I can hear the young girls wondering why I did not think of marriage. The true answer is that I did, sometimes, late at night as I lay in my too short bed and dreamed. But there is a good reason I did not escape by marriage. I have seen some of the paintings the young ones have done of me in my youth, and they do make me laugh! I am now and always have been no more than plain. Hadron told me so all my young life, and I learned to believe him. Men were the same then as now; the young ones want a beauty, the old ones want a young one, and after being trapped so long on the farm I had the heart of an old woman and no beauty ta speak of. The best that can be said is that I was tall as a man, strong as a woman well can be, brown as a nut from years of farm work in the sun and rain, and had a temper I only occasionally managed to keep in check.

Most nights, to be truthful, I thought more of love than of marriage, and more of going away than of love.

That is the real deep truth of me, now and as a girl. I longed to see the world, to go to those places that rang on the edge of stories like sweet distant bells. Even the sight of the Mear Hills to the north pierced my heart every time I saw them. Autumn was the worst, when they put on their patchwork winter coats and beckoned like so many red-and-gold giants. Lying on my bed in the dark I wandered through those trees a thousand times, laughing—sometimes aloud—as I watched the sun through the stained-glass leaves, breathing in their spicy scent and soaking in their colour until I could hold no more.

But my real desires lay beyond the Mear Hills. All of Kolmar was mine the dark, covered with a quilt, weary from the day’s needs but with mine still unfulfilled. In thought I roamed east and north, through the dark and threatening Trollingwood to the fastness of Eynhallow at the edge of the mountains, or into the mountains themselves, into the mines where jewels sparkled from the walls in the light of a lantern held high. Sometimes, though not often, I would venture south to the green kingdom of the silkweavers of Elimar—the north always called to my heart with the stronger voice.

But those times I most resented what I was forced to do, when despite the duty I owed him I would have cursed my father for making me stay, when even Jamie could not console me and the bleakness of my future came near to breaking me—then I would let loose the deep dream of my heart.

ln it I stood at the bow of one of the great Merchant ships, sailing for the Dragon Isle at the turn of the year. The sea was rough, for the Storms that lay between Kolmar and the fabled land of the Dragons might abate but they never ceased. The ship swayed and groaned beneath my feet, spray blew keen and salt in my face but I laughed and welcomed it. For all I knew I would find naught on the island but lansip trees, and the long and dangerous trip there and back all for no more than my pay for harvesting the leaves more precious than silver. But perhaps—

Perhaps the Merchants' tales spoke true. It might be that I should be chosen to approach the Guardian of the trees, and perhaps as we spoke I would see him, and he would not be some giant of a warrior as everyone but the Merchants said.

I would feel no fear. I would step towards him and bow, greeting him in the name of my people, and he would come to me on four feet, his great wings folded, his fire held in check. In my dreams I spoke with the Dragon who guarded the trees.

Now, everyone knows that there are dragons, poor solitary creatures no bigger than a horse who live quietly in the Trollingwood away to the north. They pass their lives in deep forests or in rocky caverns, and almost always alone, and generally dragons and men do not trouble one another. Sometimes, though, a dragon will acquire a taste for forbidden food—a village's cattle, or sheep, or human flesh. Then great hunts are gathered from all the villages round and the creature is slain as quickly as possible, or at the least chased away. These little dragons have only faint similarities to the True Dragons of the ballads. They have fiery breath, though it is soon exhausted; they have armoured scales, but their size tells against them, and they seem no brighter than cattle. Unless they fly away—and they do not fly well—they may be killed without too great difficulty.

The Merchants, however, have the word of those who have been there, and they say that the Dragon Isle is the home of the True Dragons 'of legend. They are as big as a cottage with wings to match, teeth and claws as long as a man's forearm and a huge jewel shining from each forehead. Of course the Harvesters who returned were asked about them; but the last ship to return from the journey to the Dragon Isle came home to Corli more than a century ago, and there are none living who can swear that the True Dragons exist. It is said that within certain boundaries it is safe to visit that land, but some old tales whispered of those who dared to cross over seeking dragon gold and paid the price. If you believe the tales, not one of those venturous souls ever returned.

The bards, of course, have made songs of the True Dragons for hundreds of years. Usually the tale is of some brave fighter attacking one of them against terrible odds, defeating it but dying in the process. All very noble but more than a little absurd, if the Merchants recall truly their size and power. Still, there are some lovely lays about such things.

Every now and then, however, you come across a story with a different tum. The Song of the Winged Ones is a song of celebration, written as though the singer were standing on the Dragon Isle watching the dragons flying in the sun. The words are full of wonder at the beauty of the creatures; and there is a curious pause in the middle of one of the stanzas near the end, where the singer waits a full four measures in silence for those who listen to hear the music of distant dragon wings. It seldom fails to bring echoes of something beyond the silence, and is almost never performed because many bards fear it.

I love it.

I heard it first when I was seven. The snows were bad that year, and a bard travelling south from Aris (some four days’ journey north of us) on his way to Kaibar for midwinter got stuck at Hadronsstead for the festival. He was well treated, given new clothes in honour of the season, and in return he performed for the household for the three nights of the celebration. The last piece he sang on the last night was the Song of the Winged Ones, and I fell in love. I was just warm and sleepy enough to listen with my eyes closed, and when the pause came I heard music still, wilder and deeper than the bard's but far softer. I never forgot the sound. It spoke to something deep within me and I resolved to hear it again if ever I could. When I mentioned it to the singer later he paled slightly, told me that people often imagined that they heard things in the pause, and swore to himself (when he thought I had gone) never to sing the wretched thing again.

I spent the next seventeen years waiting to hear that sound, and dreamed of meeting a True Dragon, a Dragon out of the ballads, huge, wild and fierce, yet possessed of the powers of speech and reason. And he would not kill me for daring to speak to him. He would respond in courtesy, we would learn of each other and exchange tales of our lives, and together the two of us would change all of Kolmar. Humans would have someone new to talk to, a new way of seeing life and truth, and it would happen because I had dared to do what few had even dreamed about.

And they would grant me the name I had chosen in the old speech, those who came after and knew what I had done. They would call me Kaelar, Lanen Kaelar, the Far-Traveller, the Long Wanderer.

And there the sweet dream would end, and I would cry myself to sleep.