"So maybe it's real," said Issib. "That doesn't tell us what it w."

"It's the guardian of the world," said Wetchik. "He asked me to help. Told me to help. And I will."

"That's all temple stuff," said Issib. "You don't know anything about it. You grow exotic plants."

Father dismissed Issib's objections with a gesture.

"Anything the Oversoul needs me to know, he'll tell me." Then he headed for the door into the house.

Nafai followed him, only a few steps. "Father," he said.

Father waited.

The trouble was, Nafai didn't know what he was going to say. Only that he had to say it. That there was a very important question whose answer he had to have before Father left. He just didn't know what the question was.

"Father," he said again.

"Yes?"

And because Nafai couldn't think of the real question, the deep one, the important one, he asked the only question that came to mind. "What am I supposed to do?"

"Keep the old ways of the Oversoul," said Father.

"What does that mean?"

"Or the world will burn." And Father was gone.

Nafai looked at the empty door for a while. It didn't do anything, so he turned back to the others. They were all looking at him, as if they expected him to do something.

"What!" he demanded.

"Nothing," said Mother. She arose from her seat in the shade of the kaplya tree. "We'll all return to our work."

"That's all?" said Issib. "Our father-your mate-has just told us that the Oversoul is speaking to him, and we're supposed to go back to our studies?"

"You really don't understand, do you?" said Mother. "You've lived all these years as my sons, as my students, and you are still nothing more than the ordinary boys wandering the streets of Basilica hoping to find a willing woman and a bed for the night."

"What don't we understand here?" asked Nafai, "Just because you women all take this witchgirl so seriously doesn't mean that-"

"I have been down into the water myself," said Mother, her voice like metal. "You men can pretend to yourselves that the Oversoul is distracted or sleeping, or just a machine that collects our transmissions and sends them to libraries in distant cities. Whatever theory you happen to believe, it miakes no difference to the truth. For I know, as most of the women in this city know, that the Oversoul is very much alive. At least as the keeper of the memories of this world, she is alive. We all receive those memories when we go into the water. Sometime;' they seem random, sometimes we are given exactly the memory we needed. The Oversoul keeps the history of the world, as it was seen through other people's eyes. Only a few of us-like Luet and Hushidh-are given wisdom away from the water, and even fewer are given visions of real things that haven't happened yet. Since the great Izumina died, Luet is the only seer I know of in Basilica-so yes, we take her very, very seriously."

Women go down into the water and receive visions? This was the first time Nafai had ever heard a woman describe any part of the worship at the lake. He had always assumed that the women's worship was like the men's-physical, ascetic, painful, a dispassionate way of discharging emotion. Instead they were all mystics. What seemed like legends or madness to men was at the center of a woman's life. Nafai felt as though he had discovered that women were of another species after all. The question was, which of them, men or women, were the humans? The rational but brutal men? Or the irrational but gentle women?

"There's only one thing rarer than a girl like Luet," Mother was saying, "and that's a man who hears the voice of the Oversoul. We know now that your father does hear-Luet confirmed that for me. I don't know what the Oversoul wants, or why she spoke to your father, but I am wise enough to know that it matters."

As she passed Nafai, she reached up and caught his ear firmly, though not painfully, between her fingers. "As for the mythical burning of Earth, my dear boy, I've seen it myself. It happened. I can only guess how long ago-we estimate there's been at least thirty million years of human history on this world we named Harmony. But I saw the missiles fly, the bombs explode, and the world erupt in flame. The smoke filled the sky and blocked the sun, and underneath that blanket of darkness the oceans froze and the world was covered in ice and only a few human beings survived, to rise up out of the blackness as the world died, carrying their hopes and their regrets and their genes to other planets, hoping to start again. They did. We're here. Now the Oversoul has warned your father that our new start can lead to the same ending as before."

Nafai had seen Mother's public face-playful, brilliant, analytical, gracious-and he had seen her family face- frank of speech yet always kind, quick to anger yet quicker to forgive. Always he had assumed that the way she was with the family was her true self, with nothing held back. Instead, behind the faces that he thought he knew, she had kept this secret all the time, her bitter vision of the end of Earth. "You never told us about this," whispered Nafai.

"I most certainly told you about it," said Rasa. "It's not my fault that when you heard it, you thought I was telling you a myth." She let go of his ear and returned to the house.

Issib floated past him, mumbling something about waking up one morning to find that you've been living in a madhouse all your life. Hushidh went past him also, not meeting his gaze; he could imagine the gossip that she would spread in his class all the rest of the day.

He was alone with Luet.

"I shouldn't have spoken to you before," she said.

"And you shouldn't speak to me again, either," suggested Nafai.

"Some people hear a lie when they're told the truth. You're so proud of your status as the son of Rasa and Wetchik, but obviously whatever genes you got from your parents, they weren't the right ones."

"While I'm sure you got the finest your parents lad to offer."

She looked at him with obvious contempt, and then she was gone.

"What a wonderful day this is going to be," he said-to no one, since he was alone. "My entire family hates me." He thought for a moment. "I'm not even sure that I want them to like me."

For one dangerous moment, alone on the portico, he toyed with the idea of slipping past the screens and going to the edge, leaning out, and looking at the forbidden sight of the Valley of the Holy Women, casually referred to as the Rift Valley, and more crudely known as the Canyon of the Crones. I'll see it and I bet I don't even get struck blind.

But he didn't do it, even though he stood there thinking about it for a long time. It seemed that every rime he was about to take a step toward the edge, his mind suddenly wandered and he hesitated, confiised, forgetting for a moment what it was he wanted to do. Finally he lost interest and went back inside the house.

He should have gone back to class-it's what he expected to do when he went inside. But he couldn't bring himself to do it. Instead he wandered to the front door and out onto the porch, into the streets of Basilica. Mother would probably be furious at him but that was too bad.

He must have been seeing where he was going, since he didn't bump into anything, but he had no memory of what he saw or where he had been. He ended up in the Fountains district, not far from the neighborhood of Rasa's house; and in his mind, he had circled through the same thoughts over and over again, finally ending up not very far from where he started.

One thing he knew, though: He couldn't dismiss this all as madness. Father was not crazy, however new and strange he might seem; and as for Mother, if her vision of the burning of Earth was madness, then she had been mad since before he was born. So there was something that put ideas and desires and visions into his parents' minds-and into Luet's, too, couldn't forget her. People called this something the Oversoul, but that was just a name, a label. What was it? What did it want? What could it actually dot If it could talk to some people, why didn't it just talk to everybody?