But after a moment of thought, he'd methodically untangled his snowshoes and continued toward the dark hulk of the garage. He had to catch the LaCourts together, in the kitchen, where he could take care of both of them at once. They'd have guns, so he'd have to be quick.

The Iceman carried a Colt Anaconda under his arm. He'd stolen it from a man who never knew it was stolen. He'd done that a lot, in the old days. Got a lot of good stuff. The Anaconda was a treasure, every curve and notch with a function.

The corn-knife, on the other hand, was almost elegant in its crudeness. Homemade, with a rough wooden handle, it looked something like a machete, but with a thinner blade and a squared end. In the old days it had been used to chop cornstalks. The blade had been covered with a patina of surface rust, but he'd put the edge on a shop grinder and the new edge was silvery and fine and sharp enough to shave with.

The corn-knife might kill, but that wasn't why he'd brought it. The corn-knife was simply horrifying. If he needed a threat to get the picture, if he needed to hurt the girl bad but not kill her, then the corn-knife was exactly right.

Standing atop the snow, the Iceman felt like a giant, his head reaching nearly to the eaves of the garage as he worked his way down its length. He saw Frank come to the window and peer out, and he stopped. Had Claudia seen him after all? Impossible. She'd turned away, and she'd run, but he could hardly see her, even with the garage and yard-lights on her. He'd been back in the dark, wearing black. Impossible.

The Iceman was sweating from the short climb up the bank, and the struggle with the brush. He snapped the releases and pulled the bindings loose, but stayed balanced on the shoes. He'd have to be careful climbing down into the trench. He glanced at his watch. Time time time…

He unzipped his parka, pulled his glove and reached inside to touch the wooden stock of the Anaconda. Ready. He was turning to step into the trench when the back door opened and a shaft of light played out across the porch. The Iceman rocked back, dragging the snowshoes with his boots, into the darkness beside the woodshed, his back to the corrugated metal garage wall.

Frank was a dark silhouette in the light of the open door, then a three-dimensional figure shuffling down the snow trench out toward the garage. He had a flashlight in one hand, and played it off the side of the garage. The Iceman eased back as the light crossed the side wall of the garage, gave Frank a few seconds to get farther down the path, then peeked around the corner. Frank had gotten to the garage door, opened it. The Iceman shuffled up to the corner of the garage, the gun in his left hand, the corn-knife in his right, the cold burning his bare hands.

Frank snapped on the garage lights, stepped inside. A moment later, the lights went out again. Frank stepped out, pulled it tight behind him, rattled the knob. Stepped up the path. Shone the flashlight across the yard at the propane tank.

Took another step.

The Iceman was there. The corn-knife whipped down, chunked. Frank saw it coming, just soon enough to flinch, not soon enough to avoid it. The knife chocked through Frank's parka and into his skull, the shock jolted through the Iceman's arm. A familiar shock, as though he'd chopped the blade into a fence post.

The blade popped free as Frank pitched over. He was dead as he fell, but his body made a sound like a stepped-on snake, a tight exhalation, a ccccuuuhhhhh, and blood ran into the snow.

For just a second then, the wind stopped, as though nature were holding her breath. The snow seemed to pause with the wind, and something flicked across the edge of the woods, at the corner of the Iceman's vision. Something out there… he was touched by an uneasiness. He watched, but there was no further movement, and the wind and snow were back as quickly as they'd gone.

The Iceman stepped down into the trench, started toward the house. Claudia's face appeared in the window, floating out there in the storm. He stopped, sure he'd been seen: but she pressed her face closer to the window, peering out, and he realized that he was still invisible. After a moment, her face moved back away from the window. The Iceman started for the house again, climbed the porch as quietly as he could, turned the knob, pushed the door open.

"Frank?" Claudia was there, in the doorway to the kitchen. Her hand popped out of her sleeve and the Iceman saw the flash of chrome, knew the flash, reacted, brought up the big.44 Mag.

"Frank?" Claudia screamed. The.357 hung in her hand, by her side, unready, unthought-of, a worthless icon of self-defense. Then the V of the back sight and the i of the front sight crossed the plane of her head and the.44 bucked in the Iceman's hand. He'd spent hours in the quarry doing this, swinging on targets, and he knew he had her, felt the accuracy in his bones, one with the target.

The slug hit Claudia in the forehead and the world stopped. No more Lisa, no more Frank, no more nights in the Holiday Inn with the mirrors, no memories, no regrets. Nothing. She didn't fly back, like in the movies. She wasn't hammered down. She simply dropped, her mouth open. The Iceman, bringing the Colt back to bear, felt a thin sense of disappointment. The big gun should batter them down, blow them up; the big gun was a Universal Force.

From the back room, then, in the silence after the shot, a young girl's voice, not yet afraid: "Mom? Mom? What was that?"

The Iceman grabbed Claudia's parka hood, dragged her into the kitchen and dropped her. She lay on the floor like a puppet with the strings cut. Her eyes were open, sightless. He ignored her. He was focused now on the back room. He needed the picture. He hefted the corn-knife and started back.

The girl's voice again. A little fear this time: "Mom?"

Lucas Davenport climbed down from his truck. The light on the LaCourt house was brilliant. In the absolutely clear air, every crack, every hole, every splinter of glass was as sharp as a hair under a microscope. The smell of death-the smell of pork roast-slipped up to him, and he turned his face toward it, looking for it, like a stone-age hunter.

The house looked oddly like a skull, with its glassless windows gaping out at the snowscape. The front door was splintered by fire axes, while the side door, hanging from the house by a single hinge, was twisted and blackened by the fire. Vinyl siding had melted, charred, burned. Half of the roof was gone, leaving the center of the ruin open to the sky. Pink fiberglass insulation was everywhere, sticking out of the house, blowing across the snow, hung up in the bare birch branches like obscene fleshy hair. Firehose ice, mixed with soot and ash, flowed around and out of the house like a miniature glacier.

On the land side of the house, three banks of portable stadium-style lights, run off an ancient gas-powered Army generator, poured a hundred million candlepower of blue-white light onto the scene. The generator underlined the shouting of the firemen and the thrumming of the fire truck pumps with a ferocious jackhammer pounding.

All of it stank.

Of gasoline and burning insulation, of water-soaked plaster and barbecued bodies, diesel fumes. The fire had moved fast, burned fiercely, and had been smothered in a hurry. The dead had been charred rather than cremated.

Twenty men swarmed over the house. Some were firemen, others were cops; three or four were civilians. The snow had eased, at least temporarily, but the wind was like a razor, slashing at exposed skin.

Lucas was tall, dark-complected, with startling blue eyes set deep under a strong brow. His hair was dark, but touched with gray, and a bit long; a sheath of it fell over his forehead, and he pushed it out of his eyes as he stood looking at the house.