I made a shrug. "Pride isn't male or female. It's human."

"I'm a vice-president at the bank. I have a real estate license and I am a certified financial planner and I've been president of the PTA twice and vice-president of the local Rotary." The tears were coming harder.

"Uh-huh."

"I have a B.A. in finance. I am Toby Lloyd's mother. I will not lose those things."

"No. You won't."

"I will not lose who I am."

"I won't let you."

She opened her eyes and looked at me.

"Saving selves is one of my best things."

She rubbed at the tears again and then she put her face in her hands and sat very still. I guess she wasn't convinced.

I used the Scot towels on the floor, then put them in a white plastic trash bag and took the bag out and put it into a blue garbage can in the garage. It seemed twenty degrees colder than it had been at dusk, and the north wind rattled tree limbs and dead leaves and pushed dark shapes across the lawn. Thunder rumbled many miles to the east, a winter storm moving with the front. When I went back inside, Karen Lloyd had gone to bed.

I turned off most of the lights and went down the hall to the room where Joe Pike and I were bedding. Karen Lloyd's room was at the end of the hall in the back of the house, and Toby's room was across from Karen's, in the front. Both of their doors were closed, but I could hear them crying, she in her room and he in his. I felt a very great urge to knock and say the word or make the touch that would make them feel better. I went into my own room and I closed the door.

You do what you can, but you can't do everything.

When I woke the next morning, the sky was dark with clouds and the air was as cold as the edge of a hunting knife. The snow above us waiting to fall was a physical thing, heavy and damp and alive with turbulence.

Toby was sullen and Karen was unhappy and nobody said very much as we went through the house and prepared for the day. Karen drove into the office early and I took Toby to school. Pike stayed at the house, waiting for Roland George to call. Neither Toby nor I spoke on the way to school, but when I dropped him off I told him to have a good day. He didn't answer. It was as if the bad feelings and restless, logy sleep had carried over into wakefulness.

At nine-forty-two that morning Roland George called. I took it in the living room. Pike picked up in the kitchen. Roland George said, "The Jag you saw is registered to a Jamaican named Urethro Mubata. Came up here in 1981. Fourteen arrests, two convictions, assault, armed robbery, like that. He's mostly in the dope business."

"Not exactly a good-will ambassador."

"Uh-uh. He did eight months at Rikers for possession with intent and another fourteen at Sing Sing for attempted murder. When he was at Ossining, he did cell time with a man named Jesus Santiago, another Jamaican. Santiago served out, but Mubata's on parole."

"Santiago in for pimping?"

"That's it. Sorta curious how this guy Mubata got the forty grand for a new Jaguar when his employment of record is being a busboy at Arturo's Tapas Stand in Jackson Heights."

Pike said, "What about Sealy and the cop?"

"Sealy is a hype, registered in the methadone program at St. Vincent's. He's a nobody with a string of minor busts, mostly hijack and street boosting, run a little policy, steal a few stereos, that kind of thing."

"Is he part of DeLuca's crew?"

"It's not in the files, but it's possible. The guy's a drop of pus, but he's a known associate. Hard to figure, though. Hype like this, Charlie DeLuca shouldn't be having anything to do with him."

Pike said, "He shouldn't be having anything to do with a police officer, either."

"Yeah." Something hard came into Roland's voice. "The officer in question is employed by Kennedy Airport Security. He is not undercover."

"Okay."

I hung up. Joe Pike came into the living room from the kitchen and said, "I make it for a hijacking setup. Something coming into Kennedy."

"It sounds right, but why's Charlie sneaking around? He gets a tip that something worth stealing is coming in, he uses the Jamaicans to pull the heist, then they split the take with him. Big deal. Why does he want to keep it from Sal?"

"Because he doesn't want to split the money."

I thought about it some more and shook my head. "It's not a world breaker. Charlie shows a little initiative, he makes a few extra bucks. What's Daddy going to do?"

Pike said, "There's the hype."

I nodded. The hype didn't figure. You want to keep secrets, you don't do business with a hype. "Maybe Charlie doesn't have a choice. Maybe, whatever he's doing, he can't do it without the hype."

Pike grunted. "Makes you wonder what he's got going, that he can't do it without a hype."

I said, "Yes, it does. Maybe we should ask the hype and find out."

"What if the hype won't cooperate?"

"He'll cooperate. Everyone knows that a hype can't keep secrets. They have low self-esteem."

We put on our coats and our guns and made the drive into Manhattan in less than fifty minutes.

We parked by a subway entrance near 92nd Street and Central Park West, then walked two blocks to an eight-story gray-stone building with painted windows and a lot of crummy shops on the ground floor and a fire escape.

Pike said, "Third floor in the back. Three-F."

We entered the lobby of the apartment building between a place that sold discount clothing and a place that sold donuts. The lobby had a white and black linoleum floor, circa 1952, probably the last year it had been waxed, and someone had scotch-taped a little handwritten sign that said out of service to the elevator. Someone else had urinated on the floor. You watch Miami Vice or Wiseguy, the criminals always live in palatial apartments and drive Ferraris. So much for verisimilitude.

We walked up the two flights, then down a dingy hall past a stack of newspapers four feet tall, Pike leading. An empty plastic Cup-A-Soup was lying on its side atop the newspapers. Three-F was the third apartment on the left side of the hall. When Pike got to the door, he stood there a moment, head cocked to the side, and then he shook his head. "Not home."

"How do you know?"

Shrug. "Knock and see."

I knocked, then knocked again. Nothing.

Pike spread his hands.

I said, "Why don't we be sure?"

Pike shook his head, giving me bored.

There was only one lock and it was cheap. I let us into a studio apartment that was just as attractive as the rest of the building. Bags of fast-food wrappers and potato-chip empties in the kitchenette, stacks of the New York Post and the National Enquirer along the walls, paper cups packed with dead cigarettes by a throw-pillow couch, and the sour smell of body odor and wet matches, Nice. No Richard Francis Sealy, though. Maybe Pike could see through walls.

We went back down to the mail drop in the lobby. Most of the little mailbox doors had been jimmied – junkies looking for checks – and most of the boxes were empty. The top box had a little plastic sticker on it that said: Sal Cohen, 2A, mgr.

We went back up to the second floor and found 2-A.

I knocked hard on the door three times. Somebody threw a series of bolts and then Sal Cohen scowled out at us from behind what looked like eight security chains. He was little and dark, and he had a Sunbeam steam iron in his right hand. He said, The fuck you're knocking so loud?"

New York, New York. The attitude capital of the universe.

I said, "Richard Sealy in three-F, he's a pal of ours. He was supposed to meet us here and he's not around."

"So what?" Mr. Helpful.

"We're movie producers. We're going to produce a movie and we want him to be the star. We thought you might know when he'd be around so we could get him in on this."