VIRGINIA sat slumped against the wall of Room Seven and looked across at the seedy figure leaning on the door lintel across from her. She had let the delusion she had conjured have what way it would with her; and never in her forty-odd years had she heard such depravity promised. But though the shadow had come at her again and again, pressing its cold body onto hers, its icy, slack mouth against her own, it had failed to carry one act of violation through. Three times it had tried. Three times the urgent words whispered in her ear had not been realized. Now it guarded the door, preparing, she guessed, for a further assault. Its face was clear enough for her to read the bafflement and the shame in its features. It viewed her, she thought, with murder on its mind.

Outside, she heard her husband's voice above the din of the thunder, and Earl's voice too, raised in protest. There was a fierce argument going on, that much was apparent. She slid up the wall, trying to make out the words. The delusion watched her balefully.

"You failed," she told it.

It didn't reply.

"You're just a dream of mine, and you failed."

It opened its mouth and waggled its pallid tongue. She didn't understand why it hadn't evaporated. But perhaps it would tag along with her until the pills had worked their way through her system. No matter. She had endured the worst it could offer. Now, given time, it would surely leave her be. Its failed rapes left it bereft of power over her.

She crossed toward the door, no longer afraid. It raised itself from its slouched posture.

"Where are you going?" it demanded.

"Out," she said. "To help Earl."

"No," it told her, "I haven't finished with you."

"You're just a phantom," she retorted. "You can't stop me."

It offered up a grin that was three parts malice to one part charm. "You're wrong, Virginia," Buck said. There was no purpose in deceiving the woman any longer; he'd tired of that particular game. And perhaps he'd failed to get the old jazz going because she'd given herself to him so easily, believing he was some harmless nightmare. "I'm no delusion, woman," he said. "I'm Buck Durning." She frowned at the wavering figure. Was this a new trick her psyche was playing? "Thirty years ago I was shot dead in this very room. Just about where you're standing in fact."

Instinctively, Virginia glanced down at the carpet at her feet, almost expecting the bloodstains to be there still.

"We came back tonight, Sadie and I," the ghost went on. "A one-night stand at the Slaughterhouse of Love. That's what they called this place, did you know that? People used to come here from all over, just to peer in at this very room; just to see where Sadie Durning had shot her husband Buck. Sick people, Virginia, don't you think? More interested in murder than love. Not me... I've always liked love, you know? Almost the only thing I've ever had much of a talent for, in fact."

"You lied to me," she said. "You used me."

"I haven't finished yet," Buck promised. "In fact I've barely started."

He moved from the door toward her, but she was prepared for him this time. As he touched her, and the smoke was made flesh again, she threw a blow toward him. Buck moved to avoid it, and she dodged past him toward the door. Her untied hair got in her eyes, but she virtually threw herself toward freedom. A cloudy hand snatched at her, but the grasp was too tenuous and slipped.

"I'll be waiting," Buck called after her as she stumbled across the walkway and into the storm. "You hear me, bitch? I'll be waiting!"

He wasn't going to humiliate himself with a pursuit. She would have to come back, wouldn't she? And he, invisible to all but the woman, could afford to bide his time. If she told her companions what she'd seen they'd call her crazy; maybe lock her up where he could have her all to himself. No, he had a winner here. She would return soaked to the skin, her dress clinging to her in a dozen fetching ways; panicky perhaps; tearful; too weak to resist his overtures. They'd make music then. Oh yes. Until she begged him to stop.

SADIE followed Laura May out.

"Where are you going?" Milton asked his daughter, but she didn't reply. "Jesus!" he shouted after her, registering what he'd seen. "Where'd you get the goddamn gun?"

The rain was torrential. It beat on the ground, on the last leaves of the cottonwood, on the roof, on the skull. It flattened Laura May's hair in seconds, pasting it to her forehead and neck.

"Earl?" she yelled. "Where are you? Earl?" She began to run across the lot, yelling his name as she went. The rain had turned the dust to a deep brown mud; it slopped up against her shins. She crossed to the other building. A number of guests, already woken by Gyer's barrage, watched her from their windows. Several doors were open. One man, standing on the walkway with a beer in his hand, demanded to know what was going on. "People running around like crazies," he said. "All this yelling. We came here for some privacy for Christ's sake." A girl-fully twenty years his junior-emerged from the room behind the beer drinker. "She's got a gun, Dwayne," she said. "See that?"

"Where did they go?" Laura May asked the beer drinker.

"Who?" Dwayne replied.

"The crazies!" Laura May yelled back above another peal of thunder.

"They went around the back of the office," Dwayne said, his eyes on the gun rather than Laura May. "They're not here. Really they're not."

Laura May doubled back toward the office building. The rain and lightning were blinding, and she had difficulty keeping her balance in the swamp underfoot.

"Earl!" she called. "Are you there?"

Sadie kept pace with her. The Cade woman had pluck, no doubt of that, but there was an edge of hysteria in her voice which Sadie didn't like too much. This kind of business (murder) required detachment. The trick was to do it almost casually, as you might flick on the radio, or swat a mosquito. Panic would only cloud the issue; passion the same. Why, when she'd raised that .38 and pointed it at Buck there'd been no anger to spoil her aim, not a trace. In the final analysis, that was why they'd sent her to the chair. Not for doing it, but for doing it too well.

Laura May was not so cool. Her breath had become ragged, and from the way she sobbed Earl's name as she ran it was clear she was close to the breaking point. She rounded the back of the office building, where the motel sign threw a cold light on the waste ground, and this time, when she called for Earl, there was an answering cry. She stopped, peering through the veil of rain. It was Earl's voice, as she'd hoped, but he wasn't calling to her.

"Bastard!" he was yelling, "you're out of your mind. Let me alone!"

Now she could make out two figures in the middle distance. Earl, his paunchy torso spattered and streaked with mud, was on his knees in among the soap weed and the scrub. Gyer stood over him, his hands on Earl's head, pressing it down toward the earth.

"Admit your crime, sinner!"

"Damn you, no!"

"You came to destroy my crusade. Admit it! Admit it!"

"Go to hell!"

"Confess your complicity, or so help me I'll break every bone in your body!"

Earl fought to be free of Gyer, but the evangelist was easily the stronger of the two men.

"Pray!" he said, pressing Earl's face into the mud. "Pray!"

"Go fuck yourself," Earl shouted back.

Gyer dragged Earl's head up by the hair, his other hand raised to deliver a blow to the upturned face. But before he could strike, Laura May entered the fray, taking three or four steps through the dirt toward them, the .38 held in her quaking hands.

"Get away from him," she demanded.

Sadie calmly noted that the woman's aim was not all it could be. Even in clear weather she was probably no sharpshooter. But here, under stress, in such a downpour, who but the most experienced marksman could guarantee the outcome? Gyer turned and looked at Laura May. He showed not a flicker of apprehension. He's made the same calculation I've just made, Sadie thought. He knows damn well the odds are against him getting harmed.


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