You know the videos I mean. They get passed around, brought back from trips to Germany or France or the United States. A case of beer and a few mates round while the ladies are elsewhere. You won’t see ladies in these videos, except on the covers. Oh yes, the models on the covers are dolls, but on the tape itself… well. Once inside, we are talking gynaecology, and the rougher it gets the rougher the women begin to look. When one of the men suggests anal sex, you can be sure a new woman is about to enter the scene, her eyes as tired and heavy as her flesh, all pucker and tattoo and bruise. I wonder about those bruises sometimes, about coercion and persuasion behind the scenes.

I’m always invited to watch these videos. For two reasons: my working knowledge of French and German, and my technical ability with video recorders. These films aren’t always compatible with the British VHS players. You can lose colour, sound, or even the picture. But with a few home-made cables and boxes of tricks everything’s made hunky-dory, which pleases my friend Maxwell no end.

‘What’s that he’s saying, Kenny?’

‘Which one?’ I can see at least three men.

‘The one who’s talking, idiot.’

‘He’s saying “faster, faster”.’

And Maxwell nods. He looks like he’s watching a Buñuel film, my translation crucial to his understanding and appreciation of the director’s intent. But the film we’re watching, along with Andrew, Mark and Jimmy, has the same dénouement as the dozen or so others in Maxwell’s mews flat. Despite being a bachelor, he keeps these videos tucked away in the wardrobe in his bedroom. I think for him the furtiveness is part of the fun; perhaps even all the fun. I look around at my friends’ faces. They are like kids at a birthday party watching Goofy cartoons. They say you can choose your friends, but that’s a lie. My life, I am sure, is a closed loop, like the eight-track cartridges you still find at car boot sales, along with Betamax video recorders and broken Rolf Harris Stylophones.

Look at Maxwell. I didn’t choose him. On our first day at school we just happened to sit together. The next day, it seemed polite to do the same (and besides, the other desks and chairs were already occupied). We never had much in common. More, certainly, when at school than at university. And more at university than since. Maxwell is still single, has a fabulous job (with attendant car and home in the right part of town), and sees life as a series of challenges. I am married, in a dead-end career, with an ailing automobile and a tenement flat. My life too is a series of challenges. But where Maxwell spends his time trying to work out which gorgeous woman to date next, or where next to go for a sun-drenched holiday, I spend my time worrying over mortgage, overdraft, car insurance and council tax.

One night a week, I slip out from Alice’s clutches for the euphemistic ‘pint with the lads’. We meet up in the same pub, then visit a new pub where Maxwell will chat up the barmaid, and take carry-out food back to his place where we might watch a video or play cards. Since the videos are all basically the same video, Maxwell attempts variety by trying to freeze-frame the come shot, fast-forward through the humping, or slo-mo the oral sex. I think this irritates the others, not just me. And at the end of it all, Maxwell has the same comment ready for me. A comment whose surface envy disguises a deeper sense of superiority.

‘Of course,’ he’ll say, ‘Kenny’s the lucky one. He spends all day surrounded by teenage lovelies.’

Of course I do. It’s one of the schoolteacher’s few perks.

You’re asking yourself: what does all this have to do with the fact that Alice was eventually put away for murder? And I answer that it’s all to do with a video. Because the barmaid reminded me of a model on the cover of one of Maxwell’s videos. The video was called ‘Asian Brothel Orgy’. No vagueness there. Video titles are seldom open to misinterpretation. You don’t look at them and ask yourself, Hm, wonder what that one’s about? ‘Teenage Dog Orgy’ would mean just that, I’m afraid.

Of course, none of ‘Asian Brothel Orgy’ took place in Asia, and only one model bore any resemblance to someone from that part of the globe. The cover showed a perky blonde and blue-eyed teenager (American, I suppose, like the movie) looking coy and positioned so that, nude, she still showed little of interest to the regular porno customer. She was the tease, the promise of interior revelation.

The back cover of course was a different matter: medical close-ups of penetration and ingestion. The front cover model naturally did not appear in the film. It took me a while to place her. I’m not suggesting that the new lunchtime barmaid did spare-time modelling for porno cassettes, but the two were distinctly similar. I went to the pub most lunchtimes, but seldom paid attention to the staff, being more interested in my beer and the all too occasional presence of Jennie Muir, our French teacher. Actually, it was Jennie’s more frequent absences from the pub which put blinkers on me. I’d sit eating crisps, staring into the bag as it emptied, wondering what she’d make of my Friday night translations for Maxwell and the others. ‘What’s she saying now, Kenny?’ ‘She’s saying “harder harder, faster faster”.’ When I wanted to watch a video in my own home, I’d try to rent something French, despite Alice’s protests that subtitles were too much like hard work. She preferred Steve Martin or Michael Caine over the latest Gallic smash, and had actually unplugged the machine halfway through Delicatessen.

‘It’s anything but delicate,’ she’d fumed.

In my short reverie, prior to two crushing hours with the sixth years or an hour of Shakespeare or poetry, I’d stare into the crisp packet and see it as the interior of a nice flat by the river, a small balcony leading to the living-room where Jennie sat on a white leather sofa, sipping Chablis and chuckling at Delicatessen. I proffered more wine, which she accepted. We chinked glasses. Then I folded the crisp packet, tied a knot in it, and tossed it into the ashtray.

It was Frank Marsh who noticed her.

‘New barmaid’s a smasher,’ he said, placing a pint in front of me.

‘Really?’ Frank taught woodwork. His working knowledge was of planes and drill bits rather than women. He’d been fifty-six years a single man, never having ‘seen the point of getting bogged down’. I was a little envious of him. I glanced over my shoulder anyway. ‘Christ,’ I said, causing Frank to chuckle. She was chatting to a customer, fresh-faced and with a hand resting on one of the beer pumps, slender arms appearing from a baggy white T-shirt. I imagined Jennie Muir having depths of passion and provocation. But there was nothing submerged about the vision in front of me; all was glorious surface.

Inside a few days the lunchtime clientele of our unassuming pub had doubled. Word was getting around. Only later did I equate Donna the barmaid’s years, blonde hair and blue eyes with ‘Asian Brothel Orgy’. Then I happened to mention it to Maxwell. The biggest mistake of my life, just about.

He turned up one lunchtime with a slap on my shoulder. Startled, I tipped some beer on to my trousers.

‘Sorry, Kenny,’ he said. ‘Here, I’ll fetch a cloth.’

When he returned, he already knew her name and her age. ‘You were absolutely right,’ he told me, watching as I wiped stains from my crotch, ‘she’s great. And she does look like the bird off the front of the vid.’

‘What the hell are you doing here?’ I knew Maxwell worked three miles away from the school and regarded lunch-hours as an anachronism. He shrugged.

‘Just passing. My name’s Maxwell, by the way.’ He shoved a hand out towards Frank Marsh. ‘Since Kenny’s not going to introduce us.’