“Finally, Detective Bosch.”

Bosch turned around. Deputy Chief Irving stood in the open door of the little station house.

“All of you,” he said, signaling Bosch and his team inside.

They entered a cramped room dominated by the large old cable wheels that once moved the train cars up and down the incline. Bosch remembered reading that when Angels Flight was rehabilitated a few years earlier after a quarter century of disuse, the cables and wheels had been replaced with an electric system monitored by computer.

On one side of the wheel display was just enough room for a small lunch table with two folding chairs. On the other side was the computer for operating the trains, a stool for the operator and a stack of cardboard boxes, the top one open and showing stacks of pamphlets on the history of Angels Flight.

Standing against the far wall, in the shadow behind the old iron wheels, his arms folded and his craggy, sun-reddened face looking down at the floor, was a man Bosch recognized. Bosch had once worked for Captain John Garwood, commander of the Robbery-Homicide Division. He knew by the look on his face that he was very put out about something. Garwood didn’t look up at them and the three detectives said nothing.

Irving went to a telephone on the lunch table and picked up the loose handset. As he began talking he motioned to Bosch to close the door.

“Excuse me, sir,” Irving said. “It was the team from Hollywood. They are all here and we are ready to proceed.”

He listened for a few moments, said good-bye and hung up the phone. The reverence in his voice and his use of the word sir told Bosch that Irving had been talking to the chief of police. It was one more curiosity about the case.

“All right, then,” Irving said, turning around and facing the three detectives. “I am sorry to roust you people, especially out of rotation. However, I have spoken with Lieutenant Billets and as of now you have been cut free of the Hollywood rotation until we get this handled.”

“What exactly is this that we are handling?” Bosch asked.

“A delicate situation. The homicides of two citizens.”

Bosch wished he would get to the point.

“Chief, I see enough RHD people around here to investigate the Bobby Kennedy case all over again,” he said, glancing at Garwood. “And that’s not to mention the IAD shines hovering around the edges. What exactly are we doing here? What do you want?”

“Simple,” Irving said. “I am turning the investigation over to you. It is your case now, Detective Bosch. The Robbery-Homicide detectives will be withdrawing as soon as you people are brought up to speed. As you can see, you are coming in late. That’s unfortunate but I think you will be able to overcome it. I know what you can do.”

Bosch stared at him blankly for a long moment, then glanced at Garwood again. The captain had not moved and continued to stare at the floor. Bosch asked the only question that could bring understanding to this strange situation.

“That man and woman on the train car, who are they?”

Irving nodded.

“Were is probably the more correct word. Were. The woman’s name was Catalina Perez. Who exactly she was and what she was doing on Angels Flight we do not know yet. It probably does not matter. It appears that she was just in the wrong place at the wrong time. But that will be for you to officially determine. Anyway, the man in there, he is different. That was Howard Elias.”

“The lawyer?”

Irving nodded. Bosch heard Edgar draw in a breath and hold it.

“This is for real?”

“Unfortunately.”

Bosch looked past Irving and through the ticket window. He could see into the train car. The techs were still at work, getting ready to shut off the lights so they could laser the inside of the car to look for fingerprints. His eyes fell to the hand with the bullet wound through it. Howard Elias. Bosch thought about all the suspects there would be, many of them standing around outside at that very moment, watching.

“Shit,” Edgar said. “Don’t suppose we could take a pass on this one, could we, Chief?”

“Watch your language, Detective,” Irving snapped, the muscles of his jaw bulging as he grew angry. “That is not acceptable here.”

“Look, Chief, all I’m sayin’ is if you’re looking for somebody to play department Uncle Tom, it ain’t going to be – ”

“That has nothing to do with this,” Irving said, cutting him off. “Whether you like it or not, you have been assigned to this case. I expect each of you to do it professionally and thoroughly. Most of all, I expect results, as does the chief of police. Other matters mean nothing. Absolutely nothing.”

After a brief silence, during which Irving’s eyes went from Edgar to Rider and then to Bosch, the deputy chief continued.

“In this department there is only one race,” he said. “Not black or white. Just the blue race.”

HOWARD Elias’s notoriety as a civil rights attorney did not come to him because of the clients he served – they could best be described as ne’er-do-wells if not outright criminals. What had made Elias’s face and name so well known to the masses of Los Angeles was his use of the media, his skill at probing the inflamed nerve of racism in the city, and the fact that his law practice was built entirely around one particular expertise: suing the Los Angeles Police Department.

For nearly two decades he had made a more than comfortable living filing lawsuit after lawsuit in federal court on behalf of citizens who had collided in some way with the police department. Elias sued patrol officers, detectives, the chief of police, the institution itself. When he filed, he used the shotgun approach, naming as defendants anyone remotely connected with the incident at the heart of the matter. After a fleeing burglary suspect was chewed up by a police dog, Elias had sued on the injured man’s behalf, naming the dog, its handler and the line of supervision from the handler up to the chief of police. For good measure, he had sued the handler’s academy instructors and the dog’s breeder as well.

In his late-night television “infomercials” and frequent “impromptu” but cleverly orchestrated press conferences on the steps of the U.S. District Courthouse, Elias always cast himself as a watchdog, a lone voice crying out against the abuses of a fascist and racist paramilitary organization known as the LAPD. To his critics – and they ran from the rank and file of the LAPD to the offices of the city and district attorneys – Elias was a racist himself, a loose cannon who helped widen the fractures in an already divided city. To these detractors he was the scum of the legal system, a courtroom magician who could reach into the deck at any place and still pull out the race card.

Most often Elias’s clients were black or brown. His skills as a public speaker and his selective use of facts while employing those skills often turned his clients into community heroes, emblematic victims of a police department out of control. Many in the city’s south neighborhoods credited Elias with single-handedly keeping the LAPD from behaving as an occupying army. Howard Elias was one of the few people in the city who could be absolutely hated and fervently celebrated in different quarters at the same time.

Few who revered Elias understood that his entire practice was built around one simple piece of the law. He filed lawsuits only in federal court and under provisions of the U.S. civil rights codes that allowed him to bill the city of Los Angeles for his fees in any case in which he was victorious in court.

The Rodney King beating, the Christopher Commission report excoriating the department in the wake of the King trial and subsequent civil unrest, and the racially divisive O. J. Simpson case created a shadow that stretched over every case Elias filed. And so it was not particularly difficult for the lawyer to win cases against the department, convincing juries to award at least token damages to plaintiffs. Those juries never realized that such verdicts opened the door for Elias to bill the city and its taxpayers, themselves included, hundreds of thousands of dollars in fees.