We walked down through the streets to the levee and up onto it in the long early evening light, warm and pink-gold, smelling of river and mud and reeds. The two women with guns walked along just about four meters behind us.

"If you do go to the University," he said after a long silence, "I'll be there constantly."

"I haven't yet-" I stammered.

"If you stay here, I'll be here constantly," he said. "That is, if it's all right with you."

I said nothing. He looked at me without turning his head. I said without intending to, "I like it that I can see where you're looking."

"I like it that I can't see where you're looking," he said, looking directly at me.

We walked on. A heron rose up out of a reed islet and its great wings beat over the water, away. We were walking south, downriver. All the western sky was full of light as the sun went down behind the city in smoke and haze.

"Rakam, I would like to know where you came from, what your life on Werel was," he said very softly.

I drew a long breath. "It's all gone," I said. "Past."

"We are our past. Though not only that. I want to know you. Forgive me. I want very much to know you."

After a while I said, "I want to tell you. But it's so bad. It's so ugly. Here, now, it's beautiful. I don't want to lose it."

"Whatever you tell me I will hold valuable," he said, in his quiet voice that went to my heart. So I told him what I could about Shomeke compound, and then hurried on through the rest of my story. Sometimes he asked a question. Mostly he listened. At some time in my telling he had taken my arm, I scarcely noticing at the time. When he let me go, thinking some movement I made meant I wanted to be released, I missed that light touch. His hand was cool. I could feel it on my forearm after it was gone.

"Mr. Yehedarhed," said a voice behind us: one of the bodyguards. The sun was down, the sky flushed with gold and red. "Better head back?"

"Yes," he said, "thanks." As we turned I took his arm. I felt him catch his breath.

I had not desired a man or a woman-this is the truth-since Shomeke. I had loved people, and I had touched them with love, but never with desire. My gate was locked.

Now it was open. Now I was so weak that at the touch of his hand I could scarcely walk on.

I said, "It's a good thing walking with you is so safe."

I hardly knew what I meant. I was thirty years old but I was like a young girl. I had never been that girl.

He said nothing. We walked along in silence between the river and the city in a glory of failing light.

"Will you come home with me, Rakam?" he said.

Now I said nothing.

"They don't come in with us," he said, very low, in my ear, so that I felt his breath.,

"Don't make me laugh!" I said, and began crying. I wept all the way back along the levee. I sobbed and thought the sobs were ceasing and then sobbed again. I cried for all my sorrows, all my shames. I cried because they were with me now and were me and always would be. I cried because the gate was open and I could go through at last, go into the country on the other side, but I was afraid to.

When we got into the car, up near my school, he took me in his arms and simply held me, silent. The two women in the front seat never looked round.

We went into his house, which I had seen once before, an old mansion of some owner of the Corporation days. He thanked the guards and shut the door. "Dinner," he said. "The cook's out. I meant to take you to a restaurant. I forgot. " He led me to the kitchen, where we found cold rice and salad and wine. After we ate he looked at me across the kitchen table and looked down again. His hesitance made me hold still and say nothing. After a long time he said, "Oh, Rakam! will you let me make love to you?"

"I want to make love to you," I said. "I never did. I never made love to anyone. "

He got up smiling and took my hand. We went upstairs together, passing what had been the entrance to the men's side of the house. "I live in the beza," he said, "in the harem. I live on the women's side. I like the view."

We came to his room. There he stood still, looking at me, then looked away. I was so frightened, so bewildered, I thought I could not go to him or touch him. I made myself go to him. I raised my hand and touched his face, the scars by his eye and on his mouth, and put my arms around him. Then I could hold him to me, closer and closer.

Some time in that night as we lay drowsing entangled I said, "Did you sleep with Dr. Yeron?"

I felt Havzhiva laugh, a slow, soft laugh in his belly, which was against my belly. "No," he said. "No one on Yeowe but you. And you, no one on Yeowe but me. We were virgins, Yeowan virgins …. Rakam, araha. . . . " He rested his head in the hollow of my shoulder and said something else in a foreign language and fell asleep. He slept deeply, silently.

Later that year I came up north to the University, where I was taken on the faculty as a teacher of history. By their standards at that time, I was competent. I have worked there ever since, teaching and as editor of the press.

As he had said he would be, Havzhiva was there constantly, or almost.

The Amendments to the Constitution were voted, by secret ballot, mostly, in the Yeowan Year of Liberty 18. Of the events that led to this, and what has followed, you may read in the new three-volume History of Yeowe from the University Press. I have told the story I was asked to tell. I have closed it, as so many stories close, with a joining of two people. What is one man's and one woman's love and desire, against the history of two worlds, the great revolutions of our lifetimes, the hope, the unending cruelty of our species? A little thing. But a key is a little thing, next to the door it opens. If you lose the key, the door may never be unlocked. It is in our bodies that we lose or begin our freedom, in our bodies that we accept or end our slavery. So I wrote this book for my friend, with whom I have lived and will die free.


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