Amy stood a few meters away from Elouise, who sat on the grass of the clearing, looking toward a broken branch on the nearest tree. Amy called, "Mommy! Mommy!" Then she bounced up and down, bending and unbending her knees. "Da! Da!" she cried. "La la la la la." She was dancing and wanted her mother to dance and sing, too. But Elouise only looked toward the tree, waiting for Charlie to appear. Any minute, she thought. He will be angry. He will be ashamed, she thought. But he will be alive.

In the distance, however, the air all at once was shining. Elouise could see it clearing because they were not far from the edge of the Rectifier field. It shimmered in the trees, where it caused no harm to plants. Any vertebrates within the field, any animals that lived by electricity passing along nerves, were instantly dead, their brains stilled. Birds dropped from tree limbs. Only insects droned on.

The Rectifier field lasted only minutes.

Amy watched the shining air. It was as if the empty sky itself were dancing with her. She was transfixed. She would soon forget the airplane, and already her father's face was disappearing from her memories. But she would remember the shining. She would see it forever in her dreams, a vast thickening of the air, dancing and vibrating up and down, up and down. In her dreams it would always be the same, a terrible shining light that would grow and grow and grow and press against her in her bed. And always with it would come the sound of a voice she loved, saying, "Jesus. Jesus. Jesus." This dream would come so clearly when she was twelve that she would tell it to her adopted father, the priest named Michael. He told her that it was the voice of an angel, speaking the name of the source of all light. "You must not fear the light," he said. "You must embrace it." It satisfied her.

But at the moment she first heard the voice, in fact and not in dream, she had no trouble recognizing it, it was the voice of her mother, Elouise, saying, "Jesus." It was full of grief that only a child could fail to understand. Amy did not understand. She only tried to repeat the word, "Deeah-zah."

"God," said Elouise, rocking back and forth, her face turned up toward a heaven she was sure was unoccupied.

"Dog," Amy repeated, "Dog dog doggie." In vain she looked around for the four-footed beast.

"Charlie!" Elouise screamed as the Rectifier field faded.

"Daddy," Amy cried, and because of her mother's tears she also wept. Elouise took her daughter in her arms and held her, rocking back and forth. Elouise discovered that there were some things that could not be frozen in her. Some things that must burn: Sunlight. And lightning. And everlasting, inextinguishable regret.

My mother, Mother Elouise, often told me about my father. She described Father Charlie in detail, so I would not forget. She refused to let me forget anything. "It's what Father Charlie died for," she told me, over and over. "He died so you would remember. You cannot forget."

So I still remember, even today, every word she told me about him. His hair was red, as mine was. His body was lean and hard. His smile was quick, like mine, and he had gentle hands. When his hair was long or sweaty, it kinked tightly at his forehead, ears, and neck. His touch was so delicate he could cut in half an animal so tiny it could not be seen without a machine; so sensitive that he could fly-- an art that Mother Elouise said was not a miracle, since it could be done by many giants of the Golden Age, and they took with them many others who could not fly alone. This was Charlie's gift, Mother Elouise said. She also told me that I loved him dearly.

But for all the words that she taught me, I still have no picture of my father in my mind. It is as if the words drove out the vision, as so often happens.

Yet I still hold that one memory of my father, so deeply hidden that I can neither lose it nor fully find it again. Sometimes I wake up weeping. Sometimes I wake up with my arms in the air, curved just so, and I remember that I was dreaming of embracing that large man who loved me. My arms remember how it feels to hold Father Charlie tight around the neck and cling to him as he carries his child. And when I cannot sleep, and the pillow seems to be always the wrong shape, it is because I am hunting for the shape of Father Charlie's shoulder, which my heart remembers, though my mind cannot.

God put angels into Mother Elouise and Father Charlie, and they destroyed the world, for the cup of God's indignation was full, and all the works of men become dust, but out of dust God makes men, and out of men and women, angels.

The gatekeeper recognized him and the gate fell away. The Shepherd put his ax and his crook into the bag at his belt and stepped out onto the bridge. As always he felt a rush of vertigo as he walked the narrow arch over the foaming acid of the moat. Then he was across and striding down the road to the village.

A child was playing with a dog on a grassy hillside. The Shepherd looked up at him, his fine dark face made bright by his eyes. The boy shrank back, and the Shepherd heard a woman's voice cry out, "Back here, Derry, you fool!" The Shepherd walked on down the road as the boy retreated among the hayricks on the far slope. The Shepherd could hear the scolding: "Play near the castle again, and he'll make kingsmeat of you."

Kingsmeat, thought the Shepherd. How the king does get hungry. The word had come down through the quick grapevine-- steward to cook to captain to guard to shepherd and then he was dressed and out the door only minutes after the king had muttered, "For supper, what is your taste?" and the queen had fluttered all her arms and said, "Not stew again, I hope," and the king had murmured as he picked up the computer printouts of the day, "Breast in butter," and so now the Shepherd was out to harvest from the flock.

The village was still in the distance when the Shepherd began to pass the people. He remembered the time, back when the king had first made his tastes known, when there had been many attempts to evade the villagers' duties to the king. Now they only watched, perhaps hiding the unblemished members of the flock, sometimes thrusting them forward to end the suspense; but mostly the Shepherd saw the old legless, eyeless, or armless men and women who hobbled about their duties with those limbs that were still intact.

Those with fingers thatched or wove; those with eyes led those whose hands were their only contact with the world; those with arms rode the backs of those with legs; and all of them took their only solace in sad and sagging beds, producing, after a suitable interval, children whose miraculous wholeness made them gods to a surprised and wondering mother, made them hated reminders to a father whose tongue had fallen from his mouth, or whose toes had somehow been mislaid, or whose buttocks were a scar, his legs a useless reminder of hams long since dropped off.

"Ah, such beauty," a woman murmured, pumping the bellows at the bread-oven fire. There was a sour grunt from the legless hag who shoveled in the loaves and turned them with a wooden shovel. It was true, of course, for the Shepherd was never touched, no indeed. (No indeed, came the echo from the midnight fires of Unholy Night, when dark tales frightened children half out of their wits, dark tales that the shrunken grown-ups knew were true, were inevitable, were tomorrow.) The Shepherd had long dark hair, and his mouth was firm but kind, and his eyes flashed sunlight even in the dark, it seemed, while his hands were soft from bathing, large and strong and dark and smooth and fearful.