FOURTEEN
He was driving on a high plateau and the plateau was above the tree-line because the pines had been planted low in the valley's cleft. It was early evening of the same day and in the plain the first lights were pricking the wet gloom. On the horizon lay the city of Oxford, lifted by ground mist, an academic Jerusalem. The view from that side was new to him and increased his sense of unreality, of being conveyed rather than determining his own journey; of being in the grasp of thoughts which were not his to command. His visit to Toby Esterhase had fallen, arguably, within the crude guide-lines of Lacon's brief; but this journey, he knew, led for better or worse to the forbidden province of his secret interest. Yet he was aware of no alternative, and wanted none. Like an archaeologist who has delved all his life in vain, Smiley had begged for one last day, and this was it.
At first he had watched his rear-view mirror constantly, how the familiar motor cycle had hung behind him like a gull at sea. But when he left the last roundabout the man called Ferguson had not followed him, and when he pulled up to read the map nothing passed him either; so either they had guessed his destination or, for some arcane reason of procedure, they had forbidden their man to cross the county border. Sometimes, as he drove, a trepidation gripped him. Let her be, he thought. He had heard things; not much, but enough to guess the rest. Let her be, let her find her own peace where she can. But he knew that peace was not his to give, that the battle he was involved in must be continuous to have any meaning at all.
The kennel sign was like a painted grin : 'MERRILLEE BOARDING ALL PETS WELCOME EGGS'. A daubed yellow dog wearing a top hat pointed one paw down a cart-track; the track, when he took it, led so steeply downward that it felt like a free fall. He passed a pylon and heard the wind howling in it; he entered the plantation. First came the young trees; then the old ones darkened over him and he was in the Black Forest of his German childhood heading for some unrevealed interior. He switched on his headlights, rounded a steep bend, and another, and a third, and there was the cabin much as he had imagined it - her dacha , as she used to call it. Once she had had the house in Oxford and the dacha as a place away from it. Now there was only the dacha; she had quitted towns for ever. It stood in its own clearing of tree trunks andpodden mud, with a ramshackle veranda and a wood-shingle roof and a tin chimney with smoke coming out of it. The clapboard walls were blackened with creosote, a galvanized iron feed-tub almost blocked the front porch. On a bit of lawn stood a home-made bird-table with enough bread to feed an ark, and dotted round the clearing, like allotment huts, stood the asbestos sheds and wire runs which held the chickens and all the pets welcome without discrimination.
Karla, he thought. What a place to look for you.
He parked, and his arrival set loose a bedlam as dogs sobbed in torment and thin walls thundered to desperate bodies. He walked to the house, carrier-bag in hand, the bottles bumping against his legs. Above the din he heard his own feet rattling up the six steps of the veranda. A notice on the door read : 'If OUT do NOT leave pets on spec.' and underneath, seemingly added in a fury, 'No bloody monkeys.'
The bell-pull was a donkey's tail in plastic. He reached for it but the door had already opened and a frail pretty woman peered at him from the interior darkness of the cabin. Her eyes were timid and grey, she had that period English beauty which had once been Ann's : accepting, and grave. She saw him and Stopped dead. 'Oh, Lord,' she whispered. 'Gosh.' Then looked downward at her brogues, brushing back her forelock with one finger, while the dogs barked themselves hoarse at him from behind their wire.
'I'm sorry, Hilary,' said Smiley, with great gentleness. 'It's only for an hour, I promise. That's all it is. An hour.'
A deep, masculine voice, very slow, issued out of the darkness behind her. 'What is it, Hils?' growled the voice. 'Bog-weevil, budgie or giraffe?'
The question was followed by a slow thud like the movement of cloth over something hollow.
'It's human, Con,' Hilary called over her shoulder, and went back to looking at her brogues.
'She human or the other thing?' the voice demanded.
'It's George, Con. Don't be cross, Con.'
'George ?' Which George? George the Lorry, who waters my coal, or George the Meat, who poisons my dogs?'
'It's just some questions,' Smiley assured Hilary in the same deeply compassionate tone. 'An old case. Nothing momentous, I promise you.'
'It doesn't matter, George,' Hilary said, still looking downward. 'Honestly. It's fine.'
'Stop all that flirting!' the voice from inside the house commanded. 'Unhand her, whoever you are!'
As the thudding drew gradually nearer Smiley leaned past Hilary and spoke into the doorway. 'Connie, it's me,' he said. And once again, his voice did everything possible to signal his goodwill.
