'I think I have it, thank you,' Smiley said. Somewhat belatedly, it dawned on him that Lacon was drunk.
'Now, George, we have a date, don't forget. A seminar on marriage with no holds barred. I have cast you as my elder statesman here. There's a very decent steak-house downstairs and I shall treat you to a slap-up dinner while you give me of your wisdom. Have you a diary there? Let's pencil something in.'
With dismal foreboding Smiley agreed a date. After a lifetime of inventing cover stories for every occasion, he still found it impossible to talk his way out of a dinner invitation.
'And you found nothing?' Lacon asked, on a more cautious note. 'No snags, hitches, loose ends. It was a storm in a teacup, was it, as we suspected?'
A lot of answers crossed Smiley's mind, but he saw no use to any of them.
'What about the phone bill?' Smiley asked.
'Phone bill? What phone bill? Ah, you mean his . Pay it and send me the receipt. No problem. Better still, slip it in the post to Strickland.'
'I already sent it to you,' said Smiley patiently. 'I asked you for a breakdown of traceable calls.'
'I'll get on to them at once,' Lacon replied blandly. 'Nothing else?'
'No. No, I don't think so. Nothing.'
'Get some sleep. You sound all in.'
'Good night,' said Smiley.
With Ann's magnifying glass in his plump fist once more, Smiley went back to his examination. The floor of the pit was carpeted, apparencty in white; the quilted sofas were formed in a horseshoe following the line of the drapes that comprised the rear perimeter. There was an upholstered door in the background and the clothes the two men had discarded - jackets, neckties, trousers - were hanging from it with hospital neatness. There was an ashtray on the table and Smiley set to work trying to read the writing round the edge. After much manipulation of the glass he came up with what the lapsed philologist in him described as the asterisk (or putative) form of the letters 'A-C-H-T', but whether as a word in their own right meaning 'eight' or 'attention' as well as certain other more remote concepts - or as four letters from a larger word, he could not tell. Nor did he at this stage exert himself to find out, preferring simply to store the intelligence in the back of his mind until some other part of the puzzle forced it into play.
Ann rang. Once again, perhaps, he had dozed off, for his recollection ever afterwards was that he did not hear the ring of the phone at all, but simply her voice as he slowly lifted the receiver to his ear : 'George, George,' as if she had been crying for him a long time, and he had only now summoned the energy or the caring to answer her.
They began their conversation as strangers, much as they began their love-making.
'How are you?' she asked.
'Very well, thank you. How are you? What can I do for you?'
'I meant it,' Ann insisted. 'How are you? I want to know.'
'And I told you I was well.'
'I rang you this morning. Why didn't you answer?'
'I was out.'
Long silence while she appeared to consider this feeble excuse. The telephone had never been a bother to her. It gave her no sense of urgency.
'Out working?' she asked.
'An administrative thing for Lacon.'
'He begins his administration early these days.'
'His wife's left him,' Smiley said by way of explanation.
No answer.
'You used to say she would be wise to,' he went on. 'She should get out fast, you used to say, before she became another Civil Service geisha.'
'I've changed my mind. He needs her.'
'But she, I gather, does not need him,' Smiley pointed out, taking refuge in an academic tone.
'Silly woman,' said Ann, and another longer silence followed, this time of Smiley's making while he contemplated the sudden unwished-for mountain of choice she had revealed to him.
To be together again, as she sometimes called it.
To forget the hurts, the list of lovers; to forget Bill Haydon, the Circus traitor, whose shadow still fell across her face each time he reached for her, whose memory he carried in him like a constant pain. Bill his friend, Bill the flower of their generation, the jester, the enchanter, the iconoclastic conformer; Bill the born deceiver, whose quest for the ultimate betrayal led him into the Russians' bed, and Ann's. To stage yet another honeymoon, flyaway to the South of France, eat the meals, buy the clothes, all the let's-pretend that lovers play. And for how long? How long before her smile faded and her eyes grew dull and those mythical relations started needing her to cure their mythical ailments in far-off places?
'Where are you?' he asked.
'Hilda's.'
'I thought you were in Cornwall.'
Hilda was a divorced woman of some speed. She lived in Kensington, not twenty minutes' walk away.
'So where's Hilda?' he asked when he had come to terms with this intelligence.
'Out.'
'All night?'
'I expect so, knowing Hilda. Unless she brings him back.'
'Well then I suppose you must entertain yourself as well as you can without her,' he said, but as he spoke he heard her whisper, 'George.'
