"And the burner lights up."

"Boom," said Crane.

"Why would he do that?"

"Probably to make sure he could get out. We figure there were fifteen gallons of premix spread around the place. He might've been afraid to toss a match into it. But it does mean he must've thought about burning the place. That's not something that would occur to you while you were standing there… if it happened at all."

"If it did happen, that means there'd be a delay between the time he left and the time the fire started, right?"

"Right."

"How much?"

"Don't know," Crane said. "We don't know the condition of the water tank before he turned the water on-how hot the water already was. He didn't turn the faucet on very far, just a steady dribble. Could have been anything from four or five minutes to twenty minutes."

More delay, Lucas thought. More time between the killings and the moment the Jeep passed the fire station. There was no hope for a minor error anymore, a time mixup. The priest could not have been at the LaCourts'.

"… through the surviving files…" Crane was talking about the search for the missing photograph.

"It wouldn't be in a file," Lucas said abruptly. "They would have stuffed it someplace where they could get at it-someplace both casual and safe. Where if somebody needed to see it, they could just pick it up and say, 'Here it is.' "

"Okay. But where?" Crane asked.

"Cookie jar-like that."

"We've looked through most of the stuff in the kitchen and their bedroom, the stuff that survived. We haven't found anything like it."

"Okay."

"We'll take it apart inch-by-inch," Crane said. "But it's gonna take time."

Lucas made two phone calls and took one. The first call went to a nun in the Twin Cities, an old friend, a college psychology professor. Elle Kruger: Sister Mary Joseph.

"Elle, this is Lucas. How're things?"

"Fine," she said promptly. "I got Winston's preproduction beta-copy of the new Grove of Trees. I ran it with Sister Louisa over the weekend, and we froze it up right away, some kind of stack-overflow error."

"Dammit, they said they fixed that." Grove of Trees was an intricate simulation of the battle of Gettysburg that he'd been working on for years. Elle Kruger was a games freak.

"Well, we were on Sister Louisa's Radio Shack compatible," she said. "There's something goofy about that machine, because I ran the same disk on my Compaq and it worked fine."

"All right, I'll talk to them. We ought to be compatible with everything, though," Lucas said. "Listen, I've got another problem and it involves the Church. I don't know if you can help me, but there are people being killed."

"There always are, aren't there?" she said. "Where are you? And how does it involve the Church?"

He sketched the problem out quickly: the priest, the missing time, the question about the man at the end of the road.

"Lucas, you should go through the archdiocese of Milwaukee," Elle said.

"Elle, I don't have time to fool around with Church bureaucracy, and you know what they're like when there's a possible scandal involved. It's like trying to get information out of a Swiss bank. This guy-priest-Bergen is about our age, and I bet you know people who know him. All I'm asking is that you make a couple of calls, see if you can find some friends of his. I understand he went to Marquette. Get a reading. Nothing formal, no big deal."

"Lucas, this could hurt me. With the Church. I have relationships."

"Elle…" Lucas pressed.

"Let me pray over it."

"Do that. Try to get back to me tonight. Elle, there are people being killed, including at least one junior high boy and maybe two. Children abused. There are homosexual photos published in underground magazines."

"I get it," she snapped. "Leave me to pray. Just leave me."

A deputy came in as Lucas hung up. "Shelly was on the radio. He's on the way out, and he wants you to wait."

"Okay."

The second call went to the Minneapolis police department, to a burglary specialist named Carl Snyder.

"If you were a woman casually hiding something in your house for a couple of days, a dirty picture, where drop-in neighbors wouldn't see it, but where you could get at it quickly, where'd you put it?"

"Mmm… got a pencil?" Snyder asked. Snyder knew so much about burglary that Lucas suspected that he might have done some field research. There had been a series of extremely elegant coin and jewel thefts in the Cities, stretching back twelve years. Nothing had ever been recovered.

"Don't talk to me," Lucas said. "There's a guy named Crane here, from the Wisconsin state crime labs. I'll put him on."

Crane talked to Snyder, saying Yeah a lot, his head nodding, and after hanging up, pulled on his parka and said, "Wanna come?"

"Might as well. Where're we going to look?" Lucas asked.

"Around the refrigerator. Then under boxes in the cupboard. Of course, there's not much left there."

The yard outside the house had been flattened by ice and the army of people working around it. They tramped across the frozen ground, pushed past a heavy canvas sheet, and went inside. Banks of tripod-mounted lights lit most of the interior; two refrigerator-sized electric heaters kept it vaguely warm. Most of the loose wreckage had been cleared away from the floors. Through the open door to the mudroom, Lucas could see a white chalk circle around the hole where they'd found the.44 slug.

"All right: around the refrigerator, on the kitchen counter," Crane muttered.

Wearing plastic gloves, he began sifting carefully through the wreckage on the kitchen counter top. The counter top had been yellowed by heat except where it had been covered. A bowl, a peanut butter jar, salt and pepper shakers left their bottom-shapes stenciled in white.

"No paper… how about the refrigerator?"

Crane found the remains of the photograph behind the magnetic message slate on the door of the refrigerator. He pried the message slate away from the door, was about to put it back and then said, "Whoa…"

"What is it?" Lucas felt a thump in his stomach.

Crane carried it to the window, held it to the light. A square of folded newsprint was stuck to the back of the slate, half of it charred black and imbedded in melted plastic. The other half was brown.

"I don't know; maybe we ought to send it down to Madison, have them separate it," Crane said. But as he said it, he slipped a finger under one edge of the newsprint and lifted. It broke at the burn line, and the browned part came free. Crane turned it over in his hand.

"It's kind of fucked up," he said. He looked at the paper melted into the plastic. "We might be able to recover part of that."

The browned portion of the paper was the left side of a photo, showing the back and buttocks of a nude man. The remaining caption under the photo said: LOOK AT THIS BIG BOY. DINNER.

Beneath the photo and caption was a series of jokes:

Guy walks into a bar, he's got a head the size of a baseball, says, "Gimme a beer." The bartender shoves a glass of Bud across the bar and says, "Listen, pal, it's none of my business, but a big guy like you-how'd you get a little teeny head like that?" The guy says, "Well, I was down in Jamaica, walking on the beach, when I see this bottle. I pull the top off, and holy shit, a genie pops out. I mean, she was gorgeous. She had a body that wouldn't quit, great ass, tits the size of watermelons. And she says I can have a wish. So I said, 'Well look, you know, what I'd wish for, is to make love to you.' And the genie says, 'Sorry, that's one thing I'm not allowed to do.' So then I say, 'Okay, how about a little head?' "

"Who does this kind of shit?" Lucas asked. He held the paper on the flat of his open hands, peering at the type. There was no indication of where it might have come from.