“Mon dieu,” said Balzac. “Have I heard my fate?”

“A very likely ending to your life,” said Margaret. “Many paths lead there. But then, there are also many paths on which you are more prudent with the company you keep.”

“What about luck?” asked Balzac.

“I'm not much of a believer in luck,” said Margaret. “It wasn't luck that lost our friend Calvin his soul.”

“How could it be lost, if the devil already had it?” Balzac was only half joking.

“What do I know of souls?” said Margaret. “I've been trying to understand what it is that the slaves in this city have given up. In Appalachee they don't do this, and I wonder if it's because they have some hope of escape. Whereas here, hope is nonexistent. Therefore, to remain alive, they must hide from their despair.”

“Calvin wasn't despairing.”

“Oh, I know,” said Margaret. “Nor did he provide his captor with bits of string and whatnot. But then, those devices may be the Blacks' way of accomplishing what Calvin can do on his own, by his inborn knack: to separate some part of himself from his body.”

“I am persuaded. But what part? And how can we get it back?”

Margaret sighed. “Monsieur Balzac, you seem to think I am a better person than I really am. For I am still quite uncertain whether I wish to help Calvin recover himself.” She looked at Calvin's empty face. A fly landed on his cheek and walked briefly into and out of his nostril. Calvin made no move to brush it away. “The slaves function better than this,” said Margaret. “And yet he seems not to be suffering.”

“I understand,” said Balzac, “that the better one knows Monsieur Calvin, the more one may wish to leave him in this docile state. But then, you must consider a few other things.”

“Such as?”

“Such as, I am no blood kin of this man, and feel no responsibility for him. You, however, are his sister-in-law. Therefore, I can and will walk away from this garden without him. What will you do with the body? It still breathes– there are those who might criticize you for burying it, though I would never speak ill of you for such a decision.”

“Monsieur Balzac, you should consider a few things yourself.”

“Such as?” Balzac echoed her with a smile.

“Such as, you have no idea how much of our conversation Calvin is overhearing, however inattentive he might seem. The slaves hear what is said to them. Furthermore, there is no place on this earth where you could go that Calvin could not find you to wreak whatever vengeance he might wish to exact from you.”

Balzac deflated slightly. “Madame, you have caught me in my deception. I would never leave my dear friend in such a state. But I hoped that a threat to leave you responsible for him might persuade you to help me save him, for I have no idea how to find where his soul is kept, or how to free it if I find it.”

“Appeals to decency work much better with me than threats of inconvenience.”

“Because you are a woman of virtue.”

“Because I am ashamed to appear selfish,” said Margaret. “There is no virtue that cannot be painted as a vice.”

“Is that so? I have never found a need to do that. Painting vices as virtues, now, that is my expertise.” Balzac grinned at her.

“Nonsense,” said Margaret. “You name virtues and vices for what they are. That is your knack.”

“I? Have a knack?”

“What were the last things Calvin said?”

Balzac held still a moment, his eyes closed. “In Blacktown,” he said. “'Junk hanging all over the place,' he said. Oh, and a moment before that he mentioned going through a door. So perhaps that's inside. Yes, in a house, because I remember him saying, 'Only one other heartfire in the house.' And then the last thing he said was, 'That's bright.'”

“A light,” said Margaret. “A house with one other heartfire in it. Besides the one belonging to this Denmark fellow. And something bright. And then he was taken.”

“Can you find it?” asked Balzac.

Margaret didn't answer. Instead she looked doubtfully at Calvin. “Do you suppose he's incontinent?”

“Pardon?” asked Balzac.

“I'm speculating on the best place to take him. I think he should stay with you.”

“Why am I not surprised?”

“If he has trouble dealing with urination and defecation, I believe it will cause less scandal for you to help him.”

“I admire your prudence,” said Balzac. “I suppose I must also provide him with food and drink.”

Margaret opened the purse tucked into her sleeve and handed a guinea to Balzac. “While you tend to his physical needs, I will find his doodlebug.”

Balzac tossed the guinea into the air and caught it. “Finding it is one thing. Will you bring it back?”

“That is beyond my power,” said Margaret. “I carry well-made hexes, but I don't know how to make them. No, what I will do is find where he is and discover who is detaining him. I suspect that in the process I will find the souls of the slaves of Camelot. I will learn how the thing is done. And when I am armed with information…”

Balzac grimaced. “You will write a treatise on it?”

“Nothing so useless as that,” said Margaret. “I'll tell Alvin and see what he can do.”

“Alvin! Calvin's life depends upon the brother he hates above all other persons on earth?”

“The hate flows in only one direction, I fear,” said Margaret. “Despite my warnings, Alvin seems unable to realize that the playmate of his childhood has been murdered by the man who usually dwells in this body. So Alvin insists on loving Calvin.”

“Doesn't it make you weary? Being married to such a lunatic?”

Margaret smiled. “Alvin has made me weary all my life,” she said.

“'But'… no, let me say it for you… 'But the weariness is a joy, because I have worn myself out in his service.'”

“Yoa mock me.”

“I mock myself,” said Balzac. “I play the clown: the man who pretends to be so sophisticated that he finds kindly sentiment amusing, when the reality is that he would trade all his dreams for the knowledge that a woman of extraordinary intelligence felt such sentiments for him.”

“You create yourself like a character in a novel,” said Margaret.

“I have bared my soul to you and you call me false.”

“Not false. Truer than mere reality.”

Balzac bowed. “Ah, madame, may I never have to face critics of such piercing wisdom as yourself.”

“You are a deeply sentimental man,” said Margaret. “You pretend to be hard, but you are soft. You pretend to be distant, but your heart is captured over and over again. You pretend to be self-mockingly pretentious, when in fact you know that you really are the genius that you pretend to be pretending to be.”

“Am I?” asked Balzac.

“What, haven't I flattered you enough?”

“My English is not yet perfect. Can the word 'flattery' be used with the word 'enough'?”

“I haven't flattered you at all,” said Margaret. “On every path of your future in which you actually begin to write, there comes from your pen such a flood of lives and passions that your name will be known for centuries and on every continent.”

Tears filled Balzac's eyes. “Ah, God, you have given me the sign from an angel.”

“This is not the road to Emmaus,” said Margaret.

“It was the road to Damascus I had in mind,” said Balzac.

She laughed. “No one could ever strike you blind. You see with your heart as truly as I do.”

Balzac moved closer to her, and whispered. No, he formed the words with his lips, counting on her to understand his heart without hearing the sound. “What I cannot see is the future and the past. Can I have my freedom from Calvin? I fear him as I fear no other living man.”

“You have nothing to fear from him,” said Margaret. “He loves you and wants your admiration more than that of any man but one.”

“Your husband.”

“His hatred for Alvin is so intense he has no real hate left over for you. If he lost your admiration, it would be a mere fleabite compared to losing hope of Alvin's respect.”