Ayo closed her hand and opened it palm up, a fleeting sketch of a gesture, of a sign.

A man came up the mountain to Woodedge, a charcoal burner from Firn. "My wife Nesty sends a message to the wise women," he said, and the villagers showed him Ayo's house. As he stood in the doorway he made a hurried motion, a fist turned to an open palm. "Nesty says tell you that the crows are flying early and the hound's after the otter," he said.

Otter, sitting by the fire shelling walnuts, held still. Mead thanked the messenger and brought him in for a cup of water and a handful of shelled nuts. She and Ayo chatted with him about his wife. When he had gone she turned to Otter.

"The Hound serves Losen," he said. "I'll go today."

Mead looked at her sister. "Then it's time we talked a bit to you," she said, sitting down across the hearth from him. Ayo stood by the table, silent. A good fire burned in the hearth. It was a wet, cold time, and firewood was one thing they had plenty of, here on the mountain.

"There's people all over these parts, and maybe beyond, who think, as you said, that nobody can be wise alone. So these people try to hold to each other. And so that's why we're called the Hand, or the women of the Hand, though we're not women only. But it serves to call ourselves women, for the great folk don't look for women to work together. Or to have thoughts about such things as rule or misrule. Or to have any powers."

"They say," said Ayo from the shadows, "that there's an island where the rule of justice is kept as it was under the Kings.

Morred s Isle, they call it. But it's not Enlad of the Kings, nor Ea. It's south, not north of Havnor, they say. There they say the women of the Hand have kept the old arts. And they teach them, not keeping them secret each to himself, as the wizards do."

"Maybe with such teaching you could teach the wizards a lesson," Mead said.

"Maybe you can find that island," said Ayo.

Otter looked from one to the other. Clearly they had told him their own greatest secret and their hope.

"Morred's Isle," he said.

"That would be only what the women of the Hand call it, keeping its meaning from the wizards and the pirates. To them no doubt it would bear some other name."

"It would be a terrible long way," said Mead.

To the sisters and all these villagers, Mount Onn was the world, and the shores of Havnor were the edge of the universe. Beyond that was only rumor and dream.

"You'll come to the sea, going south, they say," said Ayo.

"He knows that, sister," Mead told her. "Didn't he tell us he was a ship carpenter? But it's a terrible long way down to the sea, surely. With this wizard on your scent, how are you to go there?"

"By the grace of water, that carries no scent," Otter said, standing up. A litter of walnut shells fell from his lap, and he took the hearth broom and swept them into the ashes. "I'd better go."

"There's bread," Ayo said, and Mead hurried to pack hard bread and hard cheese and walnuts into a pouch made of a sheep's stomach. They were very poor people. They gave him what they had. So Anieb had done.

"My mother was born in Endlane, round by Faliern Forest," Otter said. "Do you know that town? She's called Rose, Rowan's daughter."

"The carters go down to Endlane, summers."

"If somebody could talk to her people there, they'd get word to her. Her brother, Littleash, used to conic to the city every year or two."

They nodded.

"If she knew I was alive," he said.

Anieb's mother nodded. "She'll hear it."

"Go on now," said Mead.

"Go with the water," said Ayo.

He embraced them, and they him, and he left the house.

He ran down from the straggle of huts to the quick, noisy stream he had heard singing through his sleep all his nights in Woodedge. He prayed to it. "Take me and save me," he asked it. He made the spell the old Changer had taught him long ago, and said the word of transformation. Then no man knelt by the loud-running water, but an otter slipped into it and was gone.

ONE WINTER AFTERNOON on the shore of the Onneva River where it fingers out into the north bight of the Great Bay of Havnor, a man stood up on the muddy sand: a man poorly dressed and poorly shod, a thin brown man with dark eyes and hair so fine and thick it shed the rain. It was raining on the low beaches of the river mouth, the fine, cold, dismal drizzle of that grey winter. His clothes were soaked. He hunched his shoulders, turned about, and set off towards a wisp of chimney smoke he saw far down the shore. Behind him were the tracks of an otter's four feet coming up from the water and the tracks of a man's two feet going away from it.

Where he went then, the songs don't tell. They say only that he wandered, "he wandered long from land to land." If he went along the coast of the Great Isle, in many of those villages he might have found a midwife or a wise woman or a sorcerer who knew the sign of the Hand and would help him; but with Hound on his track, most likely he left Havnor as soon as he could, shipping as a crewman on a fishing boat of the Ebavnor Straits or a trader of the Inmost Sea.

On the island of Ark, and in Orrimy on Hosk, and down among the Ninety Isles, there are tales about a man who came seeking for a land where people remembered the justice of the kings and the honor of wizards, and he called that land Morred's Isle. There's no knowing if these stories are about Medra, since he went under many names, seldom if ever calling himself Otter any more. Gelluk's fall had not brought Losen down. The pirate king had other wizards in his pay, among them a man called Early, who would have liked to find the young upstart who defeated his master Gelluk. And Early had a good chance of tracing him. Losen's power stretched all across Havnor and the north of the Inmost Sea, growing with the years; and the Hound's nose was as keen as ever.

Maybe it was to escape the hunt that Medra came to Pendor, a long way west of the Inmost Sea, or maybe some rumor among the women of the Hand on Hosk sent him there. Pendor was a rich island, then, before the dragon Yevaud despoiled it. Wherever Medra had gone until then, he had found the lands like Havnor or worse, sunk in warfare, raids, and piracy, the fields full of weeds, the towns full of thieves. Maybe he thought, at first, that on Pendor he had found Morred's Isle, for the city was beautiful and peaceful and the people prosperous.

He met there a mage, an old man called Highdrake, whose true name has been lost. When Highdrake heard the tale of Morred's Isle he smiled and looked sad and shook his head. "Not here," he said. "Not this. The Lords of Pendor are good men. They remember the kings. They don't seek war or plunder. But they send their sons west dragon hunting. In sport. As if the dragons of the West Reach were ducks or geese for the killing! No good will come of that."

Highdrake took Medra as his student, gratefully. "I was taught my art by a mage who gave me freely all he knew, but I never found anybody to give that knowledge to, until you came," he told Medra. "The young men come to me and they say, "What good is it? Can you find gold?" they say. "Can you teach me how to make stones into diamonds? Can you give me a sword that will kill a dragon? What's the use of talking about the balance of things? There's no profit in it," they say. No profit!" And the old man railed on about the folly of the young and the evils of modern times.

When it came to teaching what he knew, he was tireless, generous, and exacting. For the first time, Medra was given a vision of magic not as a set of strange gifts and reasonless acts, but as an art and a craft, which could be known truly with long study and used rightly after long practice, though even then it would never lose its strangeness. Highdrake's mastery of spells and sorcery was not much greater than his pupil's, but he had clear in his mind the idea of something very much greater, the wholeness of knowledge. And that made him a mage.