“To which location?” said the ship. “There are extensive inhabited areas on the high peak to the east—T’ai Shan it is called on my map—and another city south on the K’un Lun Ridge, it is called Hsi wang-mu, I believe, and other habitations along the Phari Ridge and west of there in an area marked as Koko Nor. Also…”

“Take us down to the Temple Hanging in Air,” I said.

Luckily, the planet’s magnetic field was completely adequate for the ship’s EM repulsors, so we floated down through the sky rather than having to descend on a tail of fusion flame. I went out to the balcony to watch, although the holopit or screens in the top bedroom would have been more practical.

It seemed to take hours, but actually within minutes we were floating gently at eight thousand-some meters, drifting between the fantastic peak to the north—Heng Shan—and the ridge holding Hsuan-k’ung Ssu. I had seen the terminator rushing from the east as we descended, and according to the ship, it was late afternoon here now. I carried a pair of binoculars out to the balcony and stared. I could see the Temple clearly. I could see it, but I could not quite believe it.

What had seemed a mere play of light and shadow beneath the huge, striated, overhanging slabs of gray granite was a series of structures extending east and west for many hundreds of meters. I could see the Asian influence at once: pagoda-shaped buildings with pitched tile roofs and curling eaves, their elaborately tiled surfaces gilded and glowing in the bright sunlight; round windows and moon gates in the lower brick sections of the superstructure, airy wooden porches with elaborately carved railings; delicate wooden pillars painted the color of dried blood; red and yellow banners draped from eaves and doorways and railings; complicated carvings on the roof beams and tower ridges; and suspension bridges and stairways festooned with what I would later learn were prayer wheels and prayer flags, each offering a prayer to Buddha every time a human hand spun it or the wind fluttered it.

The Temple was still being built. I could see raw wood being carried up to high platforms, saw human figures chiseling away at the stone face of the ridge, could see scaffolding, rude ladders, crude bridges consisting of little more than some sort of woven plant material with climbing ropes for handrails, and upright figures hauling empty baskets up these ladders and bridges and more stooped figures carrying the baskets full of stone back down to a broad slab where most of the baskets were dumped into space. We were close enough that I could see that many of these human figures wore colorful robes hanging almost to their ankles—some blowing in the stiff wind that blew across the rockface here—and that these robes looked thick and lined against the cold. I would later learn that these were the ubiquitous chuba, and that they could be made of thick, waterproof zygoat wool or of ceremonial silk or even of cotton, although this last material was rare and much prized.

I had been nervous about showing our ship to the locals—afraid it might cause a panic or a laser lance attack or something—but did not know what else to do. We were still several kilometers away, so at most we would be an unusual glint of sunlight on dark metal floating against the white backdrop of the northern peak. I had hoped that they would think us just another bird—the ship and I had seen many birds through the viewer, many of them with wingspans several meters across—but that hope was dashed as I saw first a few of the workers at the Temple pause in their labors and stare out in our direction, then more, and more. No one panicked.

There was no rush for shelter or to retrieve weapons—I saw no weapons in sight anywhere—but we had obviously been seen. I watched two women in robes run up through the ascending series of temple buildings, hanging bridges, stairways, steep ladders, and penultimate construction scaffolding to the easternmost platform where the work seemed to consist of cutting holes in the rock wall. There was some sort of construction shack there, and one of the women disappeared into it, coming out a moment later with several taller forms in robes.

I increased the magnification of my binoculars, my heart pounding against my ribs, but there was drifting smoke from the construction work and I could not make out for sure if the tallest person there was Aenea. But through the veils of swirling smoke, I did catch a glimpse of blond-brown hair—just shorter than shoulder length—and for a moment I lowered the binoculars and just stared out at the distant wall, grinning like an idiot.

“They are signaling,” said the ship.

I looked through the glasses again. Another person—female, I think, but with much darker hair—flashing two handheld semaphore flags.

“It is an ancient signal code,” said the ship. “It is called Morse. The first words are…”

“Quiet,” I said. We had learned Morse Code in the Home Guard and I had used it once with two bloody bandages to call in medevac skimmers on the Iceshelf.

GO… TO… THE… FISSURE… TEN… KLICKS… TO… THE… NORTH… EAST.

HOVER… THERE.

AWAIT… INSTRUCTIONS.

“Got that, Ship?” I said.

“Yes.” The ship’s voice always sounded cold after I was rude to it.

“Let’s go,” I said. “I think I see a gap about ten klicks to the northeast. Let’s stay as far out as we can and come in from the east. I don’t think they’ll be able to see us from the Temple, and I don’t see any other structures along the cliff face in that direction.”

Without further comment, the ship brought us out and around and back along the sheer rock wall until we came to the fissure—a vertical cleft dropping several thousand meters from the ice and snow far above to a point where it converged about four hundred meters above the level of the Temple, which now was out of sight around the curve of rockface to the west.

The ship floated vertically until we were just fifty meters above the bottom of the fissure. I was surprised to see streams running down the steep rock walls of the sides of this gap, tumbling into the center of the fissure before pouring off into thin air as a waterfall. There were trees and mosses and lichens and flowering plants everywhere along this cleft, fields of them rising many hundreds of meters alongside the streams until finally becoming mere streaks of multicolored lichen rising toward the ice levels above. At first I was sure that there was no sign of human intrusion here, but then I saw the chiseled ledges along the north wall—barely wide enough to stand on, I thought—and then the paths through the bright green moss, and the artfully placed stepping stones in the stream, and then I noticed the tiny, weathered little structure—too small to be a cabin, more like a gazebo with windows—which sat under wind-sculpted evergreens along the stream and near the high point of the fissure’s verdant pass.

I pointed and the ship moved up in that direction, hovering near the gazebo. I understood why it would be difficult, if not impossible, to land here. The Consul’s ship was not that large—it had been hidden in the stone tower in the old poet’s city of Endymion for centuries—but even if it landed vertically on its fins or extendable legs here, some trees, grass, moss, and flowering plants would be crushed. They seemed too rare in this vertical rock world to destroy that way.

So we hovered. And waited. And about thirty minutes after we arrived, a young woman came around the path from the direction of the rock ledges and waved heartily at us.

It was not Aenea.

I admit that I was disappointed. My desire to see my young friend again had reached the point of obsession, and I guess that I was having absurd fantasies of reunion—Aenea and I running toward one another across a flowered field, she the child of eleven again, I her protector, both of us laughing with the pleasure of seeing one another and me lifting her and swinging her around, tossing her up…


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