The meta-goddess called Night stands alone. Her gown and veil are of a purple so dark as to be black, and even the other gods and goddesses give her a wide berth. I know nothing about Night, except rumors that even Zeus is afraid of her, and I’ve never seen her on Olympos before.

I feel like a gawking movie fan in the crowd outside the Academy Awards, trying to separate the superstars from the lesser gods. Hebe there, for instance, standing near the males—she is the goddess of youth, Zeus and Hera’s child, but only a servant to the gods—and there, red hair like flames, is Hephaestus, the great artificer, talking to his wife, Charis, who is only one of the Graces. Pecking order among gods and goddesses I realize, not for the first time, is complicated stuff.

Suddenly the goddess Iris, Zeus’s messenger, flies forward—yes, flies—and claps her hands. “The Father will speak,” she says, her voice as clear and crisp as a flute solo.

Immediately the scores of soft conversations cease and the great, echoing hall goes silent.

Zeus stands. His gold throne and the gold steps leading up to it exude a glow that bathes him in divine light.

“Hear me, all you gods, and goddesses, too,” says Zeus, his voice soft but so strong that I feel the vibration of it off the high marble walls. “Some god or goddess this day has tried to hurt Aphrodite, now healing in our hall of healing, and—while she will live—it was a close thing and she will need many more days to heal again. Some god or goddess tried to kill an immortal this day—tried to kill one of us who is not fated for death. ”

The muttering and shocked conversation start as a buzz and rise to a roar in the huge room.

“SILENCE!!” roars Zeus, and this time his voice is so loud that it knocks me down and slides me across the marble floor like a tumbleweed in a tornado. Luckily, I hit none of the gods or goddesses in my slide, and the noise I make is drowned out by the echoes of Zeus’s shout.

“Hear me now, oh gods and goddesses,” he continues, his voice amplified as if from the ultimate public address system. “Let no beautiful goddess, nor no god either, attempt to defy my strict decree. You will submit to my will—NOW!”

This time I am ready for the hurricane force of his voice and I cling to a column until the energy of it has passed.

“Listen to me,” says Zeus, almost whispering now, the sense of his power even more terrible for the soft tone. “Any god who violates my decree by helping the Trojans or Achaeans the way I have seen this month, back that god or goddess comes to Olympos, whipped on by my lightning and scourged by my thunder, eternally disgraced, banned henceforth from Olympos. Defy me, and find what it is like to be cast down to the murk of Tartarus half a universe away in space and time, in the deepest gulf that yawns beneath our quantum selves.”

As he speaks, the long hologram pit boils and bubbles, turns pitch-black, and then becomes something other than a hologram; the rectangular pit—looking like a dozen Olympic-sized swimming pools laid end to end, now broiling and filled with bubbling black oil—suddenly lets loose with a roar of its own, and becomes a hole opening on someplace dark and fiery and terribly deep. The stench of sulfur roils up and the gods and goddesses near the edge back away.

“Behold Tartarus,” cries Zeus, “the lowest depths of the House of Hades, a place as far below hell as Hades’ home is beneath the earth itself. Do you remember—you senior gods and goddesses amongst us—when you followed me into that ten-year war with the Titans who ruled before us? Do you remember that I cast Kronos and Rhea—my own parents—beyond these iron gates and brazen thresholds—aye, and Iapetus, too, for all his god-power?”

The hall is silent except for the muted roars and bellows and screams coming up from the open Tartarus Pit. I have no doubt whatsoever that this is a hole to hell, not a hologram, falling away not thirty feet from where I cower.

“IF I CAST MY PARENTS DOWN INTO THIS PIT OF PITS FOR ALL ETERNITY,” roars Zeus, “DO YOU DOUBT THAT I WILL THROW YOUR SCREAMING SOUL THERE IN A SECOND?”

The gods and goddesses do not answer, except to take several paces farther back from that foul void.

Zeus smiles terribly. “Come, try me, immortals, so that all can learn.”

A huge golden cable falls from the roof of the hall, straddling the hole to hell. Gods and goddesses scurry to get out of the way of its fall. It strikes marble with a resounding crash. The rope is thicker than a ship’s hawser and seems to be spun of thousands of inch-thick strands of true gold. It must weigh many tons.

Zeus strides down his golden stairs and lifts the cable, holding it easily in his giant hands. “Grasp your end,” he says almost cheerfully.

The gods and goddesses look at each other and do not move.

“GRASP YOUR END!”

Hundreds of immortals and their immortal servants rush to comply, scrambling for a handhold on the long cable like kids at a picnic tug-of-war. In a minute there is Zeus alone on his side of the Tartarus Pit, casually holding the cable, and the countless mob of gods and goddesses on the other side, powerful god-hands gripped tight on gold.

“Drag me down,” says Zeus. “Drag me down from sky to earth to Hades and deeper, to Tartarus’ stinking depths. Drag me down, I say.”

Not a single god moves a bronzed muscle.

“DRAG ME DOWN, I COMMAND THEE!” Zeus grasps the golden cable and begins to haul on it. Gods’ sandals slip and squeak and scuff on marble. Several hundred gods and goddesses all in a row are pulled closer to the pit, some stumbling, some going to their knees.

“PULL, GODDAMN YOU!” howls Zeus. “PULL OR BE DRAGGED INTO STINKING TARTARUS UNTIL TIME ITSELF ROTS AWAY FROM THE BONES OF THE UNIVERSE!”

Zeus tugs again and twenty yards of gold cable coils behind him. The conga line of gods and goddesses and graces and furies and nereids and nymphs and you-name-it on the other side—everyone pulling except purple-gowned Night—slides and screeches closer to the pit. Athena is the first on the cable and is only thirty feet from the edge when she screams, “Pull, you gods! Pull the old bastard in!!”

Ares and Apollo and Hermes and Poseidon and the rest of the most powerful gods put their backs into it. They quit sliding. The cable pulls tighter, fraying and creaking from the tension. The goddesses scream and pull in unison, Hera—Zeus’s wife—pulling even harder than the others. The gold cable stretches and groans.

Zeus laughs. He is holding them all at check with only one hand on the rope. Now he grabs the cable with his other hand and pulls again.

The gods scream like children on a roller coaster. Athena and those near her on the cable go sliding across the marble as if it were ice, closer and closer to the raging Tartarus Pit, even as dozens of lesser immortals surrender and throw themselves away from the cable. But Athena will not release her grip. The gray-eyed goddess is pulled relentlessly to the edge of the steaming trapdoor to hell. It looks as if the whole line of straining, sweating, cursing immortals is going in.

Zeus laughs and drops the cable. Score upon score of gods and goddesses fly backward and land unceremoniously on their immortal asses.

“You gods and goddesses, children, brothers, sisters, sons, daughters, cousins, and servants—you cannot drag me down,” says Zeus. He walks back to his throne and sits. “Not even if you pulled your arms from their sockets, if you pulled yourselves to death, could you budge me if I do not choose to move. I am Zeus, the highest, mightiest of kings.”

He raises one huge finger. “But . . . if I choose to drag you up in earnest, I’d hoist you off this Olympos, dangle you in black space above Tartarus, tie on the earth and sea as well, hook the end around the horn of this hill called Olympos, and leave you dangling there in darkness until the sun grows cold.”