That spring Ged saw little of either Vetch or Jasper, for they being sorcerers studied now with the Master Patterner in the secrecy of the Immanent Grove, where no prentice might set foot. Ged stayed in the Great House, working with the Masters at all the skills practised by sorcerers, those who work magic but carry no staff: windbringing, weatherworking, finding and binding, and the arts of spellsmiths and spellwrights, tellers, chanters, healalls and herbalists. At night alone in his sleeping-cell, a little ball of werelight burning above the book in place of lamp or candle, he studied the Further Runes and the Runes of Ea, which are used in the Great Spells. All these crafts came easy to him, and it was rumored among the students that this Master or that had said that the Gontish lad was the quickest student that had ever been at Roke, and tales grew up concerning the otak, which was said to be a disguised spirit who whispered wisdom in Ged's ear, and it was even said that the Archmage's raven had hailed Ged at his arrival as “Archmage to be.” Whether or not they believed such stories, and whether or not they liked Ged, most of his companions admired him, and were eager to follow him when the rare wild mood came over him and he joined them to lead their games on the lengthening evenings of spring. But for the most part he was all work and pride and temper, and held himself apart. Among them all, Vetch being absent, he had no friend, and never knew he wanted one.

He was fifteen, very young to learn any of the High Arts of wizard or mage, those who carry the staff; but he was so quick to learn all the arts of illusion that the Master Changer, himself a young man, soon began to teach him apart from the others, and to tell him about the true Spells of Shaping. He explained how, if a thing is really to be changed into another thing, it must be renamed for as long as the spell lasts, and he told how this affects the names and natures of things surrounding the transformed thing. He spoke of the perils of changing, above all when the wizard transforms his own shape and thus is liable to be caught in his own spell. Little by little, drawn on by the boy's sureness of understanding, the young Master began to do more than merely tell him of these mysteries. He taught him first one and then another of the Great Spells of Change, and he gave him the Book of Shaping to study. This he did without knowledge of the Archmage, and unwisely, yet he meant no harm.

Ged worked also with the Master Summoner now, but that Master was a stern man, aged and hardened by the deep and somber wizardry he taught. He dealt with no illusion, only true magic, the summoning of such energies as light, and heat, and the force that draws the magnet, and those forces men perceive as weight, form, color, sound: real powers, drawn from the immense fathomless energies of the universe, which no man's spells or uses could exhaust or unbalance. The weatherworker's and seamaster's calling upon wind and water were crafts already known to his pupils, but it was he who showed them why the true wizard uses such spells only at need, since to summon up such earthly forces is to change the earth of which they are a part. “Rain on Roke may be drouth in Osskil,” he said, “and a calm in the East Reach may be storm and ruin in the West, unless you know what you are about.”

As for the calling of real things and living people, and the raising up of spirits of the dead, and the invocations of the Unseen, those spells which are the height of the Summoner's art and the mage's power, those he scarcely spoke of to them. Once or twice Ged tried to lead him to talk a little of such mysteries, but the Master was silent, looking at him long and grimly, till Ged grew uneasy and said no more.

Sometimes indeed he was uneasy working even such lesser spells as the Summoner taught him. There were certain runes on certain pages of the Lore-Book that seemed familiar to him, though he did not remember in what book he had ever seen them before. There were certain phrases that must be said in spells of Summoning that he did not like to say. They made him think, for an instant, of shadows in a dark room, of a shut door and shadows reaching out to him from the corner by the door. Hastily he put such thoughts or memories aside and went on. These moments of fear and darkness, he said to himself, were the shadows merely of his ignorance. The more he learned, the less he would have to fear, until finally in his full power as Wizard he needed fear nothing in the world, nothing at all.

In the second month of that summer all the school gathered again at the Great House to celebrate the Moon's Night and the Long Dance, which that year fell together as one festival of two nights, which happens but once in fifty-two years. All the first night, the shortest night of full moon of the year, flutes played out in the fields, and the narrow streets of Thwil were full of drums and torches, and the sound of singing went out over the moonlit waters of Roke Bay. As the sun rose next morning the Chanters of Roke began to sing the long Deed of Erreth-Akbe,which tells how the white towers of Havnor were built, and of Erreth-Akbe's journeys from the Old Island, Ea, through all the Archipelago and the Reaches, until at last in the uttermost West Reach on the edge of the Open Sea he met the dragon Orm; and his bones in shattered armor lie among the dragon's bones on the shore of lonely Selidor, but his sword set atop the highest tower of Havnor still burns red in the sunset above the Inmost Sea. When the chant was finished the Long Dance began. Townsfolk and Masters and students and farmers all together, men and women, danced in the warm dust and dusk down all the roads of Roke to the sea-beaches, to the beat of drums and drone of pipes and flutes. Straight out into the sea they danced, under the moon one night past full, and the music was lost in the breakers' sound. As the east grew light they came back up the beaches and the roads, the drums silent and only the flutes playing soft and shrill. So it was done on every island of the Archipelago that night: one dance, one music binding together the sea-divided lands.

When the Long Dance was over most people slept the day away, and gathered again at evening to eat and drink. There was a group of young fellows, prentices and sorcerers, who had brought their supper out from the refectory to hold private feast in a courtyard of the Great House: Vetch, Jasper, and Ged were there, and six or seven others, and some young lads released briefly from the Isolate Tower, for this festival had brought even Kurremkarmerruk out. They were all eating and laughing and playing such tricks out of pure frolic as might be the marvel of a king's court. One boy had lighted the court with a hundred stars of werelight, colored like jewels, that swung in a slow netted procession between them and the real stars; and a pair of boys were playing bowls with balls of green flame and bowling-pins that leaped and hopped away as the ball came near; and all the while Vetch sat crosslegged, eating roast chicken; up in mid-air. One of the younger boys tried to pull him down to earth, but Vetch merely drifted up a little higher, out of reach, and sat calmly smiling on the air. Now and then he tossed away a chicken bone, which turned to an owl and flew hooting among the netted star-lights. Ged shot breadcrumb arrows after the owls and brought them down, and when they touched the ground there they lay, bone and crumb, all illusion gone. Ged also tried to join Vetch up in the middle of the air, but lacking the key of the spell he had to flap his arms to keep aloft, and they were all laughing at his flights and flaps and bumps. He kept up his foolishness for the laughter's sake, laughing with them, for after those two long nights of dance and moonlight and music and magery he was in a fey and wild mood, ready for whatever might come.