“I swear,” Darlene said to Jones after Lana had swung through the door, “this place is worse than the army. She just hire you today?”

“Yeah,” Jones answered. “She ain exactly hire me. She kinda buying me off a auction block.”

“At least you gonna get a salary. I only work on commission for how much I get people to drink. You think that’s easy? Try to get some guy to buy more than one of the kinda drinks they serve in here. All water. They gotta spend ten, fifteen dollars to get any effect at all. I swear, it’s a tough job. Lana even pumps water in the champagne. You oughta taste that. Then she’s all the time complaining about how business stinks. She oughta buy a drink at this bar and find out. Even when she’s got only about five people drinking in here she’s making a fortune. Water don’t cost nothing.”

“Wha she go shoppin for? A whip?”

“Don’t ask me. Lana never tells me nothin. That Lana’s a funny one.” Darlene blew her nose daintily. “What I really wanna be is an exotic. I been practicing in my apartment on a routine. If I can get Lana to let me dance in here at night, I can get me a regular salary and quit hustling water on commission. Now that I think of it, I oughta get me some commission for what them people drank up in here last night. That old lady sure drank up a lotta beer. I don’t see what Lana’s got to complain about. Business is business. That fat man and his momma wasn’t much worse than plenty we get in here. I think the thing got Lana was that funny green cap he had stuck up on his head. When he was talking, he’d pull the earflap down, and when he was listening, he’d stick it up again. By the time Lana got here, everybody was hollering at him, so he had both flaps stuck out like wings. You know, it looked sorta funny.”

“And you say this fat cat travlin around with his momma?” Jones asked, making a mental association.

“Uh huh.” Darlene folded her handkerchief and slipped it into her bosom. “I sure hope they don’t ever decide to hang around here again. I’ll really be in trouble. Jesus.” Darlene sounded worried. “Look, we better do something about this place before Lana comes back. But listen. Don’t knock yourself out cleaning up this dump. I never seen it really clean since I been here. And it’s so dark in here all the time, nobody can tell the difference. To hear Lana talk, you’d think this hole was the Ritz.”

Jones shot out a fresh cloud. Through his glasses he could hardly see anything at all.

Patrolman Mancuso enjoyed riding the motorcycle up St. Charles Avenue. At the precinct he had borrowed a large and loud one that was all chromium and baby blue, and at the touch of a switch it could become a pinball machine of flashing, winking, blinking red and white lights. The siren, a cacophony of twelve crazed bobcats, was enough to make suspicious characters within a half-mile radius defecate in panic and rush for cover. Patrolman Mancuso’s love for the motorcycle was platonically intense.

The forces of evil generated by the hideous—and apparently impossible to uncover—underground of suspicious characters seemed remote to him this afternoon, though. The ancient oaks of St. Charles Avenue arched over the avenue like a canopy shielding him from the mild winter sun that splashed and sparkled on the chrome of the motorcycle. Although the days had lately been cold and damp, the afternoon had that sudden, surprising warmth that makes New Orleans winters gentle. Patrolman Mancuso appreciated the mildness, for he was wearing only a T-shirt and Bermuda shorts, the sergeant’s costume selection for the day. The long red beard that hooked over his ears by means of wires did manage to warm his chest a little; he had snatched the beard from the locker while the sergeant wasn’t looking.

Patrolman Mancuso inhaled the moldy scent of the oaks and thought, in a romantic aside, that St. Charles Avenue must be the loveliest place in the world. From time to time he passed the slowly rocking streetcars that seemed to be leisurely moving toward no special destination, following their route through the old mansions on either side of the avenue. Everything looked so calm, so prosperous, so unsuspicious. On his own time he was going up to see that poor Widow Reilly. She had looked so pitiful crying in the middle of that wreck. The least he could do was try to help her.

At Constantinople Street he turned toward the river, sputtering and growling through a declining neighborhood until he reached a block of houses built in the 1880s and 90s, wooden Gothic and Gilded Age relics that dripped carving and scrollwork. Boss Tweed suburban stereotypes separated by alleys so narrow that a yardstick could almost bridge them and fenced in by iron pikes and low walls of crumbling brick. The larger houses had become impromptu apartment buildings, their porches converted into additional rooms. In some of the front yards there were aluminum carports, and bright aluminum awnings had been installed on one or two of the buildings. It was a neighborhood that had degenerated from Victorian to nothing in particular, a block that had moved into the twentieth century carelessly and uncaringly—and with very limited funds.

The address that Patrolman Mancuso was looking for was the tiniest structure on the block, aside from the carports, a Lilliput of the eighties. A frozen banana tree, brown and stricken, languished against the front of the porch, the tree preparing to collapse as the iron fence had done long ago. Near the dead tree there was a slight mound of earth and a leaning Celtic cross cut from plywood. The 1946 Plymouth was parked in the front yard, its bumper pressed against the porch, its taillights blocking the brick sidewalk. But, except for the Plymouth and the weathered cross and the mummified banana tree, the tiny yard was completely bare. There were no shrubs. There was no grass. And no birds sang.

Patrolman Mancuso looked at the Plymouth and saw the deep crease in its roof and the fender, filled with concave circles, that was separated from the body by three or four inches of space. VAN CAMP’S PORK AND BEANS was printed on the piece of cardboard taped across the hole that had been the rear window. Stopping by the grave, he read REX in faded letters on the cross. Then he climbed the worn brick steps and heard through the closed shutters a booming chant.

Big girls don’t cry.

Big girls don’t cry.

Big girls, they don’t cry-yi-yi.

They don’t cry.

Big girls, they don’t cry…yi.

While he was waiting for someone to answer the bell, he read the faded sticker on the crystal of the door, “A slip of the lip can sink a ship.” Below a WAVE held her finger to lips that had turned tan.

Along the block some people were out on their porches looking at him and the motorcycle. The shutters across the street that slowly flipped up and down to get the proper focus indicated that he also had a considerable unseen audience, for a police motorcycle in the block was an event, especially if its driver wore shorts and a red beard. The block was poor, certainly, but honest. Suddenly self-conscious, Patrolman Mancuso rang the bell again and assumed what he considered his erect, official posture. He gave his audience his Mediterranean profile, but the audience saw only a small and sallow figure whose shorts hung clumsily in the crotch, whose spindly legs looked too naked in comparison to the formal garters and nylon socks that hung near the ankles. The audience remained curious, but unimpressed; a few were not even especially curious, the few who had expected some such vision to visit that miniature house eventually.

Big girls don’t cry

Big girls don’t cry.

Patrolman Mancuso knocked savagely at the shutters.