The handle of the sword was tight on the blade’s tang, but the wooden grip was rough to the palm. Harper took off the backpiece and filed the grip, and then he varnished it with oil and beeswax until the handle was dark brown and shining.

On the second day he remade the blade. The back edge of the sword was straight and the point was made by curving the fore edge back to meet it. That was not the point Sharpe liked. The rifleman liked a blade with two edges, both sharp, and a point that was symmetrical. Harper raked through the workshops of the College and found the wheel the gardeners used to sharpen their scythes. He oiled the wheel, treadled it, and then put the blade onto the stone so that it rang, it shrieked, and the sparks flowed like live-fire from the steel. He worked the back edge, curving the sword’s last two inches until the fore and back edges were the same. He had made a balanced point. Then he polished the sword, holding the blade up to the light to make sure the stone marks were even. The steel gleamed.

Finally, as the afternoon wore on, he sharpened the blade. He gave Sharpe an edge that the Captain had never had, and he worked at it, and worked, and the perfectionist in him would not give up until the fore edge, and the top seven inches of the back, were razor sharp. He let the wheel slow to a stop.

He took a rag and poured olive oil onto the sword. He polished it again, oiled it, and the sword was unrecognisable from the blade he had taken from the storekeeper. It was no Kligenthal, but it was no ordinary sword. He had remade Sharpe’s sword, done it with care and friendship, and he had put into his work all the Celtic magic that he could muster. It was as if in working on the sword he was working on Sharpe himself, and he held the finished blade up to the westering sun and it blazed white light in a dazzling burst. It was made.

He took the sword upstairs, looked forward to Sharpe’s face, and Isabella met him. She was running down the cloister and at first Harper was alarmed, and then he saw the look on her face and she threw herself at him, talked so fast that he had to slow her down, and she gabbled her news. A woman had come, and such a woman! Hair like gold and a coach with four horses! She had visited the hospital and she had given gifts to the wounded men and then — Isabella’s eyes still sparkled at the memory — the woman had come to Sharpe’s room and she had visited the Captain and she had been angry.

Harper slowed her down. “Angry?” The Captain was a hero, wasn’t he? La Marquesa had shouted at the doctors, had told them it was disgusting that a hero should live in such a place and tomorrow La Marquesa was sending a carriage that was to take Sharpe to a house outside the town, a house fey the river, and the best of it was, and here Isabella jumped up and down beside her huge Irishman, clutching at his jacket in her excitement, that the aristocrat had talked to her, Isabella! She and Harper were to go with the Captain. They would have servants, cooks, and Isabella twirled in the cloister and said that La Marquesa had been kind to her, grateful to her, and by the way the Captain was feeling better.

Harper grinned because of her infectious delight. “Say that all again.”

She said it again, and this time she wanted to know where he had been. He had missed La Marquesa, the most gracious person Isabella had ever met, a Queen! Well, almost a Queen, and Harper missed her, and tomorrow they were all moving to a house by the river and they were to have servants! And by the way the Captain is much better.

“What do you mean, better?”

“I changed the bandage, si? She was here! I thought she might visit us. She visit everyone. So I change the bandage and no muck? Patrick! No muck!”

“No pus?”

“No nothing. No muck, no blood.”

“Where is he now?”

She opened her eyes wide because her tale was dramatic. “He sit up in bed, si? Up! He very happy that La Marquesa see him!.” She punched Harper. “And you do not see her! Four horses! And your friend was here.”

“My friend?”

“The English Lord. Lord Spears.” She sighed. “He has a blue and silver uniform, all shining, and no arm any more! The bandage is off!”

“You mean his arm is out of the sling?”

“That’s what I say.” She smiled at him. “You would look good in blue and silver.”

“Aye. It would make a change from black and blue.” He grinned at her. “Would you stay here, woman? I want to talk to him.”

He pushed open the door of Sharpe’s room and, as Isabella had said, Sharpe was sitting up. There was an expression of wonderment on Sharpe’s face as if he expected the clenching pain to come back at any moment. He looked up at Harper and smiled. “It’s better than it was. I don’t understand it.”

“The doctors said it might happen.”

“The doctors said I would die.” He saw the sword in Harper’s hand. “What’s that?”

“Just an old sword, sir.” Harper tried to keep his voice matter of fact, but he could not hide his grin. He shrugged. “I thought you might be wanting it.”

“Show me.” Sharpe held out a hand and Harper saw how desperately thin his Captain’s wrist was. Harper reversed the sword, held it out, and Sharpe grasped the handle. Harper pulled the scabbard away, the sword was in Sharpe’s hand, and the weight pulled it down, almost to the floor, and Sharpe had to use all his feeble strength to bring the long, clumsy blade up again. It shone in the small light from the window. Sharpe’s eyes stayed on the blade and his face was all that Harper could want. The blade turned over, slowly, the arm horribly weak as it rehearsed the twist that the sword needed as it lunged into an enemy. Sharpe looked up at Harper. “You did it?”

“Aye, well, you know, sir. Not much to do, sir. Passed the time, so it did.”

Sharpe twisted the blade back and the light ran down the steel. “It’s beautiful.”

“Just the old ‘96 pattern, sir. Standard issue. Nothing special. I took the odd nick out the edge, sir. Would it be’true, sir, that we’re moving tomorrow? To higher circles, I hear?”

Sharpe nodded, but he was not listening to Harper’s words properly. He was looking at the blade, letting his gaze go up and down the steel, from the new point on the sword to the place where the steel buried itself into the reshaped guard. The weight was too much for him and it sank, slowly, until the tip rested on the rush matting. He looked up at Harper. “Thank you.”

“For nothing, sir. Thought you might need it.”

„I’ll kill the bastard with it.“ Sharpe grimaced with the effort, but the blade came up again. „I’ll slaughter the bastard.”

Patrick Harper grinned. Richard Sharpe was going to live.

Sometimes the river was silver, a sheen of pitted silver, and sometimes it was dark green like velvet. At dusk it could look like molten gold, heavy and slow, pouring itself richly towards the Roman bridge and then on towards its junction with the River Douro and then, the far off sea. Sometimes it was mirror smooth, so the far bank was perfectly seen upside down on its surface, and at other times it was grey and broken,r but Sharpe never tired of sitting in the pillared shelter that a previous Marques had built right on the water’s edge. It was a private place, entered only through one door, and when the door was shut and bolted, the sounds of the house and garden faded.

He exercised for hours in the shelter, strengthening his sword arm, and he walked further each day so that by the time they had been in the house six nights he could walk the mile to the city and back and the only pain was a dull, tugging ache. He ate prodigiously, wolfing down the beef that, as a true Englishman, he knew to be the only source of strength. Captain Lossow, of the King’s German Legion, contrived to send Sharpe a wooden crate that proved to be full of stone-bottled beer. A letter was nailed to the crate. It was very short. “The French could not kill you, so drink yourself to death. Your Friend. Lossow.” Sharpe could not imagine how Lossow had contrived to find a whole crate of beer in Spain, but he knew how generous was the gift and he was touched by it.