture of Sergei Pribluda for the police and I'm looking for any close friends of his who might have one. No one here does, but the first time we met you mentioned that Sergei Pribluda was a man who shared his pickles. Yesterday I was at a market that sold vegetables, including cucumbers, but nothing like the homemade pickles in Pribluda's refrigerator. Because you're right, there's nothing like a Russian pickle. Did he have a special visitor?"

Abuelita spread her hand wide as a fan and hid her grin.» Now you're talking. There was one woman, a Russian, who came sometimes with a basket, sometimes not."

"Could you describe her?"

"Oh, like a fat little dove. She came on Thursdays, sometimes alone, sometimes with a girl."

Ofelia climbed a ladder to Hedy Infante's home, a platform built under the ceiling of a rococo foyer. The ten-by-ten loft held her cot, rack of dresses and stretch pants, electric bulb and candles, cosmetics and shoes, window with rope to a pail and view of the chandelier and, far below, a marble floor. The house had been built by a sugar magnate with a taste for froth, and the ceiling's swirls of white plasterwork evoked a sense of nesting in the clouds.

Hedy's interior decoration was just as fantastic, an interior of pictures she had clipped from magazines and taped to her walls, a handmade wallpaper of Los Van Van, Julio Iglesias, Gloria Estefan singing soulfully to a microphone, bathed in strobe lights, reaching out to fans. On one singer she had superimposed her own face, which reminded Ofelia of the real condition of Hedy's neck. The loft wasn't the sort of room a prostitute took a client, it was more her true, private place.

Private but violated by the little touches left by forensic technicians, police tape around the dresses, fingerprint powder on the mirror, the subtle disarray when men rather than women put things away. Hedy had collected hotel soaps, cutlery, coasters, made a seashell frame around a photograph of her quince, her fifteenth birthday party-the picture showed off the state-supplied frosted cake, beer and rum. In another photograph Hedy wore the blue ruffles and scarf of a devotee of Yemaya, the goddess of the seas, and, sure enough, on the wall was a statuette of Our Lady of Regla, spirit and saint being one and the same. A cigar box held snapshots of a variety of tourists with Hedy, toasting her with daiquiris or mojitos at cafes in the Plaza Vieja, Plaza de Armas, Plaza de la Catedral, the make-believe world of Old Havana. Hedy's favorites, though, seemed to be two photos pinned to a heart-shaped pillow of her and Luna. What had the techs made of that, the dead girl with the officer in charge? The photos had apparently been taken at different times because of a difference in clothes, but both in front of a building that bore in rusty stains the name Centra Russo-Cubano. On the underside of the pillow was pinned a third snapshot, this of Hedy, Luna and the little jinetera Teresa in the back of a white Chrysler Imperial. There were no names, telephone numbers or addresses around the bed, in the cigar box or on the wall.

There were no neighbors in the building to talk, and Ofelia went across the street to a botdnica, where a cardboard listed guava for diarrhea, oregano for congestion, parsley for gas. A Coca-Cola mirror hung on the wall, and taped to it were testimonials, including a postcard from Mexico with the illustration of a dancer with the same sort of ruffled skirt, black hair and fair skin as the woman she had seen kissing Renko. Ofelia personally couldn't care less, but she was annoyed, after all her efforts to ensure the bolo's safety, to see him invite just anyone in. Ofelia remembered how the woman leaned into Renko and brought his face down to hers.

"Hija?" The herbalista stirred from a chair.

"Oh, yes." Ofelia bought a bag of mahogany bark for her mother's rheumatism before mentioning Hedy.

"Yerba buena," the herbalista remembered Hedy by remedy.» A pretty girl but a nervous stomach. A dancer, too. Such a shame."

The woman knew Hedy from the local group that performed at Carnival. There had been sixty dancers, drummers, men balancing giant tops, all dressed in Yemaya's signature blue and swirling like waves all the way up the Prado where the Comandante himself was in the reviewing stand. And she remembered Hedy's friend, who could burn a hole through wood with his gaze.

"There, that's him."

A Minint Lada stopped outside Hedy's address, and Luna emerged with more haste than usual. Ofelia turned her back to the door, removed her cap and watched the street in the mirror, which meant she had to endure more recommendations from the herbalist and the stupid card from Mexico, but only for a minute before the sergeant came out of Hedy's with the heart-shaped pillow.

But it didn't matter to Ofelia that none of the technicians who visited Hedy Infante's loft had gathered the pillow and its photographs in time. It didn't matter whether or not they dusted Hedy's childish possessions for prints. None of them for all their expertise would understand Hedy as well as she did.

Ofelia lived in two worlds. One was the ordinary level of ration lines and bus lines, of streets of rubble, of the blue trickle of electricity that allowed Fidel to flicker on the television screen, of oppressive heat that made her two daughters spread like butterflies on the cool tiles of the floor. The other was a deeper universe as real as the veins beneath the skin, of the voluptuous Oshun, maternal Yemaya, thundering Change, spirits good and bad that brought blood to the face, taste to the mouth, color to the eye and dwelled in everyone if they were evoked. Just as drums carried a kola seed that was the soul of the drum, that only spoke when the drum was played, every person carried a spirit that spoke through their own heartbeat if they would only listen. So Ofelia Osorio carried the fire of the sun hidden behind her dark mask and saw with a penetrating light the double worlds of Havana.

This time Arkady found Olga Petrovna in a housedress and her hair up in curlers as she was organizing bags of food in the front room of her apartment. She gave him the pained smile of a pretty woman, an older woman caught by surprise. A fat little dove? Perhaps.

"A side business," she said.

"A healthy side business."