She swore again.

Of course it wasn't Geralt. Don't get excited, little one. Don't get excited, just think of his expression in the stable. You've seen expressions like that before. You've seen them, so don't kid yourself. The foolish, contrite, embarrassed expressions of men who want to forget, who regret, who don't want to remember what happened, don't want to go back to what has been. By all the gods, little one, don't fool yourself it's different this time. It's never different. And you know it. Because, after all, you've had a fair amount of experience.

As far as her erotic life was concerned, Triss Merigold had the right to consider herself a typical enchantress. It had began with the sour taste of forbidden fruit, made all the more exciting by the strict rules of the academy and the prohibitions of the mistress under whom she practised. Then came her independence, freedom and a crazy promiscuity which ended, as it usually does, in bitterness, disillusionment and resignation. Then followed a long period of loneliness and the discovery that if she wanted to release her tension and stress then someone who wanted to consider himself her lord and master – as soon as he had turned on his back and wiped the sweat from his brow – was entirely superfluous. There were far less troublesome ways of calming her nerves – ones with the additional advantages of not staining her towels with blood, not passing wind under the quilt and not demanding breakfast. That was followed by a short-lived and entertaining fascination with the same sex, which ended in the conclusion that soiling towels, passing wind and greediness were by no means exclusively male attributes. Finally, like all but a few magicians, Triss moved to affairs with other wizards, which proved sporadic and frustrating in their cold, technical and almost ritual course.

Then Geralt of Rivia appeared. A witcher leading a stormy life, and tied to her good friend Yennefer in a strange, turbulent and almost violent relationship.

Triss had watched them both and was jealous even though it seemed there was little to be jealous of. Their relationship quite obviously made them both unhappy, had led straight to destruction, pain and yet, against all logic… it had lasted. Triss couldn't understand it. And it had fascinated her. It had fascinated her to such an extent that…

… she had seduced the witcher – with the help of a little magic. She had hit on a propitious moment, a moment when he and Yennefer had scratched at each other's eyes yet again and had abruptly parted. Geralt had needed warmth, and had wanted to forget.

No, Triss had not desired to take him away from Yennefer. As a matter of fact, her friend was more important to her than he was. But her brief relationship with the witcher had not disappointed. She had found what she was looking for – emotions in the form of guilt, anxiety and pain. His pain. She had experienced his emotions, it had excited her and, when they parted, she had been unable to forget it. And she had only recently understood what pain is. The moment when she had overwhelmingly wanted to be with him again. For a short while – just for a moment – to be with him.

And now she was so close…

Triss clenched her fist and punched the pillow. No, she thought, no. Don't be silly. Don't think about it. Think about…

About Ciri. Is she…

Yes. She was the real reason behind her visit to Kaer Morhen. The ash-blonde girl who, here in Kaer Morhen, they want to turn into a witcher. A real witcher. A mutant. A killing machine, like themselves.

It's clear, she suddenly thought, feeling a passionate arousal of an entirely different nature. It's obvious. They want to mutate the child, subject her to the Trial of Grasses and Changes, but they don't know how to do it. Vesemir was the only witcher left from the previous generation, and he was only a fencing instructor. The

Laboratorium, hidden in the vaults of Kaer Morhen, with its dusty demi-Johns of elixirs, the alembics, ovens and retorts… None of the witchers knew how to use them. The mutagenic elixirs had been concocted by some renegade wizard in the distant past and then perfected over the years by the wizard's successors, who had, over the years, magically controlled the process of Changes to which children were subjected. And at a vital moment the chain had snapped. There was no more magical knowledge or power. The witchers had the herbs and Grasses, they had the Laboratorium. They knew the recipe. But they had no wizard.

Who knows, she thought, perhaps they have tried? Have they given children concoctions prepared without the use of magic?

She shuddered at the thought of what might have happened to those children.

And now they want to mutate the girl but can't. And that might mean… They may ask me to help. And then I'll see something no living wizard has seen, I'll learn something no living wizard has learned. Their famous Grasses and herbs, the secret virus cultures, the renowned, mysterious recipes…

And I will be the one to give the child a number of elixirs, who will watch the Changes of mutation, who will watch, with my own eyes…

Watch the ashen-haired child die.

Oh, no. Triss shuddered again. Never. Not at such a price.

Besides, she thought, I've probably got excited too soon again. That's probably not what this is about. We talked over supper, gossiped about this and that. I tried to guide the conversation to the Child Surprise several times to no avail. They changed the subject at once.

She had watched them. Vesemir had been tense and troubled; Geralt uneasy, Lambert and Eskel falsely merry and talkative, Coen so natural as to be unnatural. The only one who had been sincere and open was Ciri, rosy-cheeked from the cold, dishevelled, happy and devilishly voracious. They had eaten beer potage, thick with croutons and cheese, and Ciri had been surprised they had not served mushrooms as well. They had drunk cider, but the girl had been given water and was clearly both astonished and revolted by it.

'Where's the salad?' she had yelled, and Lambert had rebuked her sharply and ordered her to take her elbows off the table.

Mushrooms and salad. In December?

Of course, thought Triss. They're feeding her those legendary cave saprophytes – a mountain plant unknown to science – giving her the famous infusions of their mysterious herbs to drink. The girl is developing quickly, is acquiring a witcher's infernal fitness. Naturally, without the mutation, without the risk, without the hormonal upheaval. But the magician must not know this. It is to be kept a secret from the magician. They aren't going to tell me anything; they aren't going to show me anything.

I saw how that girl ran. I saw how she danced on the beam with her sword, agile and swift, full of a dancer's near-feline grace, moving like an acrobat. I must, she thought, I absolutely must see her body, see how she's developing under the influence of whatever it is they're feeding her. And what if I managed to steal samples of these 'mushrooms' and 'salads' and take them away? Well, well…

And trust? I don't give a fig for your trust, witchers. There's cancer out there in the world, smallpox, tetanus and leukaemia, there are allergies, there's cot death. And you're keeping your 'mushrooms', which could perhaps be distilled and turned into life-saving medicines, hidden away from the world. You're keeping them a secret even from me, and others to whom you declare your friendship, respect and trust. Even I'm forbidden to see not just the Laboratorium, but even the bloody mushrooms!

So why did you bring me here? Me, a magician?

Magic!

Triss giggled. Ha, she thought, witchers, I've got you! Ciri scared you just as she did me. She 'withdrew' into a daydream, started to prophesy, gave out an aura which, after all, you can sense almost as well as I can. She automatically reached for something psy-chokinetically, or bent a pewter spoon with her will as she stared at it during lunch. She answered questions you only thought, and maybe even some which you were afraid to ask yourselves. And you felt fear. You realised that your Surprise is more surprising than you had imagined.


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