The fashion spread like wildfire. Before a week was over, every Square and Triangle in the district had copied the example of Chromatistes, and only a few of the more conservative Pentagons still held out. A month or two found even the Dodecagons infected with the innovation. A year had not elapsed before the habit had spread to all but the very highest of the Nobility. Needless to say, the custom soon made its way from the district of Chromatistes to surrounding regions; and within two generations no one in all Flatland was colourless except the Women and the Priests.

Here Nature herself appeared to erect a barrier, and to plead against extending the innovations to these two classes. Many-sidedness was almost essential as a pretext for the Innovators. “Distinction of sides is intended by Nature to imply distinction of colours”—such was the sophism which in those days flew from mouth to mouth, converting whole towns at a time to a new culture. But manifestly to our Priests and Women this adage did not apply. The latter had only one side, and therefore—plurally and pedanticallly speaking—no sides. The former—if at least they would assert their claim to be readily and truly Circles, and not mere high-class Polygons, with an infinitely large number of infinitesimally small sides—were in the habit of boasting (what Women confessed and deplored) that they also had no sides, being blessed with a perimeter of only one line, or, in other words, a Circumference. Hence it came to pass that these two Classes could see no force in the so-called axiom about “Distinction of Sides implying Distinction of Colour;” and when all others had succumbed to the fascinations of corporal decoration, the Priests and the Women alone still remained pure from the pollution of paint.

Immoral, licentious, anarchical, unscientific—call them by what named you will—yet, from an aesthetic point of view, those ancient days of the Colour Revolt were the glorious childhood of Art in Flatland—a childhood, alas, that never ripened into manhood, nor even reached the blossom of youth. To live then in itself a delight, because living implied seeing. Even at a small party, the company was a pleasure to behold; the richly varied hues of the assembly in a church or theatre are said to have more than once proved too distracting from our greatest teachers and actors; but most ravishing of all is said to have been the unspeakable magnificence of a military review.

The sight of a line of battle of twenty thousand Isosceles suddenly facing about, and exchanging the sombre black of their bases for the orange of the two sides including their acute angle; the militia of the Equilateral Triangles tricoloured in red, white, and blue; the mauve, ultra-marine, gamboge, and burnt umber of the Square artillerymen rapidly rotating near their vermillion guns; the dashing and flashing of the five-coloured and six-coloured Pentagons and Hexagons careering across the field in their offices of surgeons, geometricians and aides-de-camp—all these may well have been sufficient to render credible the famous story how an illustrious Circle, overcome by the artistic beauty of the forces under his command, threw aside his marshal’s baton and his royal crown, exclaiming that he henceforth exchanged them for the artist’s pencil. How great and glorious the sensuous development of these days must have been is in part indicated by the very language and vocabulary of the period. The commonest utterances of the commonest citizens in the time of the Colour Revolt seem to have been suffused with a richer tinge of word or thought; and to that era we are even now indebted for our finest poetry and for whatever rhythm still remains in the more scientific utterance of those modern days.

But meanwhile the intellectual Arts were fast decaying.

The Art of Sight Recognition, being no longer needed, was no longer practised; and the studies of Geometry, Statics, Kinetics, and other kindred subjects, came soon to be considered superfluous, and feel into disrespect and neglect even at our University. The inferior Art of Feeling speedly experienced the same fate at our Elementary Schools. Then the Isosceles classes, asserting that the Specimens were no longer used nor needed, and refusing to pay the customary tribute from the Criminal classes to the service of Education, waxed daily more numerous and more insolent on the strength of their immunity from the old burden which had formerly exercised the twofold wholesome effect of at once taming their brutal nature and thinning their excessive numbers.

Year by year the Soldiers and Artisans began more vehemently to assert—and with increasing truth—that there was no great difference between them and the very highest class of Polygons, now that they were raised to an equality with the latter, and enabled to grapple with all the difficulties and solve all the problems of life, whether Statical or Kinetical, by the simple process of Colour Recognition. Not content with the natural neglect into which Sight Recognition was falling, they began boldly to demand the legal prohibition of all “monopolizing and aristocratic Arts” and the consequent abolition of all endowments for the studies of Sight Recognition, Mathematics, and Feeling. Soon, they began to insist that inasmuch as Colour, which was a second Nature, had destroyed the need of aristocratic distinctions, the Law should follow in the same path, and that henceforth all individuals and all classes should be recognized as absolutely equal and entitled to equal rights.

