"Hiro Protagonist?"

"Yeah, who's this?"

"Y.T. Where are you?"

"In the parking lot of a Safeway on Oahu," he says. And he's telling the truth; in the background she can hear the shopping carts performing their clashy, anal copulations.

"I'm kind of busy now, Whitey - but what can I do for you?"

"It's Y.T.," she says, "and you can help bust me out of The Clink." She gives him the details.

"How long ago did he put you there?"

"Ten minutes."

"Okay, the three-ring binder for Clink franchises states that the manager is supposed to check on the detainee half an hour after admission."

"How do you know this stuff?" she says accusingly.

"Use your imagination. As soon as the manager pulls his half-hour check, wait for another five minutes, and then make your move. I'll try to give you a hand. Okay?"

"Got it."

At half an hour on the dot, she hears the back door being unlocked. The lights come on. Her Knight Visions save her from wracking eyeball pains. The manager thunks down a couple of steps, glares at her, glares at her for rather a long time. The manager, clearly, is tempted. That momentary glimpse of flesh has been ricocheting around in his brain for half an hour. He is wracking his mind with vast cosmological dilemmas. Y.T. hopes that he does not try anything, because the dentata's effects can be unpredictable.

"Make up your fucking mind," she says.

It works. This fresh burst of culture shock rattles the jeek out of his ethical conundrum. He gives Y.T. a disapproving glower - she, after all, forced him to be at-tracted to her, forced him to get horny, made his head swim - she didn't have to get arrested, did she? - and so on top of everything else he's angry with her. As if he has a right to be.

This is the gender that invented the polio vaccine?

He turns, goes back up the steps, kills the light, locks the door.

She notes the time, sets her alarm watch for five minutes from now - the only North American who actually knows how to set the alarm on her digital wristwatch - pulls her shiv kit from one of the narrow pockets on her sleeve. She also hauls out a lightstick and snaps it so she can see 'sup. She finds one piece of narrow, flat spring steel, slides it up into the manacle's innards, depresses the spring-loaded pawl. The cuff, formerly a one-way ratchet that could only get tighter, springs loose from the cold-water pipe.

She could take it off her wrist, but she has decided she likes the look of it. She cuffs the loose manacle onto her wrist, right next to the other one, forming a double bracelet. The kind of thing her mom used to do, back when she was a punk.

The steel door is locked, but Buy 'n' Fly safety regs mandate an emergency exit from the basement in case of fire. Here, it's a basement window with mondo bars and a big red multilingual fire alarm bolted onto it. The red looks black in the green glow of the lightstick. She reads the instructions that are in English, runs through it once or twice in her mind, then waits for the alarm to go off. She whiles away the time by reading the instructions in all the other languages, wondering which is which. It all looks like Taxilinga to Y.T.

The window is almost too grungy to see through, but she sees something black walking past it. Hiro.

About ten seconds later, her wristwatch goes off. She punches the emergency exit. The bell rings. The bars are trickier than she thought - good thing it's not a real fire - but eventually she gets them open. She throws her plank outside onto the parking lot, drags her body through just as she hears the rear door being unlocked. By the time the three-ringer has found that all-important light switch, she is banking a sharp turn into the front lot - which has turned into a jeek festival!

Every jeek in Southern Cal is here, it seems, driving their giant, wrecked taxicabs with alien livestock in the back seat, reeking of incense and sloshing neon-hued Airwicks! They have set up a giant eight-tubed hookah on the trunk of one of the cabs and are slurping up great mountain-man lungfuls of choking smoke.

And they're all staring at Hiro Protagonist, who is just staring back at them. Everyone in the parking lot looks completely astounded.

He must have made his approach from the rear - didn't realize that the front lot was full of jeeks. Whatever he was planning isn't going to work. The plan is screwed.

The manager comes running around from the back of the Buy 'n' Fly, sounding a bloodcurdling Taxilinga tocsin. He's got missile lock on Y.T.'s ass.

But the jeeks around the hookah don't care about Y.T. They've got missile lock on Hiro. They carefully hang the ornate silver nozzles on a rack built into the neck of the mega-bong. Then they start moving toward him, reaching into the folds of their robes, the inner pockets of their windbreakers.

Y.T. is distracted by a sharp hissing noise. Her eyes glance back at Hiro, and she sees that he has withdrawn a three-foot, curved sword from a scabbard, which she did not notice before. He has dropped into a squat. The blade of the sword glitters painfully under the killer security lights of the Buy 'n' Fly.

How sweet!

It would be an understatement to say that the hookah boys are taken aback. But they are not scared so much as they are confused. Almost undoubtedly, most of them have guns. So why is this guy trying to bother them with a sword?

She remembers that one of the multiple professions on Hiro's business card is Greatest sword fighter in the world. Can he really take out a whole clan of armed jeeks?

The manager's hand clenches her upper arm - like this is really going to stop her. She reaches across her body with the other hand and lets him have it with a brief squirt of Liquid Knuckles. He makes a muffled, distant grunt, his head snaps back, he lets go of her arm and staggers back wildly until he sprawls against another taxi, jamming the heels of both hands into his eye sockets.

Wait a sec. There's nobody in that particular taxi. But she can see a two-foot-long macrame keychain dangling from the ignition.

She tosses her plank through the window of the taxi, dives in after it (she's small, opening the door is optional), climbs in behind the driver's seat, sinking into a deep nest of wooden beads and air fresheners, grinds the motor, and takes off. Backward. Headed for the rear parking lot. The car was pointed outward, in taxicab style, ready for a quick getaway, which would be fine if she were by herself - but there is Hiro to think of. The radio is screaming, alive with hollered bursts of Taxilinga. She backs all the way around behind the Buy 'n' Fly. The back lot is strangely quiet and empty.

She shifts into drive and blasts back the way she came. The jeeks haven't quite had time to react, were expecting her to come out the other way. She screams it to a halt right next to Hiro, who has already had the presence of mind to put his sword back in its scabbard. He dives in the passenger-side window. Then she stops paying attention to him.. She's got other stuff to look at, such as whether she's going to get broadsided as she pulls out onto the road.

She doesn't get broadsided, though a car has to squeal around her. She guns it out onto the highway. It responds as only an ancient taxicab will.

The only problem being that half a dozen other ancient taxicabs are now following them.

Something is pressing against Y.T.'s left thigh. She looks down. It is a remarkably huge revolver in a net bag hanging on the door panel.

She has to find someplace to pull into. If she could find a Nova Sicilia franchulate, that would do it - the Mafia owes her one. Or a New South Africa, which she hates. But the New South Africans hate jeeks even more.

Scratch that; Hiro is black, or at least part black. Can't take him into New South Africa. And because Y.T. is a Cauc, they can't go to Metazania.