WHATEVER CAMPHOR had been laid in the wardrobe only evidenced a struggle lost, for as the Doctor woke, stifling the simultaneous urges to groan aloud and to be sick, he looked down to see his tunic covered with the detritus of moths—spent cocoons, corpses, dusty webbing. He batted at it, realizing as he did so that his arms were free, and that he was no longer in the wardrobe. He had been laid on the bed, a thick towel set beneath his bleeding head. He explored the wound with his fingers—a mild enough cut, though extremely sensitive—and discerned that no bones had been staved in, though he was certainly suffering some degree of concussion. Vandaariff was no longer in the wardrobe. The revolver was nowhere in sight. Nor was Elöise.

He sat up and felt a dizzying rush. He patiently allowed the rush to subside, then swung his legs over the bed. On the desk lay a piece of paper. It had not been there before. He picked it up, squinted, and took a moment to insert his monocle. A woman's writing… “Forgive me.” He folded the paper absently into quarters and then folded it again, smoothing each edge as his mind sought some sensible purchase on his emotions. He stuffed the folded bolt of paper into his pocket and took out his silver case. The Doctor lit a cigarette and smoked it through, leaning so his thighs were braced against the desk, tapping the ash into a dish half full of pins, and gazing into the beveled glass. His face, as leeched of pride as a thrice-whipped dog, did nothing to jog his heart into some response—anger, scorn, even despair.

He weaved through the dark passageway of cupboards into the main room and from there to the kitchen. The paintings had been taken as well. Svenson found an earthen crock of cool water, bathed his head, mopped it with another towel—the spotting of blood gave way soon enough—and then took a long drink. His thoughts were chessmen made of lead, impossible to push into motion. He had saved her life on the train—for what? So she could refrain from taking his, an even trade.

He lit another cigarette, knowing it might cause him to vomit, and dropped the match on the table, hoping vaguely it would leave a mark. There was a clock on the mantel, but it had not been wound. The cigarette burned to ash in his fingers.

He was not dead, though he was not sure his mortification—how many times must he fail at the same hurdle?—was preferable to oblivion. Dull-minded but grimly determined, he returned to the bedroom and sorted through the papers in the writing desk, finding a ribbon-wrapped bundle in a wooden slot. Svenson recognized the same hand that had written “Forgive me,” and opened the letter, dated two years previously and addressed to Augustus Sparck… “Dear Uncle…” Svenson dropped the letter back onto the desk, feeling stupid. Her uncle's cottage after all. Of course it was—and she had allowed him to play-act each step of protecting her, pistol in hand, knowing at every instant what the end must be.

The room was too close. He walked out the still-open door into the garden, blinking, the sounds of birds in the tree branches above him.

DOCTOR SVENSON patted his pockets for a handkerchief and winced at the pain in his left arm. He had forgotten stabbing himself with the glass, and now felt a flicker of sensation throughout his body, a twitching ribbon infused with the revolting amalgamation of visions—the cenotaph, the glade, the fossilized creature… but there was something else, something apart from these, like the strain of a sweet violin within a chorus of martial brass. He had not fully appreciated it in the train car… an exquisite sensuous redolence of Elöise's own body, momentary memories of being her. This was from the new glass, created from her own blood. The memories were almost too much to bear, but he could not resist them. He sat down on a wooden stool, his head in his hands, eyes shut.

The first tableau had been a parlor: Colonel Arthur Trapping, miserable, powerless—and Elöise—overhearing a bitter disagreement in another room… a man and a woman. Svenson recognized neither voice—which meant, he realized, that the man in the quarrel was not Francis Xonck. Could it be his brother, Henry? And could the woman be Charlotte Trapping? Trapping wore his uniform… could it be about the transfer of the Dragoons to the Palace? Or was it something simpler—the payment of his debts? But then why was Elöise present?

The second was a grove of trees. Francis Xonck knelt with the three Trapping children, Elöise's charges. He chatted with them, the wry playful uncle, but then looked up at Elöise… and his expression changed. At first Svenson assumed it to be conspiratorial, but by concentrating, steeping himself in Elöise's memory, he felt something else… a lick of fear, as if Elöise had been caught out. But what could Xonck have known? Or was it the other way around? Had she learned one of his secrets—and now he knew it?

The third image was the most disturbing: Elöise and Charlotte Trapping with Caroline Stearne, the Contessa's particular minion, in a private room at the St. Royale. Svenson knew no more than that: the two women holding hands, Charlotte Trapping's obvious fear… but he'd no idea if the two women knew Mrs. Stearne—knew her connection to the Cabal—or were meeting her for the first time, or what the interview was about, or… Svenson frowned. Just as the image faded from his mind, Mrs. Stearne had been turning toward them… something, yes… in her hand, just catching the lamplight… a blue glass card.

SVENSON SAT back on the stool, blinking up at the sky, these three glimpses rendering palpable how little he knew of Elöise's life. He felt intolerably alone. He lurched to his feet. How had the Contessa known of this cottage? When had Elöise told her—in Karthe? Or before? With a chill in his heart he realized Miss Temple was even more likely to be dead. Yet… he thought back to the cottage of Sorge and Lina and he was sure—he was sure—that Elöise's affection, her devotion to tending Miss Temple had been real. But he had been sure of so many things.

The wardrobe! He had forgotten all about Robert Vandaariff. What was he doing here, of all people? How had he traveled from Harschmort to Parchfeldt? It could not have been on his own power, but who else could have managed it—and then what had happened to them? And how could the Contessa have sent word so far in advance to arrange this as a destination?

He retreated into the cottage and, paying closer attention, searched fruitlessly for any clue as to where the women had gone. Did he even want to follow them? Did he want to risk a night freezing to death in a strange forest? With a bitter determination he rummaged through the drawers of the writing desk until he found one fitted with a secret inner niche, which was locked. The Doctor popped the lock with a penknife and collected the small amount of money, mainly gold coins, that had been hidden away. From there he stalked to the kitchen and pulled open the various drawers and cupboards in search of some useful weapon. At last he found a heavy hammer—tenderizing meat? killing fowl?—he could swing with one hand. He stuck the handle through his belt, took another drink of water, and went out the front door, following the flagstone path back to the leaf-covered track he had walked with Elöise.

Once there, it was with a sudden urgency that the Doctor began to retrace his steps to the canal. He assumed the women had taken the opposite direction. Perhaps succumbing to cowardice, perhaps to common sense, Svenson fixed his thoughts on Chang waiting at Stropping. He would return to the city.

AS ALWAYS, it seemed to take less time to return than to arrive, and soon, despite the Doctor's still-thrashing thoughts, he found himself at the dark canal's edge. It was not quite the same spot where he had crossed—he could not find the little bridge—but as he looked in its direction he saw this might not matter. Sailing toward him was a low barge, wide enough that even he could hop easily aboard, cross its deck, and just as simply step off onto the far bank. The man waved in a cautious manner—perhaps taken aback by the Doctor's sudden emergence from the wood—and glanced over his shoulder. He whistled, sharp and shrill like an angry jay, and then returned his gaze to Svenson, who was doing his best to smile pleasantly.