`O'Madden Burke will write the notice,' he explained to Mr Holohan, `and I'll see it in.'

`Thank you very much, Mr Hendrick,' said Mr Holohan. `You'll see it in, I know. Now, won't you have a little something before you go?'

`I don't mind,' said Mr Hendrick.

The two men went along some tortuous passages and up a dark staircase and came to a secluded room where one of the stewards was uncorking bottles for a few gentlemen. One of these gentlemen was Mr O'Madden Burke, who had found out the room by instinct. He was a suave, elderly man who balanced his imposing body, when at rest, upon a large silk umbrella. His magniloquent western name was the moral umbrella upon which he balanced the fine problem of his finances. He was widely respected.

While Mr Holohan was entertaining the Freeman man Mrs Kearney was speaking so animatedly to her husband that he had to ask her to lower her voice. The conversation of the others in the dressing-room had become strained. Mr Bell, the first item, stood ready with his music but the accompanist made no sign. Evidently something was wrong. Mr Kearney looked straight before him, stroking his beard, while Mrs Kearney spoke into Kathleen's ear with subdued emphasis. From the hall came sounds of encouragement, clapping and stamping of feet. The first tenor and the baritone and Miss Healy stood together, waiting tranquilly, but Mr Bell's nerves were greatly agitated because he was afraid the audience would think that he had come late.

Mr Holohan and Mr O'Madden Burke came into the room. In a moment Mr Holohan perceived the hush. He went over to Mrs Kearney and spoke with her earnestly. While they were speaking the noise in the hall grew louder. Mr Holohan became very red and excited. He spoke volubly, but Mrs Kearney said curtly at intervals:

`She won't go on. She must get her eight guineas.'

Mr Holohan pointed desperately towards the hall where the audience was clapping and stamping. He appealed to Mr Kearney and to Kathleen. But Mr Kearney continued to stroke his beard and Kathleen looked down, moving the point of her new shoe: it was not her fault. Mrs Kearney repeated:

`She won't goon without her money.'

After a swift struggle of tongues Mr Holohan hobbled out in haste. The room was silent. When the strain of the silence had become somewhat painful Miss Healy said to the baritone:

`Have you seen Mrs Pat Campbell this week?'

The baritone had not seen her but he had been told that she was very fine. The conversation went no further. The first tenor bent his head and began to count the links of the gold chain which was extended across his waist, smiling and humming random notes to observe the effect on the frontal sinus. From time to time everyone glanced at Mrs Kearney.

The noise in the auditorium had risen to a clamour when Mr Fitzpatrick burst into the room, followed by Mr Holohan, who was panting. The clapping and stamping in the hall were punctuated by whistling. Mr Fitzpatrick held a few banknotes in his hand. He counted out four into Mrs Kearney's hand and said she would get the other half at the interval. Mrs Kearney said:

`This is four shillings short.'

But Kathleen gathered in her skirt and said: `Now, Mr Bell,' to the first item, who was shaking like an aspen. The singer and the accompanist went out together. The noise in the hall died away. There was a pause of a few seconds, and then the piano was heard.

The first part of the concert was very successful except for Madam Glynn's item. The poor lady sang Killarney in a bodiless gasping voice, with all the old-fashioned mannerisms of intonation and pronunciation which she believed lent elegance to her singing. She looked as if she had been resurrected from an old stage-wardrobe and the cheaper parts of the hall made fun of her high wailing notes. The first tenor and the contralto, however, brought down the house. Kathleen played a selection of Irish airs which was generously applauded. The first part closed with a stirring patriotic recitation delivered by a young lady who arranged amateur theatricals. It was deservedly applauded, and, when it was ended, the men went out for the interval, content.

All this time the dressing-room was a hive of excitement. In one corner were Mr Holohan, Mr Fitzpatrick, Miss Beirne, two of the stewards, the baritone, the bass, and Mr O'Madden Burke. Mr O'Madden Burke said it was the most scandalous exhibition he had ever witnessed. Miss Kathleen Kearney's musical career was ended in Dublin after that, he said. The baritone was asked what did he think of Mrs Kearney's conduct. He did not like to say anything. He had been paid his money and wished to be at peace with men. However, he said that Mrs Kearney might have taken the artistes into consideration. The stewards and the secretaries debated hotly as to what should be done when the interval came.

`I agree with Miss Beirne,' said Mr O'Madden Burke. `Pay her nothing.'

In another corner of the room were Mrs Kearney and her husband, Mr Bell, Miss Healy, and the young lady who had to recite the patriotic piece. Mrs Kearney said that the committee had treated her scandalously. She had spared neither trouble nor expense and this was how she was repaid.

They thought they had only a girl to deal with and that, therefore, they could ride roughshod over her. But she would show them their mistake. They wouldn't have dared to have treated her like that if she had been a man. But she would see that her daughter got her rights: she wouldn't be fooled. If they didn't pay her to the last farthing she would make Dublin ring. Of course she was sorry for the sake of the artistes. But what else could she do? She appealed to the second tenor, who said he thought she had not been well treated. Then she appealed to Miss Healy. Miss Healy wanted to join the other group, but she did not like to do so because she was a great friend of Kathleen's and the Kearneys had often invited her to their house.

As soon as the first part was ended Mr Fitzpatrick and Mr Holohan went over to Mrs Kearney and told her that the other four guineas would be paid after the committee meeting on the following Tuesday and that, in case her daughter did not play for the second part, the committee would consider the contract broken and would pay nothing.

`I haven't seen any committee,' said Mrs Kearney angrily. `My daughter has her contract. She will get four pounds eight into her hand or a foot she won't put on that platform.'

`I'm surprised at you, Mrs Kearney,' said Mr Holohan. `I never thought you would treat us this way.'

`And what way did you treat me?' asked Mrs Kearney.

Her face was inundated with an angry colour and she looked as if she would attack someone with her hands.

`I'm asking for my rights,' she said.

`You might have some sense of decency,' said Mr Holohan.

`Might I, indeed?... And when I ask when my daughter is going to be paid I can't get a civil answer.'

She tossed her head and assumed a haughty voice:

`You must speak to the secretary. It's not my business. I'm a great fellow fol-the-diddle-I-do.'

`I thought you were a lady,' said Mr Holohan, walking away from her abruptly.

After that Mrs Kearney's conduct was condemned on all hands: everyone approved of what the committee had done. She stood at the door, haggard with rage, arguing with her husband and daughter, gesticulating with them. She waited until it was time for the second part to begin in the hope that the secretaries would approach her. But Miss Healy had kindly consented to play one or two accompaniments. Mrs Kearney had to stand aside to allow the baritone and his accompanist to pass up to the platform. She stood still for an instant like an angry stone image and, when the first notes of the song struck her ear, she caught up her daughter's cloak and said to her husband: