“Yep. Of course I don’t know what the original Lon Scott looked like. But I do know that he dropped out of sight in 1963 and hasn’t been heard from since. So seems to me, one thing we ought to find out is how old these boys are, and we can reject anybody who wasn’t at least in his twenties in 1962; and we can reject anybody who wasn’t already crippled in 1962. Maybe that’ll get it down some.”

“No, wait a minute,” said Nick. “No, we’re going at this wrong. Look, think about it this way. The guy we’re looking for, the real Lon Scott, has one distinguishing characteristic – that is, he has a new identity. Now, the classical way in which you build a new identity is to take over the identity of a child who was born on or about the same time you were but who died in the next few years. See, nobody ever correlates birth certificates with death certificates. So you get the name of a child who died a few years after he was born from a graveyard or an old newspaper obituary; then you write to the state department of birth registration and say you’re him and you get a copy of his birth certificate. Then you use that as the basis of the new identity. Right?”

It was right. Bob nodded, for the first time looking almost as if impressed.

“Go on,” he finally said.

“So we call the counties in which the seven names reside, we call the death certificate registries, and we find which of the seven has died. And if we find one of those to be the case, then we know that somebody’s resurrected the name to use as the basis for the new identity. And wouldn’t that be our man?”

Bob looked at him long and hard.

Then he said, “You finally said something worth listening to, though you explained half to death. Now get busy.”

“The ad runs today,” said Dobbler, “in the ‘Books and Magazines’ section of The Shotgun News, just a few lines. Here’s the copy.”

He handed it to Shreck.

ART SCOTT: AMERICAN SHOOTER. The true story of the fabled marksman of the thirties who won the National Thousand Yard Match four times in the thirties and forties and twice more in the fifties with his famous TENTH BLACK KING Model 70.300 H & H Magnum. Complete with pictures drawn from family archives and load data. Postpaid, $49.50, or order from James Thomas Albright, P.O. Box 511, Newtsville, N.C. 28777, 704-555-0967; Visa, MasterCard.

“It doesn’t even mention Lon Scott,” said Shreck.

“It can’t. Too obvious. It has to be subtle! If it’s obvious, he’ll smell a trap and never come close. He’s made the connection to the Tenth Black King, I guarantee you! You can’t force these things!”

He almost shouted, forgetting to whom he was talking.

Shreck just took a pace back.

“How do we know he’ll spot it?” he asked.

“We trust him. He might not find it right away. But as he travels he’ll talk to people who will have seen it. He will find it, that I guarantee you. And he’ll obey the instructions in the ad.”

The phone number reached, through several blind linkages, an answering machine in RamDyne headquarters.

“The message they hear simply tells them to leave Visa or MasterCard numbers, and to give their addresses,” said Dobbler. “So they leave their voices on the tape. Now this is very important. You see, we have the taped interrogations of both Memphis and Swagger, Memphis recorded in the interrogation in the swamp and Swagger during your discussions with him back in Maryland. So we’ve made a voice scan and reduced their voices to an electronic signature, which is in turn coded into a computer. Every call we get is automatically filtered through the computer and it is instantaneously checked against the vocal signatures. When we get a match, it lets us know.”

“And then…”

“And then we reel him in. Slowly. Ever so slowly, trusting our instincts and our reading of Swagger’s character. We reel him in and destroy him. It’s like hunting a predator with bait. The bait is the research…or it’s his illusion that he can get out of this and somehow clear himself.”

Shreck nodded.

“It is clever,” he conceded.

Dobbler looked at Shreck and realized that for the first time, he wasn’t frightened of him.

For almost a week there were so many times they were close that it made them almost half-crazy. They spent the days on the phone in the Syracuse loft, and after the close of business hours in the last of the western states, they’d come out and go for a walk, get something to eat, just stretch and decompress. They made an odd couple: the tall, thin middle-aged man who had a way of holding himself in; the thicker, friendlier younger man, hair blond and thatchy, eyes brown and warm, whose gentle bulk hid considerable strength. They almost never talked as they walked and ate. They seemed comfortable in the silence.

Then one night, Bob asked about the chair.

“What’s it do to a person? The chair.”

At first Nick thought he was asking about the electric chair, and thought somehow in his FBI career Nick had seen an execution or two. But then he realized Bob meant to touch on something he’d said at Colonel O’Brien’s. Chair. Wheelchair.

“Ah. It sucks. I think I hated it more than she did. Because it was my damn failure, my damn guilt. Sometimes at night, I’d lie there listening to her breathe. You could see the damn thing in the moonlight. It was like it was laughing at you.”

“Suppose you were in it? Suppose your own daddy had put you there, and then blown the top of his head off in grief. What would that do to you?”

“I don’t know,” said Nick.

“Well, dammit, think about it. Give me an answer. I have to know why this bird did what he did.”

“Hell, bitterness, I suppose. It could cripple you so bad you’d hate the world. That didn’t happen to her, of course; she was too special and decent. But to someone else? I suppose it could easily lead you to guns, to feel the power in them that your body was deprived of. The gun could complete a paraplegic. It could make him very, very dangerous. But there are so many killers in this world who aren’t crippled. What’s so special about one that is?”

Bob just looked at him, rather sadly.

“You still don’t get it, do you, Pork?”

“Get what?”

“Come on, we’d best be heading back. More phone calls tomorrow.”

But as the time passed, the chance of the great breakthrough seemed to recede. All the calls had been made, sometimes two and three times. In ever widening circles, they’d tried to match death certificates against the seven names, patiently hunting through counties and then states. Somehow, however, the connection seemed to evaporate as they drew near to it.

“Suppose we’ll just have to drive out and find each of these damn guys and eyeball ’em and go from there,” Bob said. He was looking at the current issue of The Shotgun News, which he’d just picked up on a newsstand, as he did every other week, irritating Nick no end. It was such a dirty little rag, full of close print and murky black and white pictures of surplus guns. “The rag,” Bob called it with a snort of joyful contempt. It didn’t even have stories – just pages and pages of gun deals.

“You know, I’m really beginning to wonder if pursuing Annex B might not be a more reasonable course at this point. Working with Sally Ellion, there still might be a way to get into the Bureau’s computer bank. She’s very smart. She likes me. I think – ”

“You just want to nail that nice young gal, Pork, why don’t you admit it?”

“No, she’s a nice girl, I just – ”

The phone rang.

“Agent Memphis.”

“Mr. Memphis. I’m Susan Jeremiah, in the Clark County, North Carolina, registrar’s office?”

“Oh, yes, right, I remember. I talked to you some days ago. About the seven names – ”