Finding the higher Orders wavering and undecided, the leaders of the Revolution advanced still further in their requirements, and at last demanded that all classes alike, the Priests and the Women not excepted, should do homage to Colour by submitting to be painted. When it was objected that Priests and Women had no sides, they retorted that Nature and Expediency concurred in dictating that the front half of every human being (that is to say, the half containing his eye and mouth) should be distinguishable from his hinder half. They therefore brought before a general and extraordinary Assembly of all the States of Flatland a Bill proposing that in every Woman the half containing the eye and mouth should be coloured red, and the other half green. The Priests were to be painted in the same way, red being applied to that semicircle in which the eye and mouth formed the mmiddle point; while the other or hinder semicircle was to be coloured green.

There was no little cunning in this proposal, which indeed emanated not from any Isosceles—for no being so degraded would have angularity enough to appreciate, much less to devise, such a model of state-craft—but from an Irregular Circle who, instead of being destroyed in his childhood, was reserved by a foolish indulgence to bring desolation on his country and destruction on myriads of followers.

On the one hand the proposition was calculated to bring the Women in all classes over to the side of the Chromatic Innovation. For by assigning to the Women the same two colours as were assigned to the Priests, the Revolutionists thereby ensured that, in certain positions, every Woman would appear as a Priest, and be treated with corresponding respect and deference—a prospect that could not fail to attract the Female Sex in a mass.

But by some of my Readers the possibility of the identical appearance of Priests and Women, under a new Legislation, may not be recognized; if so, a word or two will make it obvious.

Imagine a woman duly decorated, according to the new Code; with the front half (i.e., the half containing the eye and mouth) red, and with the hinder half green. Look at her from one side. Obviously you will see a straight line, half red, half green.

Now imagine a Priest, whose mouth is at M, and whose front semicircle (AMB) is consequently coloured red, while his hinder semicircle is green; so that the diameter AB divides the green from the red. If you contemplate the Great Man so as to have your eye in the same straight line as his dividing diameter (AB), what you will see will be a straight line (CBD), of which one half (CB) will be red, and the other (BD) green. The whole line (CD) will be rather shorter perhaps than that of a full-sized Woman, and will shade off more rapidly towards its extremities; but the identity of the colours would give you an immediate impression of identity in Class, making you neglectful of other details. Bear in mind the decay of Sight Recognition which threatened society at the time of the Colour revolt; add too the certainty that Woman would speedily learn to shade off their extremities so as to imitate the Circles; it must then be surely obvious to you, my dear Reader, that the Colour Bill placed us under a great danger of confounding a Priest with a young Woman.

How attractive this prospect must have been to the Frail Sex may readily be imagined. They anticipated with delight the confusion that would ensue. At home they might hear political and ecclesiastical secrets intended not for them but for their husbands and brothers, and might even issue some commands in the name of a priestly Circle; out of doors the striking combination of red and green without adddition of any other colours, would be sure to lead the common people into endless mistakes, and the Woman would gain whatever the Circles lost, in the deference of the passers by. As for the scandal that would befall the Circular Class if the frivolous and unseemly conduct of the Women were imputed to them, and as to the consequent subversion of the Constitution, the Female Sex could not be expected to give a thought to these considerations. Even in the households of the Circles, the Women were all in favour of the Univsersal Colour Bill.

The second object aimed at by the Bill was the gradual demoralization of the Circles themselves. In the general intellectual decay they still preserved their pristine clearness and strength of understanding. From their earliest childhood, familiarized in their Circular households with the total absence of Colour, the Nobles alone preserved the Sacred Art of Sight Recognition, with all the advantages that result from that admirable training of the intellect. Hence, up to the date of the introduction of the Universal Colour Bill, the Circles had not only held their own, but even increased their lead of the other classes by abstinence from the popular fashion.

Now therefore the artful Irregular whom I described above as the real author of this diabolical Bill, determined at one blow to lower the status of the Hierarchy by forcing them to submit to the pollution of Colour, and at the same time to destroy their domestic opportunities of training in the Art of Sight Recognition, so as to enfeeble their intellects by depriving them of their pure and colourless homes. Once subjected to the chromatic taint, every parental and every childish Circle would demoralize each other. Only in discerning between the Father and the Mother would the Circular infant find problems for the exercise of his understanding—problems too often likely to be corrupted by maternal impostures with the result of shaking the child’s faith in all logical conclusions. Thus by degrees the intellectual lustre of the Priestly Order would wane, and the road would then lie open for a total destruction of all Aristocratic Legislature and for the subversion of our Privileged Classes.