THE COMTE'S laboratory was a blackened shambles. Chang stood in the doorway, attempting to remember the room as it had been, the better to discern the intentions of whoever had set the fire. That it was deliberate he had no question, and from the density of the reek he knew it had occurred within the last few days. He stepped over a fallen beam and the half-charred remnants of a wooden chair. To the left had been the Comte's laboratory proper. This had been the center of the fire (not surprising, given the density of volatile chemicals), and the balcony above it was completely consumed, the stone walls behind scorched to the cracked and blackened ceiling. Books had been pulled from the walls and hurled into the flames, along with the Comte's implements, now reduced to twisted lumps of metal sticking up from the ashes. Indeed, it seemed like every sign of the Comte d'Orkancz's work had been purposefully destroyed—except…

Chang's eyes went to the walls, where the Annunciation had been hung. This was an enormous canvas cut into thirteen parts, portraying the Comte's blasphemous interpretation of Mary's visitation from the angel (whose skin was a tell-tale blue). Seen in isolated fragments, the painting's lurid sexual intent might not have been immediately apparent, but with the slightest study the nasty amusement infusing the artist's composition was both obvious and appalling. But most importantly, the rear of each canvas had been covered with alchemical formulae—explaining, if one knew how to read the Comte's symbolic codes, vital secrets about the properties of indigo clay. That these too had been destroyed…

Chang frowned, comparing the scorch marks on that part of the wall with the rest of the room—there was no difference at all. If the thirteen paintings had burned, the chemicals embedded in the paint should have marked the walls with the same livid whorls of burnt color scored across the marble worktop. He took another few steps, wondering if the paintings had simply been taken from the walls and thrown into the fire directly—it was possible, to be sure… but was it also possible they had been saved? It all depended on who had set the blaze and why. Chang took another step, and a curl of glass popped to pieces beneath his boot.

The skin at the back of his neck suddenly went cold. The floor was littered with glass—broken, blackened, but still glinting blue… Angelique.

Chang knelt despite himself, setting his stick on the floor, and reached out a gloved hand, touching the pieces—faceted pebbles, with one or two long, curving fragments—with just the tips of his fingers, gently, as if he were tracing them across her skin.

In the corridor were footsteps and he spun on his heels, one hand snapping up the stick and the other—the most natural and yet the stupidest impulse in the world—stabbing down at the floor to maintain his balance. Chang felt the sharp pain in his palm, just as the black cloak of Francis Xonck flitted past the doorway. But then Xonck was forgotten, for when the blue glass shard penetrated his flesh, Chang's mind was suddenly swallowed up… with hers.

ANGELIQUE STOOD in her small room at the Old Palace brothel, wearing a pale silk robe, her hair hanging wet and fragrant with sandal-wood—Chang knew the smell only because she herself had taken such pleasure in it, but he experienced it now, the sensation of scent, in his mind, with a deranging vividness well beyond him in life—facing an open cabinet set with five empty shelves. On a chair next to her and on the small pallet bed were piles of clothing, dresses and robes and underthings and shoes, and then a small carved wooden box, cheaply bought from the markets near St. Isobel's. From her memory he knew the box contained every bit of meager jewelry that she owned. As she looked at the empty shelves, Chang felt from Angelique such a surge of pleasure—of arrival, of security, of an answer so gratefully received to a question Chang himself had never wanted to ask—and he realized that this was her first-ever room of her own, where her things would not be stolen, where she might put a printed postcard or a picture cut from a colored newspaper on the wall without it disappearing the next day—and her happiness, to begin to place her clothing in the cabinet, rejoicing in the extent of her possessions, shifting each piece with delight from shelf to shelf just to stretch out the task, beaming with pleasure at her escape from the degradations of the brothels that had so far been her life, chuckling with anticipation at the advantages she was sure to find, at the mere prospect of—

CHANG WRENCHED the shard from his palm and threw it into the wreckage, tearing the glove from his stricken hand, his concentration desperately held in the face of the continuing—a pulsing echo even after the glass was gone—repetition of Angelique's captured happiness pressing inescapably at his brain. The glove came off at last and he saw his palm starred with blue glass—newly made from contact with his own blood, a fat, flattened, still-biting spider—his fingers clutching at its impossibly cold burn. Thankful it had gone into his left hand, Chang pulled the razor from his pocket and flicked it open. With an excruciating burst of pain he sliced under the glass and then, blood pooling brightly beneath the blade, did his best to pry it up. For a moment it would not come, pulling cruelly. Chang bit his lip, digging deeper with the razor. The spiked lozenge of glass flipped free, leaving his palm a raw, seething mess. Chang swore aloud. He wrapped a handkerchief tight around the wound, pulling the knot with his teeth. He snatched up his stick and stumbled after Xonck—how much time had he lost? Chang reeled like a drunkard but kept going, the smell of her hair in his mind like a poison.

He burst back onto the main floor, past the unmoving elderly servant, striding too recklessly toward the center of the house. Ahead of him were jostling footsteps, voices, a crowd of people—Aspiche and his Dragoons? No, it was a gang of servants from Harschmort, all in Vandaariff's black livery, rushing ahead of him into the ballroom. Chang felt a spur of curiosity—it was easier than thinking—and followed. Someone shouted over the tumble of voices—a man just come in from the French doors. Chang could not see him, but his voice was loud and very angry.

“Let me have it!” the man cried. “There is no time!”

“But it is mine!” protested the servant.

“There is no time!” the man cried again, and lunged—Chang could tell from the sudden swirl of bodies—wrestling desperately for whatever it was he sought.

Without warning, the memory of Angelique in her room rose to swallow him once more. Again he was in her body, but this time more deeply, feeling so intimately the strength of her limbs, the weight of them, the particular distribution of female flesh, the pins in her hair, and all of it infused with her happiness.

He shook his head like a dog, keeping his glasses in place with his bandaged hand, wondering what had set off the spell—a perfume, the sight of an open cabinet? He had pried the glass out of his hand—the memory ought to be gone! And yet he could sense it still, gliding beneath the surface of his thoughts like a pike-fish in a pond, waiting to sink its sweet teeth into his scarcely coherent will. He snapped his eyes to the open French door and the suddenly motionless crowd of servants.

From the garden came a pistol shot, and then a hideous scream.

HE SHOULDERED his way into the garden. A second, more terrible fire had caused the ornamental garden to collapse in on the cathedral chamber below, leaving a massive ruined pit from which fumes and foul vapors continued to rise. Near to the edge, grappling like unnatural statues amidst the scorched greenery, were Francis Xonck and Mrs. Marchmoor. Xonck writhed against the glass woman's hand, two fingers of which were buried in his chest like a dagger. On the grass lay two men: one by his iron-grey hair and blue sash Chang knew as the Duke of Stäelmaere; the other, his head bloodied, looked like a Ministry peon. Directly in front of Chang but facing the garden stood a second Ministry official, a smoking pistol extended in his hand. But the man hesitated to shoot again, for Mrs. Marchmoor and Francis Xonck were still entwined.