“If that’s all,” he said, “I’ll bring Klara a drink.”

“You’d better,” Madame Gérard said. “In another moment he’ll be obliged to get one for her.” She turned her gaze again to the low black sofa, where Novak was explaining something to Klara in urgent tones. Klara shook her head, smiling sadly; Novak seemed to press his point, and Klara lowered her eyes.

Andras got her a glass of wine and made his way through a cluster of dinner guests in evening dress; he brushed past Novak’s wife, Edith, a tall, dark-haired woman in a velvet gown, redolent of jasmine perfume. The last time he’d seen her, almost a year earlier at the Sarah-Bernhardt, she’d handed him her bag while she searched her pockets for a handkerchief. She’d given him no more regard than if he’d been a hook on the wall. Now she held her back rigid while another women leaned close to her ear; it was clear that the other woman was narrating the progression of Novak’s tête-à-tête with Klara. When Andras reached the sofa, Monsieur Novak got to his feet and held out a damp red hand for Andras to shake. His eyes were raw, his breathing labored. After his first words of greeting he seemed unable to introduce a subject of conversation.

“I understand you’re going home to Budapest,” Andras said.

Novak smiled with obvious effort. “Yes, indeed,” he said. “And what will I do this time for a lunchtime companion? Madame Novak prefers the dining car.”

“You’ll probably cheer up some young fool on his way from Paris to Budapest.”

“Fool indeed, if he’s young and heading back to Budapest.”

“ Budapest is a fine place for a young man,” Andras said.

“Perhaps you ought to have stayed there, then,” Novak said, leaning a shade too close to Andras; in an instant Andras knew he was drunk. By now Klara knew, too, of course; she stood and placed a hand on Novak’s sleeve. A flash of resentment kindled in Andras’s chest. If Novak was going to undo himself, Klara shouldn’t feel under an obligation to protect him. But she gave Andras a look that begged forbearance, and he had to relent. He couldn’t fault Novak. It had been only three months, after all, since his own bout of drunken howling at József Hász’s flat.

“Monsieur Novak was telling me about his new position with the Royal Hungarian Opera,” Klara said.

“Ah, yes. They’re lucky to have you,” Andras said.

“Well, Paris won’t miss me,” Novak said, looking pointedly at Klara. “That much is evident.”

Madame Gérard had crossed the room to join their group, and she took Novak’s hands in her own. “We shall all miss you terribly,” she said. “It’s a great loss to us. A great loss to me. What will I do without you? Who will preside at my dinner parties?”

“You will preside, as always,” Novak said.

“Not ‘as always,’” she said. “I used to be morbidly shy. You used to do all the talking for me. But perhaps you don’t remember that. Perhaps you don’t remember how you were forced to ply me with wine in your office, just to convince me to take Madame Villareal-Bloch’s role.”

“Ah, yes, poor Claudine,” Novak said, his voice rising in volume as he spoke. “She was brilliant, and she threw it all away for that boy. That press attaché from Brazil. She followed him to São Paolo, and then he dropped her for a young tart.” He turned a glare upon Andras. “And she was so certain he loved her. But he made a fool of her.” He drained his glass, then went toward the window and stared down into the street.

A wave of silence spread from Novak to the rest of the guests; conversation faltered in one small group after another. It seemed they’d all been watching the exchange between Andras and Klara and Novak; it was almost as though they’d been notified of the situation in advance, and advised to pay particular attention. At last an elderly woman in a black Mainbocher gown cleared her throat delicately, fortified herself with a sip of gin, and declared that she had just heard that the forty thousand railroad workers fired by Monsieur Reynaud would stage a protest, and that the only good that might come of it would be that Monsieur and Madame Novak’s departure might be delayed.

“Oh, but that would be terrible,” said Madame Novak. “Mother is giving a party to welcome us, and the invitations have already been sent.”

Madame Gérard laughed. “No one could ever accuse you of being a populist, Edith,” she said, and the conversation soon resumed its former pace.

At dinner, Andras found himself seated between Madame Novak and the elderly woman in the Mainbocher gown. Andras found Madame Novak’s jasmine perfume so overpowering that it seemed to lace the flavor of every dish set before him; he ate jasmine terrapin soup, jasmine sorbet, jasmine pheasant. Klara was seated beside Novak down the table to Andras’s right, where it was impossible for him to see her face. The talk at the table was at first of Madame Gérard: her career and her new apartment and her enduring beauty. Marcelle listened with poorly acted modesty, her mouth slipping into a self-satisfied smile. When she’d grown bored of basking in flattery she turned the conversation to Budapest, its charms and difficulties and how it had changed since the Hungarians among them had lived there in their youth. She kept beginning her sentences by saying, “When we were Monsieur Lévi’s age.” A Captain Something-von-Other seated across from Andras declared that Europe would be at war before long, and that Hungary must be involved, and that Budapest would undergo profound changes before the decade closed. Madame Novak voiced the hope that the park where she’d played as a child would not be altered, at least; that was where she intended for her own child to play.

“Isn’t that right?” she asked her husband across the table. “I’ll have János’s nurse take him there as soon as we get to town.”

“Where, my dear?”

“The park on Pozsonyi út, at the river’s edge.”

“Of course,” said Novak absently, turning again to Klara.

The dinner concluded with cheeses and port, and the guests retired to a buff-walled room that held velvet settees and a Victrola. Madame Gérard demanded that they have dancing. The settees were moved aside, a record placed upon the Victrola, and the guests began swaying to a new American song, “They Can’t Take That Away from Me.” Monsieur Novak took Klara by the waist and led her to the center of the room. They danced awkwardly, Klara with her hands braced against Novak’s arms, Novak trying to lower his head onto her shoulder. Madame Novak, willfully oblivious, danced a jerky jazz step with Captain Something-von-Other, and Andras found himself partnered with the elderly woman in black. The way you wear your hat, she sang into Andras’s ear. The way you sip your tea. The memory of all that-no, they can’t take that away from me.

“It’s about lost love!” she said, when he protested that his English was terrible. She seemed to think she had to shout into his ear in order to be heard above the music and conversation. “The man is parted from the woman, but he’ll never forget her! She haunts his dreams! She’s changed his life!”

No one could get enough of the song. Madame Gérard declared it her new favorite. They played it four times before they tired of it. Andras danced with Madame Gérard, and with Edith Novak, and with the elderly woman again; but Zoltán Novak would not release Klara. In a short time he would leave Paris forever; nothing could prevent that-not a rail strike, nor the threat of war, nor the force of his own love. Klara tried to extricate herself from his arms, but each time she pulled away he protested so loudly she had to stay with him to avoid a scene. Finally, too drunk to stand, he stumbled back onto a settee and wiped his forehead with a large white handkerchief. Madame Gérard took the record from the turntable and announced that the birthday cake would now be served, and Klara motioned Andras into a hallway.