"I'm sorry," he said, with enough dignity that Hemlock glanced up at him.

"You could go to Roke," the wizard said.

"To Roke?"

The boy's drop-jawed stare irritated Hemlock, though he knew it shouldn't. Wizards are used to overweening confidence in the young of their kind. They expect modesty to come later, if at all. "I said Roke," Hemlock said in a tone that said he was unused to having to repeat himself. And then, because this boy, this soft-headed, spoiled, moony boy had endeared himself to Hemlock by his uncomplaining patience, he took pity on him and said, "You should either go to Roke or find a wizard to teach you what you need. Of course you need what I can teach you. You need the names. The art begins and ends in naming. But that's not your gift. You have a poor memory for words. You must train it diligently. However, it's clear that you do have capacities, and that they need cultivation and discipline, which another man can give you better than I can." So does modesty breed modesty, sometimes, even in unlikely places. "If you were to go to Roke, I'd send a letter with you drawing you to the particular attention of the Master Summoner."

"Ah," said Diamond, floored. The Summoner's art is perhaps the most arcane and dangerous of all the arts of magic.

"Perhaps I am wrong," said Hemlock in his dry, flat voice. "Your gift may be for Pattern. Or perhaps it's an ordinary gift for shaping and transformation. I'm not certain."

"But you are — I do actually —»

"Oh yes. You are uncommonly slow, young man, to recognize your own capacities." It was spoken harshly, and Diamond stiffened up a bit.

"I thought my gift was for music," he said.

Hemlock dismissed that with a flick of his hand. "I am talking of the True Art," he said. "Now I will be frank with you. I advise you to write your parents — I shall write them too — informing them of your decision to go to the School on Roke, if that is what you decide; or to the Great Port, if the Mage Restive will take you on, as I think he will, with my recommendation. But I advise against visiting home. The entanglement of family, friends, and so on is precisely what you need to be free of. Now, and henceforth."

"Do wizards have no family?"

Hemlock was glad to see a bit of fire in the boy. "They are one another's family," he said.

"And no friends?"

"They may be friends. Did I say it was an easy life?" A pause. Hemlock looked directly at Diamond. "There was a girl," he said.

Diamond met his gaze for a moment, looked down, and said nothing.

"Your father told me. A witch's daughter, a childhood playmate. He believed that you had taught her spells."

"She taught me."

Hemlock nodded. "That is quite understandable, among children. And quite impossible now. Do you understand that?" "No," Diamond said.

"Sit down," said Hemlock. After a moment Diamond took the stiff, high-backed chair facing him.

"I can protect you here, and have done so. On Roke, of course, you'll be perfectly safe. The very walls, there…But if you go home, you must be willing to protect yourself. It's a difficult thing for a young man, very difficult — a test of a will that has not yet been steeled, a mind that has not yet seen its true goal. I very strongly advise that you not take that risk. Write your parents, and go to the Great Port, or to Roke. Half your year's fee, which I'll return to you, will see to your first expenses."

Diamond sat upright and still. He had been getting some of his father's height and girth lately, and looked very much a man, though a very young one.

"What did you mean, Master Hemlock, in saying that you had protected me here?"

"Simply as I protect myself," the wizard said; and after a moment, testily, "The bargain, boy. The power we give for our power. The lesser state of being we forego. Surely you know that every true man of power is celibate."

There was a pause, and Diamond said, "So you saw to it…that I…"

"Of course. It was my responsibility as your teacher."

Diamond nodded. He said, "Thank you." Presently he stood up.

"Excuse me, Master," he said. "I have to think."

"Where are you going?"

"Down to the waterfront."

"Better stay here."

"I can't think, here."

Hemlock might have known then what he was up against; but having told the boy he would not be his master any longer, he could not in conscience command him. "You have a true gift, Essiri," he said, using the name he had given the boy in the springs of the Amia, a word that in the Old Speech means Willow. "I don't entirely understand it. I think you don't understand it at all. Take care! To misuse a gift, or to refuse to use it, may cause great loss, great harm."

Diamond nodded, suffering, contrite, unrebellious, unmovable.

"Go on," the wizard said, and he went.

Later he knew he should never have let the boy leave the house. He had underestimated Diamond's willpower, or the strength of the spell the girl had laid on him. Their conversation was in the morning; Hemlock went back to the ancient cantrip he was annotating; it was not till supper time that he thought about his pupil, and not until he had eaten supper alone that he admitted that Diamond had run away.

Hemlock was 10th to practice any of the lesser arts of magic. He did not put out a finding spell, as any sorcerer might have done. Nor did he call to Diamond in any way. He was angry; perhaps he was hurt. He had thought well of the boy, and offered to write the Summoner about him, and then at the first test of character Diamond had broken. "Glass," the wizard muttered. At least this weakness proved he was not dangerous. Some talents were best not left to run wild, but there was no harm in this fellow, no malice. No ambition. "No spine," said Hemlock to the silence of the house. "Let him crawl home to his mother."

Still it rankled him that Diamond had let him down flat, without a word of thanks or apology. So much for good manners, he thought.

As she blew out the lamp and got into bed, the witch's daughter heard an owl calling, the little, liquid hu-hu-hu-hu that made people call them laughing owls. She heard it with a mournful heart. That had been their signal, summer nights, when they sneaked out to meet in the willow grove down on the banks of the Amia, when everybody else was sleeping. She would not think of him at night. Back in the winter she had sent to him night after night. She had learned her mother's spell of sending, and knew that it was a true spell. She had sent him her touch, her voice saying his name, again and again. She had met a wall of air and silence. She touched nothing. He would not hear.

Several times, all of a sudden, in the daytime, there had been a moment when she had known him close in mind and could touch him if she reached out. But at night she knew only his blank absence, his refusal of her. She had stopped trying to reach him, months ago, but her heart was still very sore.

"Hu-hu-hu," said the owl, under her window, and then it said, "Darkrose!" Startled from her misery, she leaped out of bed and opened the shutters.

"Come on out," whispered Diamond, a shadow in the starlight.

"Mother's not home. Come in!" She met him at the door.

They held each other tight, hard, silent for a long time. To Diamond it was as if he held his future, his own life, his whole life, in his arms.

At last she moved, and kissed his cheek, and whispered, "I missed you, I missed you, I missed you. How long can you stay?"

"As long as I like."

She kept his hand and led him in. He was always a little reluctant to enter the witch's house, a pungent, disorderly place thick with the mysteries of women and witchcraft, very different from his own clean comfortable home, even more different from the cold austerity of the wizard's house. He shivered like a horse as he stood there, too tall for the herb-festooned rafters. He was very highly strung, and worn out, having walked forty miles in sixteen hours without food.