A profound and vehement fear seized hold of Smiley's heart. He glared across the room. at the reading chair and saw the contact photograph still on the book-rest beside her magnifying glass; in a single surge of memory, he reconstructed all the things that had hinted and whispered to him throughout the endless day; he heard the drum-beats of his own past, summoning him to one last effort to externalize and resolve the conflict he had lived by; and he wanted her nowhere near him. Tell Max that it concerns the Sandman . Gifted with the clarity that htlnger, tiredness and confusion can supply, Smiley knew for certain she must have no part in what he had to do. He knew - he was barely at the threshold - yet he still knew that it was just possible, against all the odds, that he had been given, in late age, a chance to return to the rained-off contests of his life and play them after all. If that was so, then no Ann, no false peace, no tainted witness to his actions, should disturb his lonely quest. He had not known his mind till then. But now he knew it.
'You mustn't,' he said. 'Ann? Listen. You mustn't come here. It has nothing to do with choice. It's to do with practicalities. You mustn't come here.' His own words rang strangely to him.
'Then come here,' she said.
He rang off. He imagined her crying, then getting out her address book to see who from her First Eleven, as she called them, might console her in his place. He poured himself a neat whisky, the Lacon solution. He went to the kitchen, forgot why and wandered into his study. Soda, he thought. Too late. Do without. I must have been mad, he thought. I'm chasing phantoms, there is nothing there. A senile General had a dream and died for it. He remembered Wilde : the fact that a man dies for a cause does not make that cause right. A picture was crooked. He straightened it too much, too little, stepping back each time. Tell him it concerns the Sandman . He returned to the reading chair and his two prostitutes, fixing on them through Ann's magnifying glass with a ferocity which would have sent them scurrying to their pimps.
Clearly they were from the upper end of their profession, being fresh-bodied and young and well-groomed. They seemed also - but perhaps it was coincidence - to be deliberately distinguished from one another by whoever had selected them. The girl at the left was blonde and fine and even classical in build, with long thighs and small high breasts. While her companion was dark-haired and stubby, with spreading hips and flared features, perhaps Eurasian. The blonde, he recorded, wore earrings in the shape of anchors, which struck him as odd because, in his limited experience of women, earrings were what they took off first. Ann had only to go out of the house without wearing them for his heart to sink. Beyond that he could think of nothing very clever to say about either girl and so, having swallowed another large gulp of raw Scotch, he transferred his attention to the men, once more - which was where it had been, if he would admit it, ever since he had started looking at the photograph in the first place. Like the girls, they were sharply differentiated from each other, though in the men - since they were a deal older - the differences had the appearance of greater depth and legibility of character. The man supporting the blonde girl was fair and at first sight dull, while the man supporting the dark girl was not merely dark-complexioned but had a Latin, even Levantine, alertness in his features, and an infectious smile that was the one engaging feature of the photograph. The fair man was large and sprawling, the dark man was small and bright enough to be his jester : a little imp of a fellow, with a kind face and flicked-up horns above his ears.
A sudden nervousness - in retrospect perhaps foreboding - made Smiley take the fair man first. It was a time to feel safer with strangers.
The man's torso was burly but not athletic, his limbs ponderous without suggesting strength. The fairness of his skin and hair emphasized his obesity. His hands, one splayed on the girl's flank, the other round her waist, were fatty and artless. Lifting the magnifying glass slowly over the naked chest, Smiley reached the head. By the age of forty, someone clever had written ominously, a man gets the face he deserves. Smiley doubted it. He had known poetic souls condemned to life imprisonment behind harsh faces, and delinquents with the appearance of angels. Nevertheless, it was not an asset as a face, nor had the camera caught it at its most appealing. In terms of character, it appeared to be divided into two parts : the lower, which was pulled into a grin of crude high spirits as, open-mouthed, he addressed something to his male companion; the upper, which was ruled by two small and pallid eyes round which no mirth had gathered at all and no high spirits either.,but which seemed to look out of their doughy surroundings with the cold, unblinking blandness of a child. The nose was flat, the hair-style full and mid-European.
Greedy, Ann would have said, who was given to passing absolute judgement on people merely by studying their portraits in the press. Greedy, weak, vicious. Avoid. A pity she had not reached the same conclusion about Haydon, he thought; or not in time.
Smiley returned to the kitchen and rinsed his face, then remembered that he had come to fetch water for his whisky. Settling again in the reading chair, he trained the magnifying glass on the second of the men, the jester. The whisky was keeping him awake, but it was also putting him to sleep. Why doesn't she ring again? he thought. If she rings again, I'll go to her. But in reality his mind was on this second face, because its familiarity disturbed him in much the way that its urgent complicity had disturbed Villem and Ostrakova before him. He gazed at it and his tiredness left him, he seemed to draw energy from it. Some faces, as Villem had suggested this morning, are known to us before we see them; others we see once and remember all our lives; others we see every day, and never remember at all. But which was this?