When the bus reached Szentendre, they climbed down with the other men-their workmates who had boarded at Óbuda or Rómaifürdő or Csillaghegy-and walked the half mile to the train-loading yard. The first trucks pulled in at seven o’clock. The drivers would roll up the tarps to reveal corded cubes of blankets, crates of potatoes, bolts of military canvas, cases of ammunition, or whatever else it was that they happened to be shipping to the front that day. Andras and Mendel and their workmates had to move the goods from the trucks to the boxcars that waited on the tracks, doors yawning wide in the growing light. When they had finished loading one car, they would move on to another and another. But the operation wasn’t as simple as it looked. The cars, once filled, were not sealed; they were left open to roll into a shed where they would be inspected. At least that was what Andras and Mendel had been told when the foreman had set them to work: After the cars were loaded, they would be inspected by a corps of specially trained soldiers. If anything was missing, the work servicemen would be held responsible and punished. Only when every item had been tallied would the trains be sealed and sent to the front.

The inspectors came and went in covered trucks. Soldiers drove the trucks directly into the inspection shed and parked them beside the train. Through the broad rectangular doors, Andras could see the soldiers moving quickly between the train and the trucks. The inspectors didn’t bother to conceal what was going on; they oversaw the operation with the confidence of their privileged place in the chain of command. Overcoats, blankets, potatoes, cans of beans, guns: Every day, a tithe of it drifted from the boxcars to the trucks. When the soldiers had finished with one boxcar, the inspectors would seal it and the train would roll forward so the soldiers could get to work on the next. They had to work fast for the trains to run on time; the railway schedule made no allowance for black-market siphoning. Once the soldiers had done their work, the inspectors would declare the trainload complete and sign the paperwork. Then they would send the train off to the front. The covered trucks would roll out, the siphoned goods would slide into the black market, and the inspectors would share the proceeds among themselves. It was a tidy and profitable business. In their shed, the inspectors smoked expensive cigars and compared gold pocket watches and played cards for piles of pengő. The guards must have been getting their share of the profits, too-at lunchtime, instead of standing in line at the mess tent, they drank beer and grilled strings of Debrecen sausages, smoked Mirjam cigarettes, and paid the work servicemen to polish their new-looking boots.

Andras knew what the skimming would mean to the soldiers and laborers on the front. There would be too few blankets to go around, too few potatoes in the soup. Someone might not get new boots when his old boots fell apart. The work servicemen would be the hardest hit: They’d be forced to write promissory notes for hundreds of pengő to buy the most basic supplies. Later, when the guards and officers went home on furlough, they would present the notes to the servicemen’s families, threatening that the men would be killed if their wives or mothers didn’t produce the money. But the labor servicemen at Szentendre Yard seemed to regard the practice as a matter of course. What could any of them have done to stop it? Day after day they loaded the trains and the soldiers unloaded them.

As if to remind them of their powerlessness, all the Jewish workers now had to wear distinguishing armbands, ugly canary-yellow tubes of fabric that slid over their sleeves. Klara had had to sew these for Andras before he reported for duty. Even Jews who had long ago converted to Christianity had to wear armbands, though theirs were white. The bands were mandatory at all times. Even when the weather turned unseasonably hot, the sun reflecting off the crushed rock of the rail yard as though from a million mirrors, and the laborers stripped off their shirts-even then, they had to wear the armbands over their bare arms. The first time Andras had been told to retrieve his band from his discarded shirt, he had stared at the guard in disbelief.

“You’re just as much a Jew with your shirt off as you are with it on,” the man had said, and he waited for Andras to put on the armband before he turned away.

The commander at Szentendre was a man called Varsádi, a tall paunchy flatlander with an even temper and a taste for leisure. Varsádi’s chief vices were mild ones: his pipe, his flask, his sweet tooth. He was a constant smoker and a happy drunk. He left the matter of discipline to his men, who were less forgiving, less easily distracted by a fine tin of Egyptian tobacco or a smoky Scotch. Varsádi himself liked to sit in the shade of the administrative office, which stood on a low artificial hill overlooking the river, and watch the proceedings of his rail yard while he entertained visiting commanders from other companies or enjoyed his share of the goods that had been intended for the front. Andras knew to be grateful that he was not a Barna nor even a Kálozi, but the sight of Varsádi with his heels on a wooden crate, his arms crossed over his chest in contentment, a lemniscate of smoke drifting from his pipe, was its own special brand of torture.

By the end of their first week, Andras and Mendel had begun to discuss the newspaper they might publish at Szentendre Yard-The Crooked Rail, it would be called. “À la Mode at Szentendre,” Mendel had extemporized to Andras one morning on the bus, indicating the band on his arm. “The color yellow, ever popular for spring, has surged to the leading edge of fashion.” Andras laughed, and Mendel took out his little notebook and began to write. The trendsetting young men of the 79/6th have made a bold statement in buttercup, he read aloud a few minutes later: Accessorize! The au courant favor a trim band of ten centimeters worn about the bicep, in an Egyptian twill suitable for all occasions. Next week: Our fashion correspondent investigates a new rage for nakedness among soldiers on the Eastern Front.

“Not bad,” Andras said.

“The Yard’s an easy target. I’m surprised they don’t have a paper already.”

“I’m not,” Andras said. “The other men seem half asleep.”

“That’s just it. Every day they’re watching these army stooges steal bread from the men on the front, and they take it all as a matter of course!”

“Only because they’re not being starved to death themselves.”

“Well, let’s wake them up,” Mendel said. “Let’s get them a little angry about what’s going on. First we’ll make them laugh in the usual manner. Then, later, we’ll slide in a piece or two about what it’s like in a real camp. Especially if you’re short on food or missing an overcoat. Maybe we’ll inspire them to slow down the operation a little. If we all drag our feet in the loading, the soldiers won’t have as much time to unload. The trains still have to roll out on time, you know.”

“But how to do it without risking our necks?”

“Maybe we don’t have to hide the paper from Varsádi and the guards. If the coating’s sweet enough, they’ll never taste what’s in the pill. We’ll praise Szentendre to the skies in comparison to the other hellholes we’ve been in, and both sides will hear what we want them to hear.”

Andras agreed, and that was where it began. The Crooked Rail would be a more elaborate operation than the previous two papers; their residence in Budapest would give them access to a typewriter, a drafting table, an array of supplies. The journey to and from Szentendre would provide time for two daily editorial meetings. They would begin slowly, filling the first issues with nothing but jokes. There would be the usual fabricated news, the usual sports, fashion, and weather; there would be a special arts section complete with event reviews. This week the Szentendre Ballet debuted “Boxcar,” Mendel wrote for the first issue, a brilliant ensemble piece choreographed by Varsádi Varsádius, Budapest’s enfant terrible of dance. A certain element of repetition was offset by a delightful variability in the ages and physiques of the dancers. And then there would be a new feature called “Ask Hitler.” On their second Monday at Szentendre, Mendel presented Andras with a typescript: