He placed his hand on her forehead, feeling her temperature like a child. "What did Riggs mean when he said you wouldn't sleep well? That was the second time this morning he mentioned it."

Beatrice looked away for a moment. "Oh, nothing. I've just had one or two peculiar nightmares recently. A lot of people get them… Forget it. Tell me, Robert, seriously-if I decide to stay on here, would you? You could share this apartment."

Kerans grinned. "Trying to tempt me, Bea? What a question. Remember, not only are you the most beautiful woman here, but you're the only woman. Nothing is more essential than a basis for comparison. Adam had no aesthetic sense, or he would have realised that Eve was a pretty haphazard piece of work."

"You are being frank today." Beatrice stood up and went over to the edge of the pool. She swept her hair back off her forehead with both hands, her long supple body gleaming against the sunlight. "But is there as much urgency as Riggs claims? We've got the cruiser."

"It's a wreck. The first serious storm will split it open like a rusty can.

Nearing noon, the heat on the terrace had become uncomfortable and they left the patio and went indoors. Double venetian blinds filtered a thin sunlight into the low wide lounge, and the refrigerated air was cool and soothing. Beatrice stretched out on a long pale-blue elephant-hide sofa, one hand playing with the fleecy pile of the carpet. The apartment had been one of her grandfather's _pied a terres_, and Beatrice's home since her parents' death shortly after her birth. She had been brought up under the supervision of the grandfather, who had been a lonely, eccentric tycoon (the sources of his wealth Kerans had never established; when he asked Beatrice, shortly after he and Riggs stumbled upon her penthouse eyrie, she replied succinctly: "Let's say he was in money") and a great patron of the arts in his earlier days. His tastes leaned particularly towards the experimental and bizarre, and Kerans often wondered how far his personality and its strange internal perspectives had been carried forward into his granddaughter. Over the mantelpiece was a huge painting by the early 20th century surrealist Delvaux, in which ashen-faced women danced naked to the waist with dandified skeletons in tuxedos against a spectral bonelike landscape. On another wall one of Max Ernst's self-devouring phantasmagoric jungles screamed silently to itself, like the sump of some insane unconscious.

For a few moments Kerans stared quietly at the dim yellow annulus of Ernst's sun glowering through the exotic vegetation, a curious feeling of memory and recognition signalling through his brain. Far more potent than the Beethoven, the image of the archaic sun burned against his mind, illuminating the fleeting shadows that darted fitfully through its profoundest deeps.

"Beatrice."

She looked up at him as he walked across to her, a light frown crossing her eyes. "What's the matter, Robert?"

Kerans hesitated, suddenly aware that, however brief and imperceptible, a moment of significant time had elapsed, carrying him forward with its passage into a zone of commitment from which he would not be able to withdraw.

"You realise that if we let Riggs go without us we don't merely leave here later. We _stay_."