IV. Medra
There was an old man by our door
Who opened it to rich or poor,
Many came there both small and great,
But few could pass through Medra's Gate.
So runs the water away, away,
So runs the water away.
HOUND STAYED IN ENDLANE. He could make a living as a finder there, and he liked the tavern, and Otter's mother's hospitality.
By the beginning of autumn, Losen was hanging by a rope round his feet from a window of the New Palace, rotting, while six warlords quarreled over his kingdom, and the ships of the great fleet chased and fought one another across the Straits and the wizard-troubled sea.
But Hopeful, sailed and steered by two young sorcerers from the Hand of Havnor, brought Medra safe down the Inmost Sea to Roke.
Ember was on the dock to meet him. Lame and very thin, he came to her and took her hands, but he could not lift his face to hers. He said, "I have too many deaths on my heart, Elehal."
"Come with me to the Grove," she said.
They went there together and stayed till the winter came. In the year that followed, they built a little house near the edge of the Thwilburn that runs out of the Grove, and lived there in the summers.
They worked and taught in the Great House. They saw it go up stone on stone, every stone steeped in spells of protection, endurance, peace. They saw the Rule of Roke established, though never so firmly as they might wish, and always against opposition; for mages came from other islands and rose up from among the students of the school, women and men of power, knowledge, and pride, sworn by the Rule to work together and for the good of all, but each seeing a different way to do it.
Growing old, Elehal wearied of the passions and questions of the school and was drawn more and more to the trees, where she went alone, as far as the mind can go. Medra walked there too, but not so far as she, for he was lame.
After she died, he lived a while alone in the small house near the Grove.
One day in autumn he came back to the school. He went in by the garden door, which gives on the path through the fields to Roke Knoll. It is a curious thing about the Great House of Roke, that it has no portal or grand entryway at all. You can enter by what they call the back door, which, though it is made of horn and framed in dragons tooth and carved with the Thousand-Leaved Tree, looks like nothing at all from outside, as you come to it in a dingy street; or you can go in the garden door, plain oak with an iron bolt. But there is no front door.
He came through the halls and stone corridors to the inmost place, the marble-paved courtyard of the fountain, where the tree Elehal had planted now stood tall, its berries reddening.
Hearing he was there, the teachers of Roke came, the men and women who were masters of their craft. Medra had been the Master Finder, until he went to the Grove. A young woman now taught that art, as he had taught it to her.
"I've been thinking," he said. "There are eight of you. Nine's a better number. Count me as a master again, if you will."
"What will you do, Master Tern?" asked the Summoner, a grey-haired mage from Ilien.
"I'll keep the door," Medra said. "Being lame, I won't go far from it. Being old, I'll know what to say to those who come. Being a finder, I'll find out if they belong here."
"That would spare us much trouble and some danger," said the young Finder.
"How will you do it?" the Summoner asked.
"I'll ask them their name," Medra said. He smiled. "If they'll tell me, they can come in. And when they think they've learned everything, they can go out again. If they can tell me my name."
So it was. For the rest of his life, Medra kept the doors of the Great House on Roke. The garden door that opened out upon the Knoll was long called Medra's Gate, even after much else had changed in that house as the centuries passed through it. And still the ninth Master of Roke is the Doorkeeper.
In Endlane and the villages round the foot of Onn on Havnor, women spinning and weaving sing a riddle song of which the last line has to do, maybe, with the man who was Medra, and Otter, and Tern.
Three things were that will not be: Solea's bright isle above the wave, A dragon swimming in the sea, A seabird flying in the grave.
DARKROSE AND DIAMOND
A BOAT-SONG FROM WEST HAVNOR
Where my love is going
There will I go.
Where his boat is rowing
I will row.
We will laugh together,
Together we will cry.
If he lives I will live,
If he dies I die.
Where my love is going
There will I go.
Where his boat is rowing
I will row.
In the west of Havnor, among hills forested with oak and chestnut, is the town of Glade. A while ago, the rich man of that town was a merchant called Golden.
Golden owned the mill that cut the oak boards for the ships they built in Havnor South Port and Havnor Great Port; he owned the biggest chestnut groves; he owned the carts and hired the carters that carried the timber and the chestnuts over the hills to be sold. He did very well from trees, and when his son was born, the mother said, "We could call him Chestnut, or Oak, maybe?" But the father said, "Diamond," diamond being in his estimation the one thing more precious than gold.
So little Diamond grew up in the finest house in Glade, a fat, bright-eyed baby, a ruddy, cheerful boy. He had a sweet singing voice, a true ear, and a love of music, so that his mother, Tuly, called him Songsparrow and Skylark, among other loving names, for she never really did like "Diamond." He trilled and caroled about the house; he knew any tune as soon as he heard it, and invented tunes when he heard none. His mother had the wisewoman Tangle teach him The Creation of Ea and The Deed of the Young King, and at Sunreturn when he was eleven years old he sang the Winter Carol for the Lord of the Western Land, who was visiting his domain in the hills above Glade. The Lord and his Lady praised the boy's singing and gave him a tiny gold box with a diamond set in the lid, which seemed a kind and pretty gift to Diamond and his mother. But Golden was a bit impatient with the singing and the trinkets. "There are more important things for you to do, son," he said. "And greater prizes to be earned."
Diamond thought his father meant the business — the loggers, the sawyers, the sawmill, the chestnut groves, the pickers, the carters, the carts — all that work and talk and planning, complicated, adult matters. He never felt that it had much to do with him, so how was he to have as much to do with it as his father expected? Maybe he'd find out when he grew up.
But in fact Golden wasn't thinking only about the business. He had observed something about his son that had made him not exactly set his eyes higher than the business, but glance above it from time to time, and then shut his eyes.
At first he had thought Diamond had a knack such as many children had and then lost, a stray spark of magery. When he was a little boy, Golden himself had been able to make his own shadow shine and sparkle. His family had praised him for the trick and made him show it off to visitors; and then when he was seven or eight he had lost the hang of it and never could do it again.
When he saw Diamond come down the stairs without touching the stairs, he thought his eyes had deceived him; but a few days later, he saw the child float up the stairs, just a finger gliding along the oaken banister-rail. "Can you do that coming down?" Golden asked, and Diamond said,