Her foot kicked a toppled wineglass. The man at the piano stopped, turning to her. Others looked up from their absorptions, and soon they were all staring.

“Who is it?” one fellow whispered to a bearded, shirtless man crouched at his feet.

“Have they come back?” called an older woman, her petticoats pulled up above vein-mottled thighs. “Is it time?”

“You don't have a mask,” a young woman chided Miss Temple. Another next to her poured brandy into teacups. Both their chins were matted with dried slime. “Everyone has been instructed to wear masks.”

“I have just arrived,” replied Miss Temple. “I am looking for three children.”

The young woman with the brandy bottle began to snigger. Miss Temple kept on, stepping around groping couples—in one case groping men—and felt the rising flush in her limbs. She reached the fountain—happy to find nothing worse than a sunken pair of shoes in the water. They all continued to stare at her.

“There has been a fire,” she told them. “Lord Vandaariff is gone.”

The woman with the bottle sniggered again.

“The soldiers are coming,” Miss Temple said. “You should be ready—all of you.”

But with the exception of the man at the piano, the tattered adherents had gone back to their dissipation. Miss Temple met the man's gaze, and then he too resumed his distended, internal melody.

IF TACKHAM had been taking the children to the main floor and Mrs. Marchmoor's hand had been mended in the kitchens, then that meant her enemies were gathered in the center part of the house. Miss Temple had just decided to cross the next hallway and try what doors she could, for the people behind her—like animals in a human zoo— made her shiver, when something caught her eye. At first she was frightened to turn, fearing it was another assignation that would bring her to her knees, but it was only a dark mark on the wall, a broken vertical line that indicated a hidden door. She could not stop herself, even if she assumed it to be full of more revelers. Miss Temple went to the door and opened it wide.

The room was very small, sized for a servant, with a daybed, standing cabinet, writing desk, and several lamps with brightly colored shades. The door from the atrium lacked a knob, opening instead by the pressing of a button—from the outside posing as merely another wall panel. Miss Temple laughed aloud, for the purpose of such a hidden bedchamber directly off such a romantic space as the garden conservatory was suddenly obvious. The bedcovers had been remade but not cleanly, and the writing desk lay cluttered with items more redolent of assignation than correspondence—ointments, a hairbrush, wineglasses, one of which was smeared with lipstick. Indulging her naughtiness this much, Miss Temple crossed to the bed and sat on it, bouncing to test the firmness. Flushing at the memories this action kicked up, she quickly stood again, grinning despite an uncomfortably growing itch.

Before her on the green blotter was a letter in the unmistakable hand of Roger Bascombe. It was addressed to Mrs. Caroline Stearne.

THE LETTER itself, read with a studied revulsion, as if she were peeling up a bandage to peek at her own half-healed wound, contained no particular point of interest, simply informing Mrs. Stearne—at no point did the familiar, Ministry-schooled tone of Roger's prose presume to “Caroline”—of the arrangements for Lydia's gala engagement party: that she would be collected by coach at the St. Royale Hotel, taken to Stropping—Roger himself would see her on the train—and from there to Harschmort, where she would be met by the Contessa di Lacquer-Sforza. He instructed her as to dress, and closed with a simple congratulations on her imminent embrace of the Process. Miss Temple read it again and set the paper onto the blotter so as not to notice her own shaking hands. Her eyes fell onto the rumpled bed, mocked by the book within her, knowing that upon it Roger and Caroline must have surely acted those visions out in flesh.

That the letter contained no evidence of affection meant nothing. Roger would not have crossed the street to bid good day to his mother if it meant appearing less than properly poised. And yet… She read the note a third time, and noted with a sour curdle in her stomach the appearance of certain words. Roger loved words very much, and took care to polish a handful of favorites, the pleasure they gave him attaching to the object of his affection, and here they were. She could imagine his tender smile at the writing of each one: “piquant”… “exactitude”… “tulle” …

She pushed the letter aside and roughly pawed through the other papers, sweeping what did not interest her to the floor, only preventing herself by deliberate will from toppling the entire little desk altogether. She stopped. She had crumpled and thrown another letter without looking at it closely, but not before a name had leapt out to her eye. She kicked awkwardly through the scattered pile until she found the one she sought. She would have liked to sit but could not now bring herself to further touch any piece of furniture, given what gymnastic purposes they might have served. Miss Temple smoothed out the paper against her thigh.

The looping script matched the note in her dress. Miss Temple scanned the text for the name she was sure she'd seen… and there it was… Elöise Dujong.

Sweet Caroline,

As we discussed, Husband and Family are your Skeleton Keys.

She will come at your Request, I am Sure, if the Invitation appears by way of her Companion, Mrs. Elöise Dujong. A Room has been laid ready at the St. Royale tomorrow night. Our Allies understand you do my Business, so you must justify your Travels. Thus go first to the Ministry to give the enclosed List of Invitees to Mr. Roger Bascombe.

They will do the work Themselves. Be genuinely their Friend. There is always Time for Everything.

RLS

The note bore no date. Some elements were obvious enough— if Elöise was “Companion” to “she,” then “she” must be Charlotte Trapping. The husband and family were the late Colonel and the three children now in the care of Captain Tackham. The Contessa's reference to “our allies” made clear that to the rest of the Cabal, Caroline was the Contessa's creature and thus needed to seemingly embark on normal business with Roger (the “invitees” being those figures from the highest levels of society they planned to assimilate into books) to conceal the Contessa's private business. And this private business had to do with Charlotte Trapping and Elöise. Had Elöise truly met with Charlotte Trapping and Caroline Stearne at the St. Royale? Surely Elöise would have said something about it to her, or to the Doctor— surely she must have recognized Caroline Stearne on the airship, or at Harschmort when she was taken prisoner!

But was that the case? When Elöise had been captured in the Comte's laboratory, Caroline had been elsewhere. They had all been on the rooftop and in the airship, but with the chaos of the battle, was it possible that Elöise and Caroline had not recognized one another? Miss Temple huffed. Anything was possible, but was it likely? Was it not more likely that Elöise remembered the meeting perfectly well, that she had merely kept the knowledge to herself? As they walked from the Jorgenses' cabin Miss Temple had spoken of Caroline Stearne, about her murder… and Elöise had not said a word.

SHE LOOKED around her at the tiny room with a colder sense of pride. Caroline Stearne, like Elöise, had been a creature in service, and indeed, the room appeared now every bit as provisional and undistinguished as a military barracks or a cramped cabin on a trading ship. And this had been the woman's final home—these were her things, still strewn about because there existed no one in the world to claim them, no one who cared to know her fate—whether she might be dancing in a Macklenburg ballroom or a frozen, crab-chewn corpse at the bottom of the sea. Miss Temple walked out, stepping over the trash in the atrium and past the debauchery, accepting the taste of death in her throat and the unfettered desire coursing through her veins. These people were nothing.