First came the puppies - four of them, probably whippets in a fast pack. Next came a mangy old mongrel with barely life enough to reach the veranda and collapse. Then the door shuddered open to its fullest extent and revealed a mountainous woman propped crookedly between two thick wooden crutches, which she did not seem to hold. She had white hair clipped short as a man's, and watery, very shrewd eyes that held him fiercely in their stare. So long was her examination of him, in fact, so leisured and minute - his earnest face, his baggy suit, the plastic carrier-bag dangling from his left hand, his whole posture of waiting meekly to be admitted - that it gave her an almost regal authority over him, to which her stillness, and her troubled breathing, and her crippled state only contributed greater strength.
'Oh my giddy aunts,' she announced, still studying him, and blew out a stream of air. 'Jumping whatevers. Damn you, George Smiley. Damn you and all who sail in you. Welcome to Siberia.'
Then she smiled, and her smile was so sudden, and fresh, and little-girl, that it almost washed away the long questioning that had gone before it.
'Hullo, Con,' said Smiley.
Her eyes, notwithstanding her smile, stayed on him still. They had the pallor of a new-born baby's.
'Hils,' she said, at last. 'I said Hils !'
'Yes, Con?'
'Go feed the doggy-wogs, darling. When you've done that, feed the filthy chickadees. Glut the brutes. When you've done that, mix tomorrow's meal, and when you've done that , bring me the humane killer so that I can despatch this interfering whatsit to an early Paradise. George, follow me.'
Hilary smiled but seemed unable to move till Connie softly pushed an elbow into her to get her going.
'Hoof it, darling. There's nothing he can do to you now. He's shot his bolt, and so have you, and, God knows, so have I.'
It was a house of day and night at once. At the centre, on a pine table littered with the remains of toast and Marmite, an old oil lamp shed a globe of yellow light, intensifying the darkness round it. The gleam of blue rain clouds, streaked by sunset, filled the far French windows. Gradually, as Smiley followed Connie's agonizingly slow procession, he realized that this one wooden room was all there was. For an office, they had the rolltop desk laden with bills and flea powder; for a bedroom the brass double bedstead with its heap of stuffed toy animals lying like dead soldiers between the pillows; for a drawing-room Connie's rocking-chair and a crumbling wicker sofa; for a kitchen a gas ring fired from a cylinder; and for decoration the unclearable litter of old age.
'Connie's not coming back, George,' she called as she hobbled ahead of him. 'Wild horses can puff and blow their snivelling hearts out, the old fool has hung up her boots for good.' Reaching her rocking-chair, she began the ponderous business of turning herself round until she had her back to it. 'So if that's what you're after, you can tell Saul Enderby to shove it up his smoke and pipe it.' She held out her arms to him and he thought she wanted him to kiss her. 'Not that , you sex maniac. Batten on to my hands!'
He did so, and lowered her into the rocking-chair.
'That's not what I came for, Con,' said Smiley. 'I'm not trying to woo you away, promise.'
'For one good reason, she's dying,' she announced firmly, not seeming to notice his interjection. 'The old fool's for the shredder, and high time too. The leech tries to fool me, of course. That's because he's a funk. Bronchitis. Rheumatism. Touch of the weather. Balls, the lot of it. It's death, that's what I'm suffering from. The systematic encroachment of the big D. Is that booze you're toting in that bag?'
'Yes. Yes, it is,' said Smiley.
'Goody. Let's have lots. How's the demon Ann?'
On the draining-board, amid a permanent pile of wasbing-up, he found two glasses, and half filled them.
'Flourishing, I gather,' he replied.
Reciprocating, by his own kindly smile, her evident pleasure at his visit, he held out a glass to her and she grappled it between her mittened hands.
'You gather,' she echoed. 'Wish you would gather. Gather her up for good is what you should do. Or else put powdered glass in her coffee. All right, what are you after?' she demanded, all in the same breath. 'I never knew you yet do anything without a reason. Mud in your eye.'
'And in yours, Con,' said Smiley.
To drink, she had to lean her whole trunk towards the glass. And as her huge head lurched into the glare of the lamplight, he saw - he knew from too much experience - that she was telling no less than the truth, and her flesh had the leprous whiteness of death.
'Come on. Out with it,' she ordered, in her sternest tone, 'I'm not sure I'll help you, mind. I've discovered love since we parted. Addles the hormones. Softens the teeth.'
He had wanted time to know her again. He was unsure of her.
'It's one of our old cases, Con, that's all,' he began apologetically. 'It's come alive again, the way they do.' He tried to raise the pitch of his voice to make it sound casual. 'We need more details. You know how you used to be about keeping records,' he added, teasingly.
Her eyes did not stir from his face.
'Kirov ,' he went on, pronouncing the name very slowly. 'Kirov, first name Oleg. Ring a bell? Soviet Embassy, Paris, three or four years ago, Second Secretary? We thought he was some sort of Moscow Centre man.'
'He was,' she said, and sat back a little, still watching him.
She motioned for a cigarette. A packet of ten lay on the table. He wedged one between her lips and lit it, but still her eyes would not leave his face.